The book ABigFatCrisis: TheHiddenForcesBehindObesityEpidemic— andHowWeCanEndIt by Deborah Cohen, a senior natural scientist, is very popular now. {#blank#}1{#/blank#} But according to this book, the following are some misunderstandings of obesity or being overweight.

1)．If you're obese, blame your genes.

    {#blank#}2{#/blank#} Yet, between 1980 and 2000, the number of Americans who are obese has doubled—too quickly for genetic factors to be responsible. At restaurants, a dollar puts more calories on our plates than ever before, because restaurant meals usually have more calories than what we prepare at home, so people who eat out more frequently have higher rates of obesity than those who eat out less.

2)．If you're obese, you lack self­control.

    Research shows that if we are faced with too much information, we have a tendency to make poor choices on diet. {#blank#}3{#/blank#} Even, the most vigilant(警觉的)people may not be good controllers of themselves.

3)．{#blank#}4{#/blank#}

    Although the US Department of Agriculture estimates that fewer than 5 per cent of Americans live in the “food deserts”， about 65 per cent of the nation's population is obese. For most of us, obesity is not related to access to more fresh fruits and vegetables, but to the choices we make in supermarkets.

4)．The problem is not that we eat too much, but that we don't exercise.

    Michelle Obama's “Let's Move” campaign is based on the idea that if kids exercise more, childhood obesity rates will decrease. {#blank#}5{#/blank#} In fact, although a drop in work­related physical activity may explain up to 100 fewer calories burned, leisure physical activity appears to have increased.

    Last Saturday on the way to the mall, two children, a boy and a girl, came running towards me with bottles on their hands, asking if I wanted bottled water. It was a surprising gesture. I was wondering if they were doing fund-raising. I knelt and asked them where their parents were and how much a bottle of water cost. Then two adult women came up to me explaining what the children were doing. “We are teaching the children to give without anything in return. We are teaching people to accept without giving in return. ”

    Two mothers had bought bottled water and placed a sticker(小贴纸) on all bottles with five different quotes（引述）：

1). Smile at everyone. You'll never know when someone may need it.

2). If Plan A does not work, there are 25 more letters in the alphabets.

3). Have a thirst for life. Every day is filled with possibilities.

4). In your thirst for knowledge, be sure you don't drown in all the information.

5). Dig your well before youh're thirsty.

    The bottle I have has quoted No.5. A sudden change of attitude opened up between me, the mothers and the children. We are no longer strangers to each other. We were having such a great time chatting and I ended up helping them give away the rest of the bottled water.

    One young lady was so thankful that she happily accepted the water and said it was the best thing that happened to her all day since she had a bad day at work. A man refused and walked away saying “No, thanks”. A couple kept on bowing to us in gratitude. When it was all done, the children and I were giving each other high-five. It was so much fun. I think I had more fun doing this than the mothers and the children.

    In 2007, the editors of the Oxford Junior English Dictionary, convinced that their reference work “needed to reflect the consensus experience of modern-day childhood.”banned a group of old terms used less today describing the natural world. They inserted newer and supposedly more useful words describing the digital fields that young people in habit today.

    Thus they say goodbye to “acorn”, but say hello to “attachment”. “Beech” and “bluebell” come out of the dictionary. While “blog” and “broadband” come into it. And they say farewell to “catkin” and “cowslip” because here come “celebrity” and “chat room”.

    It's possible, of course, that those Oxford editors had a good reason for their vocabular cleansing. Perhaps they had read the Cambridge University study revealing that most young children can identify Pokémon(神奇宝贝)species far more easily than they can name real-life sparrows.

    But is this simply another fight in the language war, an ongoing battle between people? Some people argue that a dictionary should model how language works best, while some people insist that it should capture how language works now.

In Britain, some citizens felt justified in fighting back against the decision of the Oxford editors. The protest of the thinning of the word herd almost immediately attracted more than200, 000 signatures.

    Susie Dent, author of Modern Tribes：The Secret Languages of Britain, is doing everything in her power to guarantee “the old markers of time”. “Fortnight”(fourteen nights, or two weeks)is among her cherished favorites.

    Thanks to them, I can now show off my knowledge that a “snollygoster” is a “shrewd person, especially a politician”.

