121min Adventure/Biography/Drama

    Storyline: A group of climbers start their final climb to the summit of Mount Everest，the highest point on Earth. With little warning，a violent storm strikes the mountain，swallowing the adventurers...

    Director: Baltasar Kormakur

    Stars:Jason Clarke, Ang Phula Sherpa, Thomas M.Wright

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    War Room

    120min Drama

    Storyline: Tony and Elizabeth Jordan, seemingly have it all--great jobs, a beautiful daughter, their dream home. In reality, their marriage has been a war zone. With guidance from Miss Clara, an older, wiser woman, Elizabeth discovers she can start fighting for her family instead of against them.

    Director: Alex Kendrick

    Stars: Priscilla C. Shirer, T.C. Stalligs, Karen Abercrombie

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    Straight Outta Compton

    147min Biography/Drama/Music

    Storyline: In 1987, five young men, using honest rhymes, put their frustration and anger about life into the most powerful weapon they had: their music. Straight Outta Compton tells the true story of how these cultural rebels（叛逆者）stood up to the authorities that meant to keep them down and formed the world's most dangerous group N.W.A.

    Director: F. Gary Gray

    Stars: O'Shea Jackson Jr., Corey Hawkins, Jason Mitchell

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    A Walk In The Woods

    104min Adventure/Biography/Comedy

    Storyline: After spending two decades in England, Bill Bryson returns to the US, where he decides the best way to connect with his homeland is to hike the Appalachian Trail. He travels with Katz, one of his oldest friends. The trouble is that the two have a completely different definition of the word, “adventure”. The real fun begins...

    Director: Ken Kwapis

    Stars: Robort Redford, Nick Nolte, Emma Thompson

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    From childhood, Moira loved to write. Throughout school she enjoyed writing, but pursuing it professionally was never a possibility. Her father was a doctor, her mother a nurse. “Medicine was a fairly safe choice,” Moira says, “and writing was a career where it wasn't a certainty that you'd have high income.”

    She became a doctor but still wanted to write something. However, being a doctor was so demanding that she didn't take up writing until her thirties. She produced a novel—a fictionalized version of her travel in China after university. She got excellent reviews. Moira sent it off to as many agents as she could find, and found one who wanted to represent her. Suddenly, it seemed she was on her way as an author.

    “I had one lengthy phone call with the agent where we went through all possible areas that she thought needed polishing. I worked on those and sent it back to her but didn't hear anything.” It wasn't long before Moira found another agent who was interested if she was willing to rewrite it from the first person to the third person. She did the hard work and sent it off again. “I got back a really brief letter: 'Thank you, I'm no longer interested.' It was really disappointing.”

    A decade went by, and Moira found herself eager to write again, this time purely for her own enjoyment. She set herself the challenge of creating a thriller and chose Western Australia as her setting.

    As she was writing just for herself, something surprising began to happen. “The characters took on a life of their own; they started doing things I hadn't thought about. It just flew.” One day, an agent called from Australia. Three weeks later, Moira had a publication deal. Her novel, Cicada, was published in March.

    “Even if it hadn't been published I still gained so much from the process,” says Moira.

    God has a way of allowing us to be in the right place at the right time.

    I was walking down a dark street late one evening when I heard screams coming from behind a clump of bushes (灌木). Alarmed, I slowed down to listen and soon realized that what I was hearing was the unmistakable sounds of a struggle: mad fighting and tearing of clothes.

    Only yards from where I stood a girl was being attacked. Should I get involved? I was worried about my own safety, and regretted having suddenly decided to take a new route home that night. What if I became another victim? Shouldn't I just run to the nearest phone and call the police?

    The girl's cries were growing weaker. I knew I had to act at once. How could I walk away from this? I finally made up my mind. I could not turn my back on the fate of this unknown girl, even if it meant risking my own life.

    I am not a brave man, nor am I physically strong. I didn't know where I got the courage and strength, but once I had decided to help the girl, I became strangely different. I ran behind the bushes and pulled the attacker off the girl. Struggling, we fell to the ground, where we wrestled for a few minutes until the attacker jumped up and escaped.

    Out of breath, I stood up and approached the girl, who was behind a tree, sobbing. Not wanting to frighten her further, I at first spoke to her from a distance. "It's okay," I said softly. "The man has run away. You're safe now." There was a long pause and then I heard the words, spoken in wonder, in amazement. "Dad, is that you?" And then, from behind the tree, out stepped my youngest daughter, Katherine.

    Attitudes toward new technologies often fall along generational lines. That is, generally, younger people tend to outnumber older people in face of a technological shift.

    It is not always the case, though. When you look at attitudes toward driverless cars, there doesn't seem to be a clear generational divide. The public overall disagree on whether they'd like to use a driverless car. In a study last year, of all people surveyed, 48 percent said they wanted to ride in one, while 50 percent did not.

    The fact that attitudes toward self-driving cars appear to be so steady across generations suggests how transformative the shift to driverless cars could be. Not everyone wants a driverless car now——and no one can get one yet ——but among those who are open to them, every age group is similarly engaged.

    When it comes to driverless cars, differences in attitude are obvious based on factors not related to age. College graduates, for example, are particularly interested in driverless cars compared with those who have less education: 59 percent of college graduates said they would like to use a driverless car compared with 38 percent of those with a high-school diploma or less.

    Where a person lives matters, too. More people who lived in cities and suburbs said they wanted to try driverless car than those who lived in rural areas.

    While there's reason to believe that interest in self-driving cars is going up, a person's age will have little to do with how self-driving cars can become mainstream. Once driverless cars are actually available for sale, the early adopters will be the people who can afford to buy them.

    It's a common belief that the roles actors play might somehow reflect their true personalities. It's usually not true, but British actress Phoebe Waller-Bridge, 34, is an exception.

    Just like Fleabag, the character she played in the comedy-drama series of the same name, Waller-Bridge feels that her life is a mess. "It's just really wonderful to know that a dirty and messed up woman can make it to the Emmys," she said. She may be "messed up", but Variety magazine calls her an "all-around icon".

    Last month, Waller-Bridge took home three Emmy awards for her work on Fleabag — best writing in a comedy series, best lead actress, and best comedy series.

    Her success is partly because of her family. Waller-Bridge was brought up in a free environment. Her mother always told her, "You can be whatever you want if you imagine it." So Waller-Bridge broke all the rules about what a "good" girl should do. "Our laws and moral codes don't apply — she lives without fear of consequence," The Sun noted.

    That fearlessness extends to being authentic (真实的) in her writing and acting. Unlike the can-do heroines and strong, successful women in many TV dramas, Waller-Bridge shows a flawed but real character. The character Fleabag was a screw-up who always found a way to say or do the wrong thing. "It resonated with the lives of stressed-out women everywhere in reality — doing their best to find balance in their lives," a viewer wrote on US movie website.

    Villanelle in Killing Eve, another hit TV series developed by Waller-Bridge, was a little bit violent but showed no interest for the rules others created, which make many people see themselves in her.

    "People have been scared to write characters like these. But I think, now, women are so relieved to have this new template (样板). And, aren't we all a bit of everything?" Waller-Bridge said in an interview with Indian Express.

    With such courage and sincerity, Waller-Bridge is, without a doubt, a "golden girl" in Hollywood, Australian news website The New Daily commented.