It was the day after Halloween when my grandmother was admitted to the hospital with the worst headache she'd ever had. While posing in our costumes the night before, we knew something was wrong, just not how wrong.

    Grandma's house was the central gathering place of my family. Sunday lunches, birthday dinners, Easter, Thanksgiving, and Christmas — all were our traditions, with her as hostess. While my parents were busy running their small business, there were many nights when Grandma fed me and put me to bed in her spare room, until they came to get me. I spent my summers at Grandma's and I went everywhere with her. I couldn't imagine a time when she wouldn't be around me.

    Then November 1,1991 began her month-long stay in the hospital—she suffered from a rare infection (感染)called nocardia asteroides. After being born in the year of the Great Depression, living through World War II, raising three kids, and being widowed at the age of 48, Grandma never expected to live into her seventies. The infection in her brain seemed to confirm that she wasn't long for this world. But that's not the end of her story. A team of doctors successfully removed the abscess(脓肿), and Grandma even made it into a local medical journal. Her doctor called her “the brain lady”.

    Grandma celebrated her 85^th birthday in March this year. In the almost 23 years since her recovery, she's seen two of her four grandchildren get married and welcomed three great-grandsons. Although they damage something in her house, she loves it when my two boys come over. And while I know they make her day, seeing her love blossom for another generation makes my day too. Happy Grandparents' Day to my amazing grandmother!

    When slaves were first brought over from West Africa to the southern parts of America, they brought along with them aspects of their own culture—religion, dance,language, music, and cuisine.A mix of the two cultures eventually appeared.The religious dance of the ring shout turned into modern dances like the Charleston, and tribal chants slowly transformed into sorrowful hymns (圣歌) sung by slaves that described their hardships.

    These soulful accounts by slaves of the severe climate and conditions began to be called “the blues”,which continued in popularity among African Americans after the Civil War.This music increased in popularity into the early 1900s when many black musicians became an important part of the music industry.

    The slaves that had been brought over were from all different regions of West Africa, but they worked together until they gradually formed a common culture.This strengthened the identity of their music that, in the 1950s, eventually led to the beginning of rock and roll.The Beatles, the most influential band of the 1960s, are often determined as the accelerator that resulted in the ideology (意识形态) surrounding music that is still around today.The freedom and individuality associated with that time period brought forth a whole culture surrounding music.It was not just music any more, but a lifestyle.

    Over the decades, music has developed into such a vital part of society and pop culture.Musicians are glorified, with tons of adoring and screaming fans.The modern technology of present day has allowed for a greater gap between the creator of the music and the fans, as well as a widespread commercialization of music.However, criticisms of modern pop music often arise due to its mass production, and now there is a lack of the same soul and quality of naturalness and simplicity in music that was rising in the early 20th century.

    Why do you go to the library? For books, yes－but you like books because they tell stories. You hope to get lost in a story or be transported into someone else's life. At one type of library, you can do just that－even though there's not a single book.

    At a Human Library, instead of books, you can "borrow" people. Individuals volunteer as human "books" and participants in the event can "read" the book－meaning they would have a one-on-one conversation with the volunteer and share in a dialogue about that individual's experience. "Books" are volunteers from all walks of life who have experienced discrimination (歧视) based on race, religion, class, gender identity, age, lifestyle choices, disability and other aspects of their life.

    For a certain amount of time, you can ask them questions and listen to their stories, which are as fascinating and as attractive as any you can find in a book. Many of the stories have to do with some kind of stereotype. You can speak with a refugee (难民), a soldier suffering from PTSD, a homeless person or a woman living with HIV. The Human Library encourages people to challenge their own long-held beliefs to truly get to know, and learn from someone they might otherwise make a quick judgment about.

    According to its website, the Human Library is "a place where difficult questions are expected, appreciated and answered." It provides the opportunity for the community to share and understand the experiences of others in their community.

    The Human Library Organization came to be in Copenhagen, Denmark in 2000. Ronni Abergel and his colleagues hosted a four-day event during a major Northern European festival, hoping to raise awareness about violence among youth. After the success of this event, Abergel founded the Human Library Organization, which has been growing ever since.

    Though there are a few permanent human libraries, most aren't places at all, but events. Though many do take place at physical libraries, you don't need a library card－anyone can come and be part of the experience. There have been human library events all over the globe, in universities and in pubs, from Chicago to Tunis to Edinburgh to San Antonio.

