Monthly Talks at London Canal Museum

    Our monthly talks start at 19:30 on the first Thursday of each month except August. Admission is at normal charges and you don't need to book. They end around 21:00.

November 7th

    The Canal Pioneers, by Chris Lewis. James Brindley is recognized as one of the leading early canal(运河) engineers. He was also a major player in training others in the art of canal planning and building. Chris Lewis will explain how Brindley made such a positive contribution to the education of that group of early“civil engineers”.

December 5th

    Ice for the Metropolis, by Malcolm Tucker. Well before the arrival of freezers, there was a demand for ice for food preservation and catering(保存和供应)，Malcolm will explain the history of importing(进口) natural ice and the technology of building ice wells, and how London's ice trade grew.

February 6th

    An Update on the Cotswold Canals, by Liz Payne. The Stroudwater Canal is moving towards reopening. The Thames and Severn Canal will take a little longer. We will have a report on the present state of play.

March 6th

    Eyots and Aits-Thames Islands, by Miranda Vickers. The Thames has many islands. Miranda has undertaken a review of all of them. She will tell us about those of greatest interest.

Online bookings: www.canalmuseum.org.uk/book

More info: www.canalmuseum.org.uk/whatson

London Canal Museum

12-13 New Wharf Road, London NI 9RT

www.canalmuseum.org.uk   www.canalmuseum.mobi

Tel:020 7713 0836

    These days, I walk down the steps leading toward the south end of the All England Club in Wimbledon, and still look for the Crow's Nest, a small green observation tower with an outer ladder that I used to climb on for a wide view of the grounds, but which has since been knocked down.

    The Crow's Nest was a particularly useful point, because it allowed a tennis writer to keep track of the action on as many as 10 outside courts at a time. At days end, reporters from different nations would share notes on what they had observed all over the grounds.

    Twenty-seven years later, the press room has touch screens that allow us to watch live videos from any court, and even go back to watch key moments in key matches long after they have finished. You could cover Wimbledon without leaving your seat. But that is a bit like spending all your time ordering room service and looking up fun facts on Wikipedia.

    More than at any other tennis tournament, there is also an appetite for stories that deal with the setting, the history and the traditions.

    If they change the price of the fish tacos (鱼肉卷饼) at the United States Open, it's not a story. If they change the price of the strawberries and cream, the signature treat at Wimbledon. It's time to email your editor using capital letters.

    The new retractable (可伸缩的) roof was put in place in 2009. Until then, you always had to have a rainy-day story in your notebook because there were no guarantees any matches would be played. Now tennis is a sure thing on Centre Court, which has made tennis reporters a bit less creative. But at least it guarantees us daily access to the most atmospheric place in the sport.

    So much has changed, but Centre Court remains true to its original spirit: more a theater than a stadium. Catching that feeling is part of covering Wimbledon, too.

    If you're a fan of smart technology, you may have had some sleepless nights lately.

    That's because Alexa, the artificial intelligence (AI) behind US company Amazon's Echo smart speakers, has been "letting out an automatic, creepy (令人毛骨悚然的) cackle," for no apparent reason, according to BBC News.

    Many social media users shared their stories of Alexa scaring them with the seemingly unprompted laugh.

    "Every time Alexa laughs, an angel dies," Tesla and SpaceX founder Elon Musk joked on social media.

    On March 7, Amazon released an update that fixed the problem, saying that the laugh was triggered (引发) by Echo devices mistakenly thinking that users had said the command "Alexa, laugh".

    However, what should have been a funny story raised the ongoing topic of man versus machine.

    With the rise of artificial and robotic technology, "Digital machines have started to demonstrate (展示) broad abilities in pattern recognition, complex communication, and other fields that used to only belong to human," wrote Erik Brynjolfsson and Andrew McAfee in their book The Second Machine Age: Work, Progress, and Prosperity in a Time of Brilliant Technologies. They believe that AI will "do more and more, and our lives will get better".

    However, ever since the earliest days of AI, there have been concerns that some day, software will take over the world, leaving the fate of humans unknown.

    "With artificial intelligence we are summoning (召唤) the demon ," Musk told students during a meeting at MIT in 2014. "If I had to guess at what our biggest existential threat is, it's probably that. So we need to be very careful."

    Many scientists have shared the same concern. The late British physicist Stephen Hawking said at a technology conference in Portugal in November that "computers can, in theory, imitate human intelligence, and exceed it… AI could be the worst event in the history of our civilization." If creators are to safely control AI, however, Hawking suggested that they "employ best practice and effective management".

