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    The “24 solar terms” originated and was firstly used in China. It was created thousands years ago on the basis of practical needs of agriculture. Ancient Chinese people used it to guide agriculture production, special climate signs and even healthy living tips. Last year, the 24 solar terms was added to UNESCO's world intangible cultural heritage list. Now, it has been brought to life thanks to a creative designer from Southwest China's Guizhou province.

    On the eve of this year's Qingming Festival, Shi Changhong released his version of re-produced and pack-aged characters for each solar term in the form of “moving art” of gifs. Since their initial release on Zcool on March 29, the gifs have won great acclaim among the general public and quickly engulfed social media with millions of hits during the festival period.

    To maximize publicity, Shi released his work in three forms: video, animation and picture, while, the background sounds add to the brilliance.

    “When I watch the short video, I can strongly feel the Chinese-style elements hidden in them. And it is really cool to rejuvenate Chinese traditional culture in such a unique way.” WeChat user Xiao Feifei said.

    “It is really a comfort to me to see so many people like my latest work. To be honest, it would really surprise me if the work does not arouse a sensation among Chinese people. The 24 solar items is a deeply mooted concept that encapsulates the essence of Chinese wisdom. However, only a small portion of people know all the names or the correct order of those terms. My intention is to increase Chinese people's self awareness to learn more about our traditional fine culture. Actually, the 24 solar items work is only a part of my whole design program ‘Charm China', which I started over a year ago.” Shi told China Daily.

根据短文内容，选择最佳答案，并将选定答案的字母标号填在题前括号内。

    My grandfather died more than twenty-five years ago. I was fifteen then. He was kind, strong, fair, and very funny. When I was a young musician, he was my biggest fan. I played my violin for him when he visited, and he loved everything, but each time he had one request. “Could you play Amazing Grace%” he asked, full of hope and with a twinkle in his eye, because he knew my answer was always, “I don't know that one!” We went through this routine at every major holiday, and I always figured I'd have time to learn it for him later.

    About the time I entered high school and started guitar, Grandpa got cancer. The last time I saw him alive was Thanksgiving weekend in 1985. My mom warned us that Grandpa didn't look the same anymore and that we should prepare ourselves. For a moment I didn't recognize him. He looked so small among all the white sheets. We had all gathered in Ohio for the holiday, and I'm sure we all knew we were there to say good-bye. I can see now that Grandpa held on long enough to see us each one more time. I remember how we ate in the dining room and laughed and talked while Grandpa rested in his hospital bed. I wonder if it was sad for him to be alone with our voices and laughter. Knowing Grandpa, he was probably content.

    The next morning, I found my moment alone with him. I pulled out my guitar, tuned to his appreciative gaze, and finally played for him Amazing Grace. I had worked on it for weeks, knowing it never mattered whether I actually played it well and choosing not to believe as I played that it was my last concert for my biggest fan. The cancer had stolen his smile, but I saw joy in his eyes. He held my hand afterward, and I knew I had done something important.

    I argued with people all through college about my music major. I was told by strangers that music wouldn't make me any money and it wasn't useful like being a doctor. But I know first-hand that with music I was able to give my grandpa something at a point when no one else could.

    Google's new camera, called Clips, is a small, smart device. It comes with a case that has a clip (夹子)，but it's not designed to be worn on your clothing. Most interestingly, it uses artificial intelligence to take photography out of your hands so it can capture moments on its own.

    This roughly 2-inch by 2-inch camera, with a three-hour battery life and Gorilla Glass for toughness, is intended for candid moments, like when a child does something cute that may happen too quickly for you to pull out your smartphone.

On board the Clips device, it uses machine learning algorithms (计算程序) to help capture scenes. Those algorithms include face recognition. “Once it learns that there's a face you see frequently, it'll try to get nice photos of those faces,” said Juston Payne, the device's product manager. And they also want it to recognize facial expressions, which involved “training it to know what happiness looks like”. The Google team also trained it to recognize what not to shoot — like when a child's hand is over the lens, or if it is tossed in a dark purse.

    The only way to see the images is by connecting the camera with your phone, as it has no screen for viewing or editing.

    Were people concerned it could seem strange? Yes, Payne admitted. But they said they addressed that by making it obvious what it is. A green light on the front signals that it is on. Besides, unlike a camera meant to monitor your home, it is not connected to the Internet.

    “This product is only possible because of the way that silicon has advanced” Payne said, noting that it was only in the past year or so that they could squeeze the technology down into a device this size. Going forward, we're likely to get more assistance from the artificial intelligence packed into our apps and gadgets.

