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While famous foreign architects are invited to
lead the designs of landmark buildings in China such as the new CCTV tower and
the National Center for the Performing Arts, many excellent Chinese architects
are making great efforts to take the center stage.
Their efforts have been
proven fruitful. Wang Shu, a 49-year-old Chinese architect, won the 2012
Pritzker Architecture Prize—which is often referred to as the Nobel Prize in architecture—on
February 28. He is the first Chinese citizen to win this award.
Wang serves as head of
the Architecture Department at the China Academy of Art (CAA). His office is
located at the Xiangshan campus (校园) of the university in
Hangzhou, Zhejiang Province. Many buildings on the campus are his original
creations.
The style of the campus
is quite different from that of most Chinese universities. Many visitors were
amazed by the complex architectural space and abundant building types. The curves
(曲线) of the buildings perfectly match the rise and fall of hills,
forming a unique view.
Wang collected more than
7 million abandoned bricks of different ages. He asked the workers to use
traditional techniques to make the bricks into walls, roofs and corridors. This
creation attracted a lot of attention thanks to its mixture of modern and
traditional Chinese elements (元素).
Wang's works show a deep
understanding of modern architecture and a good knowledge of traditions.
Through such a balance, he had created a new type of Chinese architecture, said
Tadao Ando, the winner of the 1995 Pritzker Prize.
Wang believes traditions
should not be sealed in glass boxes at museums. "That is only evidence
that traditions once existed," he said.
"Many Chinese
people have a misunderstanding of traditions. They think tradition means old
things from the past. In fact, tradition also refers to the things that have
been developing and that are still being created," he said.
"Today, many
Chinese people are learning Western styles and theories rather than focusing on
Chinese traditions. Many people tend to talk about traditions without knowing
what they really are," said Wang.
The study of traditions
should be combined with practice. Otherwise, the recreation of traditions would
be artificial and empty, he said.