    Jim Denevan is an amazing artist whose work is admired by all, but owned by none--that's because all of Jim's art is created on an unusual canvas（画布）--the soft sand. He sometimes spends days working on a piece, only to see it washed away by the sea or a storm and that is just the way he likes it.

    Denevan discovered his artistic talents about ten years ago, when he was wandering aimlessly on the beach with a stick. He ended up drawing a 12-foot-long fish. Since then, Jim has traveled over 1,800 miles while creating over 600 pieces of sand art.

    Over the years, his drawings have become bigger, but the tools he uses haven't changed--All he needs is a stick, a garden rake（耙子）and most importantly, his lively imagination!

    Just like any good artist, Jim is quite particular about the “quality" of his canvas, sometimes walking for miles, looking for perfect sand. His latest piece of work, which is also the world's largest freelance（自由职业的）drawing, was created in the desert sand of Nevada. It took Jim three trips, eight days and over 100 miles of walking to create this 3-mile work of art. It took the storm just one night to destroy it! However, Jim says he actually enjoys watching the waves or rain, wash his paintings away.

    Jim's art has become very popular over the years and was even the topic of a documentary' （记录片）named “Sandman” in 2015. Jim Denevan is not just about art in the sand — he is also an excellent chef （厨师）and founder of an organization called“Outstanding in the Field”，whose motto（座右铭）is to celebrate food at its source. Accordingly, group dining events are held outdoors on farms, with the diners being treated to a delicious meal. The events, which are held in different farms throughout America, are always sold out the minute the schedule is announced.

    Putting a dinosaur skeleton(骨架)together is not easy. The skeletons are usually very incomplete. Many dinosaur fossils(化石) are discovered badly damaged. Bones are often found crashed (压碎) or bent by the great weight of the dirt and rock above. Sometimes parts from different creatures are mixed together. This just adds to the confusion.

    Unfortunately, some scientists have not been careful enough in their descriptions of dinosaurs. They have told grand stories of how dinosaurs looked and behaved. All of these descriptions are based on guesswork – the imaginations of people who have never seen a living dinosaur. Some scientists have made complete pictures of dinosaurs based on just a single bone or tooth or leg. Such pictures are based on many guesses and very little facts. The scientists' ideas often turn out to be wrong when more facts are discovered.

    Dinosaur fossils are not found with labels attached showing what the animals looked like. That is why no pictures of dinosaurs are exactly right. Every dinosaur painting is sure to contain at least some wrong information. No artist in the twentieth century ever saw the living, breathing animals -- complete with skin, flesh, and color.

    For instance, imagine never having seen or heard of a peacock. One day you find the jumbled bones of it buffed in the ground. You try to put the bones together to form a skeleton. And then you try to draw a picture of what the animal looked like when it Was alive. But bones cannot tell the whole story. Even if you are a very good artist, it would be a miracle if you drew a tree picture of a peacock just from the bones and your imagination.

    Yellowstone National Park is the flagship of the National Park Service and a favorite to millions of visitors each year. The park is a major destination for all members of the family. By driving the grand loop road, visitors can view the park from the comfort of their vehicle and also take a rest at one of the many roadside picnic areas.

    How much is the entrance fee?

    $25 - Private, noncommercial vehicle;

    $20 - Motorcycle or snowmobile (winter);

    $12 - Visitors 16 and older entering by foot, bike, ski, etc.

    This fee provides the visitor with a 7-day entrance permit for both Yellowstone and Grand Teton National Parks.

    A $50 park annual pass provides entrance for a single private non-commercial vehicle at Yellowstone and Grand Teton National Parks. The $10 Interagency Senior Pass (62 and older) is a lifetime pass available to U.S. citizens or permanent residents.

    Where can you stay?

    Inside Yellowstone, you can choose to stay in modern or historic hotels and cabins inside the park like the Old Faithful Inn, the world's largest log structure. For those who want to be a little closer to nature, there are 12 campgrounds with a range of services from primitive pit toilets to shower and laundry facilities. There's also RV camping with and without dumping stations.

    Staying outside the park gives you unique Old West experiences but still keeps you close to park attractions.

    If you're taking a road trip to Yellowstone, you'll want to check out our Hotels and Cabins On The Road section.