Eighty-year-old retired tailor, James McKay, spent Saturday night in prison after hitting 30-year-old Keith Smith over the head with his walking stick. McKay's wife, Laurene said that, while McKay is usually a（n）1 and pleasant person, he had been driven to this act of2 by literally getting wet just once too often. He could no longer3 it.

Smith lives above the McKays. He is a（n）4 gardener, and also a fish collector. Unfortunately, the water he5 over his balcony（平台）every day ended up on the McKay's floor, or too often, on the unsuspecting McKays themselves.

"For the last two weeks, since Smith moved into the flat above us, we dared not go onto our6 ," said Laurene. She added that it wasn't only the water7 their balcony from Smith watering his plants that8 them, but also the way he cleaned his fish9 . "We'd be sitting there happily reading our newspapers, when suddenly so much water would come from above that we'd be as wet as if we had10 with our clothes on! We could hardly11 the smell of fish!"

And on Saturday evening it was just too12 , "It was James' birthday," Laurene recalled, "and it was such a beautiful night to enjoy the starry night13 . I made him a birthday cake. The candles were a great sight as you can14 , but James didn't get to blow them out." Instead,

Smith15 one of his larger tanks over his balcony and both the McKays and the cake were wet through. "I have never seen him move so fast and I couldn't stop him. He was up there in a（n）16 ."

Smith is not going to take things further with the police. He has also17 to change his ways from now on. And what of James McKay? As he left the18 station,a large crowd of supporters sang him "Happy Birthday". "Definitely the most exciting birthday ever!" said the19 old man. "The best since my20 , I'd say!"

Last weekend I made my first visit to a remote village, home to one of our students, Tombe. Another teacher and I walked for two and a half hours to get there—first, up a mountain from where we had fantastic views, and then down a shaded path to the valley below. When we arrived at the village, Tombe's mother, Kiak, saw us coming and started crying "ieee ieee". We shook hands with all the villagers. Everyone seemed to be related to Tombe.

Tombe's father, Mukap, a man with a strong jaw and a wrinkled forehead, led us to his house, a low, round bamboo hut with no windows, with a door just big enough to get through, and with grass sticking out of the roof—this shows it is a man's house. Such housing is dark inside so it took time for our eyes to adjust. Fresh grass had been laid on the floor and there was a platform for Jenny and me to sleep on. There was a fireplace in the centre of the hut. The only possessions I could see were one broom, a few saucers, a kettle, cups, pans, and a couple of jars.

Mukap built a fire outside and laid stones on it to heat. He then placed the hot stones in an empty oil drum with kau kau（sweet potato）, ripe corn, and greens. He then covered the vegetables with banana leaves and left them to steam. It smelled delicious. We ate inside the hut sitting round the fire. I loved listening to the family talking softly to each other in their language, even though I could not participate much in the conversation. Luckily, Tombe interpreted for us.

Later. I noticed a can standing upside down on the grill（烤架）over the fire. After a while. Tombe threw it out of the doorway. Tombe told me that the can was heated to dry out the leftover food. His family believes that leftovers attract bad spirits in the night, so any leftover food is dried up in a can and the can is then thrown out of the hut.

We left the village the next morning after many goodbyes and firm handshakes. My muscles were aching and my knees shaking as we dragged ourselves down the mountain towards home. That evening I fell happily into bed. It was such a privilege to have spent a day with Tombe's family.

In spite of the fact that I had stayed with my sister for 14 years. I knew one thing—I would not want to be like her. In high school, she was a journalist and it was 1 she talked about. No matter how many times I said it, I 2 myself in "Intro to Journalism" freshman year,3 . Why? That was because my mother wanted me to be a journalist, 

Though it was the4 thing I wanted to do, I got to realize the point of being a journalist. It was 5 writing a report. It was also communicating with people by telling stories. After a short term, I began to see what happened around me 6 —I saw things as7 , which I wanted to share with people who wants to 8 .

In the second semester, I joined the newspaper staff and 9 nearly every position on staff, from designing different columns to taking photographs. I wrote stories, opinions, and almost any other thing for every 10 of the paper.

I loved everything around me, but I found my gift in visual journalism. I had a/an 11 for design and I was12 ready to put in. When I was writing each story, I promised to tell in its entirety. There is possibility that some 13 of a story can't be presented in a paragraph form. That is 14 I came in. I worked to improve the 15 of our magazine every day. But my work is not 16 to this. I also worked to add the web and multimedia 17 the publication. I loved producing content for the newspaper. 18 , I found myself creating less and less through my junior year. Then 1 was thinking up ideas and helping others to do the 19 to make their work happen.

Now, I'm proud to say that I have fully made 20 of what it means to be a good storyteller.