    "I am an optimist and I believe that we can create AI for the good of the world," he said at the conference. "We simply need to be aware of the dangers, identify them, employ the best possible practice and management, and prepare for its consequences well in advance."

    Some people find visiting ordinary museums to be a bit dull. Fortunately for them, there are unusual museums to check out, such as underwater museums!

    How can you visit and what can you see?

    Many underwater museums are supported by companies that offer guided tours. A trained guide leads groups around a stunning underwater display of statues in each museum. Depending on the depth of the museum, visitors may be able to view the sculptures from a glass bottomed boat or by swimming on the surface. Other underwater museums are deeper and are most accessible to scuba divers.

    Why are the museums underwater?

    Underwater museums have many functions. One of their aims is to create a man-made reef environment where sea creatures can live. That's why some of the museums are located in areas that were damaged by hurricanes or are considered underwater ''deserts''. The statues in the museum are designed in a way that encourages the growth of coal and plant life. Over time, the statues and plants attract a growing number of fish to the area.

    Florida, U.S.A.

    Florida is home to different types of underwater museums. The state's newest underwater museum, the Underwater Museum of Art, can be found off the coast of Grayton Beach. This part of the Gulf Mexico is an underwater desert, so creators hope that the exhibit will improve the marine ecosystem.

    Cancun, Mexico

    For years, Cancun has been a popular tourist destination. And one of the major draws is the water. The Museo Subacuatico de Arte is an ideal place for snorkelers and first-time divers. There they can enjoy more than 500 statues that help to make up a man-made reef. This museum was created to offer visitors a replacement for the areas natural reef, which has been damaged.

    Canary Island, Spain

    Museo Atlantico, off the coast of Lanzarote, has an impressive display of more than 300 statues. They were created by the same sculptor who made the Cancun statues. They focus on man's interaction with the marine world.

    There are moments in life when you miss someone so much that you just want to pick them from your dreams and hug them for real! Dream what you want to dream; go where you want to go; be what you want to be, because you have only one life and one chance to do all the things you want to do.

    May you have enough happiness to make you sweet, enough difficulties to make you strong, enough sorrow to keep you human, enough hope to make you happy.

    Always put yourself in others' shoes. If you feel that it hurts you, it probably hurts the other person, too.

    The happiest people don't necessarily have the best of everything; they just make the most of everything that comes along their way. Happiness lies for those who cry, those who hurt, those who have searched, and those who have tried, for they can appreciate the importance of people who have touched their lives.

    Love begins with a smile, grows with a kiss and ends with a tear. The brightest future will always be based on a forgotten past, and you can't go on well in life until you let go of your past failures and heartaches.

    When you were born, you were crying and everyone around you was smiling. Live your life so that when you die, you're the one who is smiling and everyone around you is crying.

    Please send this message to those people who mean something to you, to those who have touched your life in one way or another, to those who make you smile when you really need it, to those who make you see the brighter side of things when you are really down, to those who you want to let know that you appreciate their friendship. And if you don't, don't worry; nothing bad will happen to you. You will just miss out on the opportunity to brighten someone's day with this message.

A living robot has been created out of frog skin cells. Xenobots, named after the frog species Xenopus laevis that the cells come from, were first described last year. Now the team behind the robots has improved their design and demonstrated new capabilities.

To create the xenobots, Michael Levin at Tufts University in Massachusetts and his colleagues obtained tissue from 24-hour-old frog embryos after very small physical operation. Where the previous version relied on the contraction of heart muscle cells to move them forward by pushing off surfaces, these new xenobots swim around faster. They also live between three and seven days longer than their previous generation, which only lasted about seven days, and have the ability to sense their surroundings to some extent, turning red when exposed to blue light.

"The fundamental finding here is that when you free skin cells from their normal context, and you give them a chance to build other things than what they normally build," says Levin. "To me, one of the most exciting things here is that they are plastic. This idea that even normal cells, not genetically modified, are in fact capable of building something completely different."

Because they are created from cells, the xenobots eventually break apart and are totally biodegradable, says team member Douglas Blackiston, also at Tufts University. He therefore hopes that they can be used for biomedical and environmental applications.

Previous attempts at creating living robots, such as a wirelessly controlled cockroach, have involved dealing with live animals, raising ethical concerns. Xenobots differ from these because they are made entirely of living cells. "The approach here is maybe ethically the least problematic because everything starts with cells. They have no neurons, so it's not an animal," says Auke ljspeert at the Swiss Federal Institute of Technology at Lausanne, who wasn't involved in the research. "It's really cells, so I find it maybe the cleanest way."