    The stories these "books" tell range from fascinating to heartbreaking and everything in between. And that's the very point of the organization－to prove that no person can be summed up in just one word. It seeks to show people that you truly can't judge a book by its cover－or by its title or label.

    An Indian movie about two sisters has become a huge hit in China. The Hindi language film, called Dangal, has earned almost $170 million in China since its release there on May 5.

    Much has been written about why Dangal has enjoyed such big success in China. Some people say one reason is that the film's star and producer, Aamir Khan. He is famous in India's Bollywood film industry. Two of his earlier films were also big hits in China.

    Khan's popularity was clear after he got more than 600,000 followers on the Chinese social media service Sina Weibo within two months of joining. But he is not the only reason that the film strongly connects with audience across China. Media has pointed out how it shows similarities between parental systems in China and India.

Dangal is based on the true story of a man who enjoyed the sport of wrestling(摔跤). He competed as a wrestler, but never could achieve his lifelong dream: winning a gold medal. As a father, he wanted his son to win the medal. But his wife only gives birth to daughters. So he finally decides to train them to be world-class wrestlers.

    The movie is more serious than most Bollywood productions, which tell happy love stories and include colorful music and dance performances.

    Edward Chan is a professor at the Hong Kong Polytechnic University. He says the strict way of parenting in the film is something people in China can easily relate to. "I think the father role described by the movie in India is quite to the culture, especially the traditional culture in China."

    The Chinese government supported Global Times newspaper pointed that movie critics (评论家) in China did not like Dangal. Most of them agree with the fact that the father in the film was forceful in pushing his daughters to become wrestlers. But the film Dangal is really aimed to educate children to work for their dreams.

    Stay-at-home kids are named “generation nini” in Spain. They are those adults who still live at home and are neither working nor studying. But the problem is not limited to Spain. It is a worldwide problem.

    In Italy, they are known as “bamboccioni” or big babies. There are nearly 60 percent of 18-34-year-old adults still living in their parents' home, up from almost 50 percent since 1983. Once kept there by the love for their mama's home-cooked food, the economic crisis(经济危机)has seen a rise in adults left unable to hold down a steady job or afford a home of their own. Last year, an Italian government minister admitted that his mother washed his clothes and made the bed for him until he was 30. He demanded a law forcing young Italians to leave their parents' home at 18 to stop them becoming hopelessly dependent on their parents.

In the UK, the government has made the term NEETS—not in employment, education or training for these children. In England alone the percent of NEETS aged 19-24 surged to 18.8 percent of the age group-in the last quarter of 2010, up 1.4 percent on the same period a year before. The number of British men in their 20s living with their parents has risen from 59 percent to 80 percent in the past 15 years, while the number of women has risen from 41percent to 50 percent. The average age of the first-time house buyers is now 38.

    In the US, the problem is known as the “full nest syndrome(综合症)”. Adults there are left struggling to support adult children who have stayed at home with student debts and facing few job opportunities in a weak economy. A recent study showed almost a third of American adults aged 34 and under are living with their parents

International Literature Festival Dublin（ ILFD）is now seeking plans for its 2024 programme edition responding to the theme of "Words Upside Down". For this year's open call, ILFD invites artists, creative practitioners（从业人员）and groups from all arts backgrounds to give in event plans responding to the theme and suitable for showing at ILFD's new Literary（文学的）Village in one of Dublin City's finest parks, Merrion Square Park, running from 17th to 26th of May, 2024.

We encourage plans which accept curiosity and wonder, cause conversation or new ways of listening. This year, we are especially interested in work that will bring its audience in close contact with either the natural or the artificial（人工的）world or both. We welcome plans which are suitable for audiences aged 16 and above. Above all, we welcome plans that break away from the forms of traditional literary events. We are only able to accept plans made from artists based in the island of Ireland.

Successful applicants（申请人）will be supported by the festival team to bring their ideas to life during this year's programme which will be presented in Dublin City's Merrion Square Park. The closing date for applications is Monday 11th of March, 5 pm.

Conditions: 

●The content of the plan must be presented during the festival dates.

●The festival expects that the artist or author is able to work independently and has a clear idea for the operation of their plan.

●The festival will provide access to its technological equipment（projectors, speakers, media players, etc）.

●Funds ranging from €500 to €1,000 are provided for each project.