Why We Should Record Travel Moments

On a rainy summer day, I took a train to Switzerland and trekked through the mud to a medieval fortress high atop a cliff. After twisting through its dimly lit corridors, I finally {#blank#}1{#/blank#} (arrive) at the main viewpoint of Cave of the Fairies: a plunging 77m waterfall that shoots from underground into a sparkling pool. As the waterfall wet my jacket, I closed my eyes and took out my phone {#blank#}2{#/blank#} (record) the rush of dreamy reality before me.

I had come in search of a sound, not a sight.

Throughout my travels, I've found myself {#blank#}3{#/blank#} (collect) sound recordings the way other people collect souvenirs. Just as some travellers take photos of landscapes or their food, I started doing this as an artistic way to help me remember some of the most interesting details of my trips.

Environmental scientist Lauren Kuehne said, "I think that once you start to listen, once you actually start to listen, you start to appreciate how much {#blank#}4{#/blank#} (big) the world is."

This attitude {#blank#}5{#/blank#} (echo) by Samara Kester, a retired emergency medicine physician who now serves on QPI's board. "A photograph is two dimensions. {#blank#}6{#/blank#} you are looking at something you're seeing, it's maybe 180 degrees, maybe 270 degrees. Sound is 360 degrees. You hear it all around you." Kester explained {#blank#}7{#/blank#} teaching herself to be a better listener has not only expanded her sense of travel, but helped her relive her travels once she's back home. "You immerse {#blank#}8{#/blank#} in that place again. You recreate those memories and therefore recreate the feelings you had, {#blank#}9{#/blank#} are very hard to express clearly. You can re-experience that and that will send you to where you were before."

Months later back in my L.A. home, I find myself popping on my headphones and listening back to the rush of falling water inside Cave of the Fairies. When I close my eyes, I {#blank#}10{#/blank#} feel the spray of water against my skin, the sense of letting my ears lead me on a faraway adventure. Mentally, I'm right back there — if only for a moment.

Humans act with purpose, but much is still unknown about how we become purposeful agents — that is, how we develop the ability to willfully make things happen. In a recent study to explore agency's mysterious roots, we tried to catch infants (婴儿) in the act of discovering their own agency, thereby revealing the process of agency formation.

Researchers place a baby into a cradle with a mobile suspended above. Then a scientist ties one end of a string to the mobile and the other to the infant's foot. Now if the baby moves, the toy will, too. By observing babies in this setup, scientists can watch as the infants learn and recall a simple cause-and-effect interaction: kick a foot and the mobile moves.

As predicted by the researchers, infants kicked significantly more when their foot was tethered (拴住) to the mobile than when it was not. However, when an experimenter pulled the string to make the mobile move instead, infants moved less than when the mobile was at rest. Furthermore, when we freed the babies' foot from the mobile, they kept on kicking at higher rate to make the toy respond — and were visibly frustrated when that did not happen.

Our observations also pointed to a notable pattern: The babies' initial movements consisted of twisting and pushing without clear direction. But once tethered to the mobile, the more intensely they moved, the more their attention was drawn to the effect their kicking had on it. At some point, the infants must have figured out that they had agency, thus the aimless movements became intentional action — a highly coordinated exchange between the tethered infant and the mobile.

The baby-mobile study emphasizes how understanding the relationship between an organism and its environment is essential to uncovering the origins of directed behavior. The experience of agency emerges only when an organism senses it is coupled to its environment. In this way of thinking, the interaction and relationship between the two are crucial for purpose to arise.

It began on a cold rainy day in an alley (小巷) outside Lagos. But 11-year-old Anthony Mmesoma Madu from Nigeria seemed 1 , dancing barefoot across puddles (坑), jumping, and turning around. His2 took a quick video, 3 it on social media, and went back to teaching.

Then the 4 of "likes" and "shares" filled these few simple seconds with the potential (潜力) of 5 a new life. Actress Viola Davis saw the video and 6 , "It reminds me of the 7 of my people. We create, soar, imagine, have great passion, and love...despite the difficulties that have been put in front of us. Our people can 8 !!!"

In the past few weeks, some 15 million people from around the globe watched, fascinated, as Anthony danced across the puddles. Thanks to this support, he received a 9 to study virtually with some of the world's best ballet dancers a at New York's American Dance Theatre.

Famous male ballet dancer Calvin Royal Ⅲ was also 10 by Anthony's dancing. He offered help and 11 Anthony and his classmates. He told the young dancers, "You are not only 12 your world there in Africa but you re changing the minds of many people.

Many people in Anthony's community have never seen a 13 dancing ballet before. He told BBC, "When my friends see me dancing, they are 14 ," ‘What is this boy doing? Is he doing a foreign dance?' Where I Where I live there are no male ballet dancers like me.

But now, his love of dancing is 15 for Anthony, his incredible teacher, his classmates, future Nigerian dancers as well as boys who love ballet.