There is a growing number of kidults—or adults who wear themask of maturity but prefer to pander(迎合) to their inner child.

    They feel ill equipped for parenthood, because they don't see what values or lessons they could honestly pass on to their young, besides self-centeredness and a passion for the good things in life. They are trying to live by not acting their age.

    As Ms Jane put it in her letter: I'm married, in my late 20s and enjoy a lifestyle other married graduate couples enjoy: winning and dining, tasteful clothes, travel and a career. Why give up all these for a baby?

    It is reported that when asked whether they were adults, most people in their 20s answered they were not sure. This reflected a global economy in which people chased more papers to get better jobs that would comfortably support middle class living.

    Being a kidult is not all about being selfish, though. With the untold uncertainties of war, fluctuating(波动) markets, disease and terrorism, many see this world as a poor place to live in—let alone bring kids up in. This seems especially so in urban living. All anyone wants after a long, hard day at work is some peace and quiet.

    My classmate, Jenny, mused(沉思) recently howour friends living in small Malaysian towns were onto their second or third kids. Maybe they just loved having children around. Or maybe, in their own way, they wanted to leave the world a better place than they found it.

    That's how you, I and everyone know we have the chance tobreathe air, touch grass and see sky. I think out parents understand that just being alive is an experience worth passing on.

    There are an extremely large number of ants worldwide. Each individual (个体的) ant hardly weigh anything, but put together they weigh roughly the same as all of mankind. They also live nearly everywhere, except on frozen mountain tops and around the poles. For animals their size, ants have been astonishingly successful, largely due to their wonderful social behavior.

    In colonies (群体) that range in size from a few hundred to tens of millions, they organize their lives with a clear division of labor. Even more amazing is how they achieve this level of organization. Where we use sound and sight to communicate, ants depend primarily on pheromone (外激素), chemicals sent out by individuals and smelled or tasted by fellow members of their colony. When an ant finds food, it produces a pheromone that will lead others straight to where the food is. When an individual ant comes under attack or is dying, it sends out an alarm pheromone to warn the colony to prepare for a conflict as a defense unit.

    In fact, when it comes to the art of war, ants have no equal. They are completely fearless and will readily take on a creature much larger than themselves, attacking in large groups and overcoming their target. Such is their devotion to the common good of the colony that not only soldier ants but also worker ants will sacrifice their lives to help defeat an enemy.

    Behaving in this selfless and devoted manner, these little creatures have survived on Earth, for more than 140 million years, far longer than dinosaurs. Because they think as one, they have a collective (集体的) intelligence greater than you would expect from its individual parts.

    I had worried myself sick over Simon's mother coming to see me.I was a new teacher,and I gave an honest account of the students' work.In Simon's case,the grades were awfully low.He couldn't read his own handwriting.But he was a bright student.He discussed adult subjects with nearly adult comprehension.His work in no way reflected his abilities.

    So when Simon's mother entered the room.my palms（手掌心）were sweating.I was completely unprepared for her kisses on both my cheeks."I came to thank you,"she said,surprising me beyond speech.Because of me,Simon had become a different person.He talked of how he loved me,he had begun to make friends,and for the first time in his twelve years,he had recently spent an afternoon at a friend's house.She wanted to tell me how grateful she was for the self-respect I had developed in her son.She kissed me again and left.

    I sat,stunned,for about half an hour,wondering what had just happened.How did I make such a life-changing difference to that boy without even knowing it?What I finally came to remember was one day,several months before, when some students were giving reports in the front of the class,Jeanne spoke quietly,and to encourage her to raise her voice,I had said,"Speak up.Simon is the expert on this.He is the only one you have to convince,and he can't hear you in the back of the room."That was it.From that day on,Simon had sat up straighter,paid more attention,smiled more,and became happy.And it was all because he happened to be the last kid in the last row.The boy who most needed praise was the one who took the last seat that day.

    It taught me the most valuable lesson over the years of my teaching career,and I'm thankful that it came early and positively.A small kindness can indeed make a difference.

    I visited Copenhagen for the first time last Easter. As a student，I'm always strapped for cash，so I assumed I could only afford to breathe the air — but luckily everything about Copenhagen is breathtaking.

I was staying in an Airbnb, and rented a bike so I could cover more ground. One of the first places I visited was the Rundetaarn, or "round tower" built in the 17th century as an astronomical observatory. It has an equestrian staircase (a wide set of stairs big enough for horses to use) that went on and on. As I was going up, I stopped to visit the tower's library hall. At the top, there's a glass platform that gives a view 80-foot straight down, as well as a bell loft. Luckily, the views over Copenhagen from the top were well worth the climb.

    After coming down, I hiked up to the Kastellet Fortress to see the famous Little Mermaid statue. Taking a photo with her was almost impossible with all the tourists crowding around—but sitting there and hearing the lapping waves of the deep blue Baltic Sea, waiting for the sun to set, was an unforgettable and calming experience.

    The next day, I visited the Glyptotek art museum, exploring the grand exhibits. I looked into the marble eyes of many Roman gods，and walked down dimly lit staircases to see mummies from Egypt.

    Before I unwillingly boarded the train back to the airport, I told myself that I must visit again—to experience the thrills of Tivoli Gardens, try more of the street food and everything else from this amazing city.

    In the coming months, we are bringing together artists from all over the globe, to enjoy speaking Shakespeare's plays in their own language, in our Globe, within the architecture Shakespeare wrote for. Please come and join us.

    National Theatre of China   Beijing︱Chinese

    This great occasion will be the National Theatre of China's first visit to the UK. The company's productions show the new face of 21st century Chinese theatre. This production of Shakespeare's Richard III will be directed by the National's Associate Director, Wang Xiaoying.

    Date & Time: Saturday 28 April, 2:30pm & Sunday 29 April, 1:30pm & 6:30pm

    Marjanishvili Theatre   Tbilisi | Georgian

    One of the most famous theatres in Georgia, the Marjanishvili, founded in 1928, appears regularly at theatre festivals all over the world. This new production of As You Like It is helmed (指导) by the company's Artistic Director

    LevanTsuladze.

    Date & Time: Friday 18 May, 2:30pm & Saturday 19 May, 7:30pm

    DeafinitelyTheatre London | British Sign Language (BSL)

    By translating the rich and humorous text of Love's Labor's Lost into the physical language of BSL, Deafinitely Theatre creates a new interpretation of Shakespeare's comedy and aims to build a bridge between deaf and hearing worlds by performing to both groups as one audience.

    Date & Time: Tuesday 22 May, 2:30pm & Wednesday 23 May, 7:30pm

    Habima National Theatre Tel Aviv | Hebrew

    The Habima is the centre of Hebrew-language theatre worldwide. Founded in Moscow after the 1905 revolution, the company eventually settled in Tel Aviv in the late 1920s. Since 1958, they have been recognized as the national theatre of Israel. This production of Shakespeare's The Merchant of Venice marks their first visit to the UK.

    Date & Time: Monday 28 May, 7:30pm & Tuesday 29 May,7:30pm

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