    Tokyo is one of those places that you can love and hate at the same time.

    In Tokyo there are always too many people in the places where I want to be. Of course there are too many cars. The Japanese drive very fast, but in Tokyo they often spend a long time in traffic jams. Tokyo is not different from London, Paris and New York in that. It is different when one wants to walk.

    At certain times of the day there are a lot of people on foot in London's Oxford Street. But the streets near the Ginze in Tokyo always have a lot of people on foot， and sometimes it is really difficult to walk. People are very polite; there are just too many of them.

    The worst time to be in the street is at 11:30 at night. That is when the nightclubs are closing and everybody wants to go home. There are 35,000 nightclubs in Tokyo, and you do not often see one that is empty.

    During the day，most people travel to and from work by train. Tokyo people buy six million train tickets every day. At most stations, trains arrive every two or three minutes, but at certain hours there do not seem to be enough trains. Although they are usually crowded, Japanese trains are very good. They always leave and arrive on time. On a London train you would see everybody reading a newspaper. In Tokyo trains everybody in a seat seems to be asleep, whether his journey is long or short.

    In Tokyo, I stood outside the station for five minutes. Three fire-engines raced past on the way to one of the many fires that Tokyo has every day. Tokyo has so many surprises that none of them can really surprise me now.

Museums for career-minded kids

    Sometimes kids don't just want to be kids. They want to be grown-ups. Here are some places where kids can try on a few different hats.

    The Nassau County Firefighters Museum

    This museum shows kids what to do in fires, such as how to crawl (爬行) low in smoke. It also exhibits (展览) out-of-date and modern fire equipment.

    10 a. m. to 5 p. m. Tuesdays through Sundays, and Mondays on holidays and school breaks. Open seven days in July and August. $4 for children up to 12 and adults over 62; $5 for all others. 516-572-4177.

    The Heckscher Museum of Art

    Kids can create artwork based on exhibits in the Central Gallery, using virtual (虛拟的) paint on a 55-inch touch screen.

    10 a. m. to 5 p. m. Wednesdays through Fridays, 11 a. m. to 5 p. m. Saturdays and Sundays. Closed for exhibition change from Nov. 12 to 16. $5 for students 10 and over: free for kids under 10; $8 for adults. 631-351-3250 .

    The Cradle of Aviation Museum

    An exhibit on space exploration includes an early Space Age rocket copy, a moon lander, and a moon simulator (模拟装置) that trained the Apollo astronauts.

    9: 30 a. m. to-p. m. Tuesdays through Sundays, and open Mondays that fall on holidays and school breaks. $13 for kids up to 12 and adults over 62; $15 for all others. 516-572-4111 .

    The Mighty Midgets Mini Cars Museum

    This museum exhibits a wide collection of small gas and electric cars and trucks. The sizes are perfect for your kids, some of which they can sit in, including a Corvette and a Formula 1 race car.

    By appointment (预约) Mondays through Thursdays and noon to 4 p.m. Fridays through Sundays Free for kids 5 and under; $5 for all others. 631-803-8588 .

A grocery store in Ann Arbor, Michigan opened on Tuesday to the public. This is an artist's uneatable creation. The Plastic Bag Store presents shelves filled with items such as meat, eggs, cakes and so on, all of which are made from single-use plastics taken from streets and garbage.

The store at times during the day will be transformed into a stage for a series of short films in which puppetry(木偶戏表演), shadow play, and handmade sets are used to tell a story of how the overabundance of plastic waste we leave behind might be misinterpreted by future generations—and how what we value least may become our most lasting "cultural legacy (遗产)".

Theater and film director Robin Frohardt is the creative driving force behind the Plastic Bag Store. "I got the idea many years ago after watching someone bag and double-bag and triple-bag my groceries," Frohardt said on Tuesday. "I just was sort of struck by how much packaging was involved in our everyday lives. And it just seemed so unreasonable. I just thought, maybe I could set up a project to change it." Combining a real-life supermarket with film experience, Frohardt planned to use art and humor to question our culture of consumption and convenience and to show one of the greatest problems of our planet.

Plastic bags are created by fossil (化石) fuels and often end up as waste in landfills and the ocean. Americans throw away 100 billion plastic grocery bags per year. She hopes that she can continue to tour with the project and bring it to different communities. "My dream would be that this project will become unnecessary one day," said Frohardt.

 "Frohardt's work reminds us, with humor, to think not just about the next two weeks, but also about the next two decades and the next two centuries. What will remain hundreds of years later? We hope that our legacy will be plays rather than piles of plastics," said Tim Tompkins, President of Times Square Alliance.