Tea drinking was common in China for nearly one thousand years before anyone in Europe had ever heard about tea. People in Britain were much slower in finding out what tea was like, mainly because tea was very expensive. It could not be bought in shops and even those people who could afford to have it sent from Holland did so only because it was a fashionable curiosity. Some of them were not sure how to use it. They thought it was a vegetable and tried cooking the leaves. Then they served them mixed with butter and salt. They soon discovered their mistake but many people used to spread the used tea leaves on bread and give them to their children as sandwiches.

    Tea remained scarce and very expensive in England until the ships of the East India Company began to bring it direct from China early in the seventeenth century. During the next few years so much tea came into the country that the price fell and many people could afford to buy it.

    At the same time people on the Continent were becoming more and more fond of tea. Until then tea had been drunk without milk in it, but one day a famous French lady named Madame de Sevigne decided to see what tea tasted like when milk was added. She found it so pleasant that she would never again drink it without milk. Because she was such a great lady that her friends thought they must copy everything she did, they also drank their tea with milk in it. Slowly this habit spread until it reached England and today only very few Britons drink tea without milk.

    At first, tea was usually drunk after dinner in the evening. No one ever thought of drinking tea in the afternoon until a duchess（公爵夫人）found that a cup of tea and a piece of cake at three or four o'clock stopped her getting “a sinking feeling” as she called it. She invited her friends to have this new meal with her and so, tea-time was born .

    It was dawn of March 21, 2018. Gary Messina was on his morning run along New York City's East River. Suddenly something caught his eye – a large 60-year-old man balancing on the four-foot-high fence that guarded the path from the water. As Messina got closer to the scene, the man took a step forward and slipped into the dark river below.

    When Messina reached nearer, the man was struggling in the water, clearly unable to swim. Other joggers also heard the man's cry. David Blauzvern and John Green dropped their phones and keys on land and jumped in. “People had called the police, but it was unclear when they'd get there.” says Green. “We just reacted.” Messina joined them in the river. Just as the jumper was losing strength, Blauzvern take hold of him. The pair were about 30 yards from the seawall when Messina and Green caught up to them. They seized the man, with Blauzvern supporting his back and Messina and Green holding him up from either side. As the men made their toward the concrete seawall that stretched (延伸) for blocks in each direction, Blauzvern had an awful realization: there was no way out of the river.

    By now, a crowd had gathered on land. “A rescue boat is on its way,” someone yelled to them. Swimming forward was getting tougher by the minute. The jumper, who was six foot two and weighed around 260 pounds, was heavy in his rescuers' arms. After ten minutes, they managed to get to the river's edge. “I've never been so out of breath,” says Blauzvern.

    Fifteen minutes after the men had jumped into the river, the two-man rescue boat appeared. But because it couldn't risk getting too close to the seawall, the men had to swim out to it. “I was completely out of energy at this point,” says Blauzvern. The men in the water pushed the jumper while the men in the boat pulled him up and, finally, to safety. The man they had saved was taken to the hospital for evaluation(评估). Details on his condition have not been known. As for the rescuers, each of them was at work by 10:30 a.m. “I was a bit late,” admits Blauzvern, smiling. “But I had a good excuse.”

    The booking notes of the play 'Sherlock'

    Price: $10

    BOOKING

    There are four easy ways to book seats for the play:

—in person

    The Box Office is open from Monday to Saturday, 10 am—8 pm

—by telephone

    Ring 01324976 to reserve(预订) your tickets or to pay by credit card (Visa and MasterCard).

—by post

    Simply complete the booking form and return it to Box Office.

—online

    Complete the online booking form at www.Satanfiedtheatre.com.

    DISCOUNTS（折扣）:

    Saver: $2 off any seat booked any time in advance for the play from Monday to Thursday. Savers can be got for children up to 16 years old, over 60s and full-time students.

    Supersavers: half-price seats can be got for people with disabilities and one companion. It is advisable to book in advance. There is a maximum of eight wheelchair spaces and one wheelchair space will be held until an hour before the show.

    Standby: best seats are on sale for $6 from one hour before the play for people suitable for Saver and Supersaver discounts and thirty minutes before for all other customers.

    Group Booking: there is a 10% discount for parties of twelve or more.

    School: school parties of ten or more can book $6 standby tickets and will get every tenth ticket free.

    Please note: we are unable to exchange tickets or pay the money back unless the play is called off because of unexpected situations.

    Kendrick Lamar hasn't had much luck when it comes to winning a Grammy. But that's OK： The US rapper(说唱歌手) has just won a Pulitzer Prize for his music.

    In 2014, in 2016, and again this year. Lamar was nominated (提名)for an album of the year Grammy. Each time, he was beaten out, first by Taylor Swift, next by Daft Punk, and most recently by Bruno Mars.

    But the Pulitzer Prize committee was inspired enough by Lamar's 2017 album, Damn, to award the 30-year-old its Pulitzer Prize in music on April 16. It's an amazing album that documents the real life of modem African-Americans in South Los Angeles with wildly accomplished beats and rhythms.

    Lamar's win is considered to be historical. 'The Pulitzers have long displayed their preference toward high art rather than the pop culture of the masses. So it's not just that no rapper has ever won a Pulitzer: no pop music maker has ever won one in the award's 75-year history.

    But Lamar is not just a singer—he's clever at using language. Like the best writers, his music describes small moments that illustrate (阐明) larger points. His songs are about his experience as a black man who grew up in California, struggled, got into trouble, and found his way out by working hard and making sense of the history and reality of racial problems in the US.

    “He's an artist who challenges idea,” said Ryan Coogler, director of the blockbuster(大片) hit Black Panther, for which Lamar created music. "One big theme in our film of,' What does it mean to be African?' Kendrick in his music is very exactly and directly challenging that question."

    Good artists entertain us, great artists make us think, and exceptional artists help us empathize (感同身受) .

    There are a lot of good, great, even exceptional artists in rock, pop, country, and hip-hop. But only Lamar has a Pulitzer Prize.

Imagine reading a story titled "Pursuing Success." That would be an inspiring story, wouldn't it? Maybe—but maybe not. It might well be the story of someone whose never-ending chase for more and more success leaves them unsatisfied and incapable of happiness.

Though it isn't a conventional medical addiction, for many people success has addictive properties. Obviously, success goes with praise. To a certain extent, praise stimulates the neurotransmitter dopamine (神经递质多巴胺), which contributes to all addictive behaviors.

The desire for success may be born to human nature, but specialness doesn't come cheap. Success is tough work, and it requires bearing the cost of losing. In the 1980s, the physician Robert Goldman famously found that more than half of ambitious athletes would be willing to take a drug that would kill them in five years in exchange for winning every competition they entered.

Unfortunately, success is endless. The goal can't be satisfied; most people never feel "successful" enough. The high only lasts a day or two, and then it's on to the next goal. Psychologists call this the hedonic treadmill (快乐跑步机现象), in which satisfaction wears off almost immediately and we must run on to the next reward to avoid the feeling of falling behind.

People should get off the treadmill. But quitting isn't easy for addicts. For people hooked on substances, withdrawal can be a painful experience, both physically and psychologically, research finds that depression and anxiety are common among outstanding athletes after their careers end. Olympic athletes, in particular, suffer from the" post-Olympic blues."

Just like wine, success in and of itself is not a bad thing. Both can bring fun and sweetness to life. But both become bossy when they are a substitute for — instead of a complement (补充物)to — the relationships and love that should be at the center of our lives.