It is common and usual to see people freak out when they face challenges in their life. We all pass in different life problems and challenges. No one is free of life problems. Only a dead man faces no problem. As long as you are alive, challenges are everywhere.

    How do you face problems and challenges in your life? Problems and challenges are the building blocks of your personality. They make you who you are. Besides, whether what happened in your life builds or destructs you depends on how you look at it. If you take your problems as troubles, they will be troubles and may cause destruction. If you take them as constructive tools, you are going to be built up on them.

    Problems are everywhere. No one can avoid them. And they are good too. They open up a different look and opportunity if you are willing to see. When you face troubles, do not frustrate or freak out. Just cool yourself to think in a different direction. Think in a positive way. Every problem has its own good as well as bad sides. Focus on the good one. Look at the bright side.  Besides, there is always a good person, perhaps your mom or dad, or one of your friends, right beside you who can turn everything into your best if you are willing to turn to them. No matter what happens, they will be there to help you. Trust them and they will never let you down. All you need to know is that you are loved wherever you are.

Scholastic Art: What is your job?

Jayson Fann: I build human-sized nests all over the world.

SA: Can people sit in your nests?

JF: Yes! People have dinner parties in my nests. They read and relax in them. Some of my nests even have several rooms. My nests are even used as hotel rooms.

SA: How do you make a nest?

JF: First, I make a design for the nest. Then I review the design with my client（客户）. After the design is final, I collect wood and work with a team to build it.

SA: What do you use to make your nests?

JF：I use eucalyptus（按树）wood， which is soft and easy to bend when it is young and freshly cut. But when it dries, it becomes extremely hard. So it holds its shape and can support weight. But the structure's strength also comes from the engineering -- how I weave the wood, and how I join major sections by bolting（用螺栓固定）them together.

SA: What makes a great nest design?

JF: Placement is important. The lines of the branches（树枝） create movement and energy, resulting in a cleaner, simpler background -- such as smooth stone or the sky -- which really fits the nest. For me, it's all about balance.

SA: What skills do you need for your job?

JF: You have to be able to draw and use different artistic tools. But you also have to know how to speak to people -- your clients and the people who work for you.

SA: What inspires you?

IF: I love to see how other artists, like Andy Goldsworthy, take common and natural materials and make something special with them.

SA: What is the best part of your job?

JF: I get to be creative in a way that doesn't harm the environment!

    I had been living in a whirl: studying the organ at the University of Arizona, conducting a speech clinic in town, and teaching a class in musical appreciation at the Desert Willow Ranch, where I was staying. I was going to parties, dances, horseback rides under the stars. One morning I collapsed. My heart! “You will have to lie in bed for a year of complete rest,” the doctor said. He didn't encourage me to believe I would ever be strong again.

In bed for a year! To be invalid—perhaps to die! I was terror-stricken! Why did all this have to happen to me? What had I done to deserve it? I swept. I was bitter. But I did go to bed as the doctor advised. A neighbor of mine, Mr. Rudolf, an artist, said to me: “You think now that spending a year in bed will be a tragedy. But it won't be. You will have time to think and get acquainted with yourself. You will make more spiritual growth in these next few months than you have made during all your previous life.”

I became calmer, and tried to develop a new sense of values. I read books of inspiration. One day I heard a radio commentator say: “You can express only what is in your own consciousness.” I had heard the words like these many times before, but now they reached down inside me and took root. I determined to think only the thoughts I wanted to live by: thoughts of joy, happiness, health. I forced myself each morning, as soon as I awoke, to go over all the things I had to be grateful for. No pain. A lovely young daughter. My eyesight. My hearing. Lovely music on the radio. Time to read. Good food. Good friends. I was so cheerful and had so many visitors that the doctor put up a sign saying that only one visitor at a time would be allowed in my cabin—and only at certain hours.

    Nine years have passed since then, and I now lead a full, active life. I am deeply grateful now for that year I spent in bed. It was the most valuable and the happiest year I spent in Arizona. The habit I formed then of counting my blessings each morning still remains with me. It is one of my most precious possessions.

    This year marks the 170th anniversary of Paul Gauguin's birth. He lived for just 54 years but he packed his brief life with activity.

    The French painter spent his early childhood in Peru before returning to France. As an adult, he continued to travel a lot. Most famously, he spent much of the last decade of his life in Tahiti, an island in southern Pacific Ocean. Indeed, Gauguin is best known for his colorful paintings of Tahitians and their culture.

    The restlessness of this great painter has been normal among modern artists since the middle of the 19th century. They're never satisfied for long with a certain style or way of life. Once something becomes conventional, it's turned down.

    The artistic culture that Gauguin developed from was that of Impressionism (印象派). Painters like Claude Monet had wanted to paint how they saw the world, not how their teachers taught them it should be seen. Gauguin, and similar artists like his friend Vincent van Gogh, moved even further away from "respectable" art than the Impressionists. For them, it was not simply a matter of seeing the world differently, but feeling and thinking about it differently, too.

    Gauguin saw, felt and thought differently from most members of European society. He thought that European culture was too fancy and not spontaneous. This is why he turned to the traditions of other parts of the world, like Africa, and, eventually, Tahiti. Artists like Gauguin used the word "primitive" for these cultures, but not as a negative term. For him, Europe, in becoming modem, industrial and scientific, seemed less natural than other parts of the world.

    In truth, Gauguin's paintings may be unconventional but they are certainly not "primitive". They are the work of a painter with great awareness of what he was doing. It was this awareness that made him such an important painter for those that came after, in the 20th century. When we look closely at the works of Gauguin we begin to understand Pablo Picasso, and especially Henri Matisse, a little better.

    Darrell Blatchley, a marine biologist and environmentalist based in the Philippine city of Davao, received a call from the Philippines, Bureau of Fisheries and Aquatic Resources (渔业与水产资源局) early Friday morning reporting a death of a young whale.

    When the necropsy (尸检) was performed, Blatchley told NPR, he was not prepared for the amount of plastic they found in the whale's stomach. "It was full of plastic nothing but nonstop plastic." he said "It was filled to the point that its stomach was as hard as a baseball." That means that this animal has been suffering not for days or weeks but for months or even a year or more," Blatchley added.

    Blatchley is the founder and owner of the D'Bone Collector Museum, a natural history museum in Davao. In the coming days, the museum will display all the items found in the whale's system. Blatchley and his team work with the Bureau of Fisheries and Aquatic Resources and other organizations to assist in rescue and recovery of marine animals.

    "Within the last 10 years, we have recovered 61 whales and dolphins just within the Davao Gulf," he said. "Of them, 57 have died due to man whether they took plastic or fishing nets or other waste, or gotten caught in pollution — and four were pregnant."

    Blatchley said he hoped that the latest incident would launch the issue of plastic pollution in the Philippines and across the globe. "If we keep going this way, it will be more uncommon to see an animal die of natural causes than it is to see an animal die of plastic," he said.

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