Think of life as a game in which you are playing with five balls in the air. You name them work, family, health, friends and spirit and you keep all of them in the air. You will soon understand that work is a rubber ball. If you drop it, it will bounce(弹跳) back.

    But the other four balls, family, health, friends and spirit, are made of glass. If you drop one of these, they will be broken. They will never be the same. You must understand that and try to have balance in your life. How?

    Don't look down on your worth by comparing yourself with others. It is because we are different and each of us is special.

    Don't let other people set goals for you. Only you know what is best for yourself.

    Don't give up when you still have something to give. Nothing is really over until the moment you stop trying.

    Don't be afraid of difficulties. It is by taking chances that we learn how to be brave.

    Don't shut love out of your life by saying it's impossible. The quickest way to receive love is to give it; the fastest way to lose love is to hold it too tightly; the best way to keep love is to give it wings.

    Don't run through life so fast that you forget not only where you've been, but also where you are going.

    Don't be afraid to learn. Knowledge is a treasure you can always carry easily.

    Don't use time or words carelessly. You can't get them back. Yesterday is history, tomorrow is a mystery(秘密), and today is a gift; that's why we call it "the present". Life is not a competition, but a trip, step by step.

    One of the greatest gifts one generation can give to other generations is the wisdom it has gained from experience. This idea has inspired the award-winning photographer Andrew Zuckerman. He interviewed and took photos of fifty over sixty-five-year olds all over the world. His project explores various aspects of their lives. The photos and interviews are now available on our website.

    Click on the introductions to read the complete interviews.

    Let us now have a culture of peace.

—Federico Mayor Zaragoza, Spain

    Federico Mayor Zaragoza obtained a doctorate in pharmacy(药学) from the Complutense University of Madrid in 1958. After many years spent in politics, he became Director General of UNESCO in 1987. In 1999, he created the Foundation for a Culture of Peace, of which he is now the president. In addition to many scientific publications, he has published four collections of poems and several books of essays.

    Writing is a discovery.

—Nadine Gordimer, South Africa

    Due to a weak heart, Nadine Gordimer attended school and university briefly. She read widely and began writing at an early age. She published her first short story at the age of fifteen, and has completed a large number of works, which have been translated into forty languages. In 1991, Gordimer won the Nobel Prize for Literature.

    Jazz is about the only form of art today.

—Dave Brubeck, USA

    Dave Brubeck studied music at the University of the Pacific and graduated in 1942. After World War Ⅱ he was encouraged to play jazz. In 1951, he recorded his first album. Brubeck's 1959 album has become a jazz standard. He received a Grammy Lifetime Achievement Award in 1996.

    For more figures CLICK HERE.

    TODAY, Friday, November 12

JAZZ with the Mike Thomas Jazz Band at The Derby Arms Uepper Richmond Road West, Sheen DISCO Satin Sound Dieo. Free at The Lord NApier, Mort Iake High St., from 8 a.m. to 8p.m. Tel: 682—1158.

    SATURDAY, November 13

    JAZZ Lysis at The Bull's Head, Barnes. Admission 60p.

    MUSIC HALL at The Star and Garter, Lower Richmond Road, Putney, provided by the Aba Daba Music Hall company, Good food and entertainment fair price, Tel: 789-6749

    FAMILY night out? Join the sing along at The Black Horse. Sheen Road. Richmond.

    JAZZ The John Bennett Big Band at The Bull's Head, Barnes .Admission 80p.

    THE DERBY ARMS, Upper Richmond Road West, give you Joe on the electric accordion (手风琴). Tel: 789-4536

    SUNDAY, November 14

    DISCO Satin Sounds Disco, free at The Lord Napier, Mort Lake High Street, from 8am. to 8 pm.

    FOLK MUSIC at The Derby Arms. The Short Stuff and residents the Norman Chop Trio. Non-remembers 70p. Tel: 688-4626

    HEAVY MUSIC with Tony Simon at The Bull, Upper Richmond Road West, East Sheen.

    THE DERBY ARMS, UpPer Richmond Road West, give you Joe on the electric accordion.

    Learning any language is hard, but learning English can be especially challenging. Why? Because native speakers use the language in ways that textbooks could never describe. In particular, words that British people use cause many language students to scratch(JT) their heads.

    Here's an example: You happen to hear a Briton calling someone a “wazzock”. But what exactly is a wazzock? This word, in fact, means a foolish person, although there's nothing about it that would help you guess that. There are many strange terms like this in British English - the Oxford English Dictionary would be much smaller without these strange usages filling its pages.

    How can these odd words be explained? Part of the answer is the British sense of humor. Britons don't like to take things too seriously, and this is evident through many British words and phrases. For example, to spend a penny means to use the bathroom. It refers to the days when people had to pay a penny to use a public toilet.

    In an interview for the BBC's website, British linguist David Crystal suggested there may be historical reasons for the sheer number of odd words and phrases in British English. He thinks that they began in the late 16th and. early 17th centuries. This was a great age for the theatre, when Shakespeare and other writers worked hard to keep up with the demand for new plays. The theatre's popularity also created an incentive (刺激) to invent new words.

    With this in mind, perhaps Shakespeare and his peers are to blame for unusual British words such as “codswallop” and “balderdash”—which both, ironically, mean nonsense.

    While these strange words may be confusing to non-native speakers, they certainly make studying English a lot more interesting.

Reading a book and watching a film are two very different experiences, but expectations can be high when a film of a favourite book is made. There are very many times I have been disappointed by a film of a book I love. So maybe highly regarded books do not always make good films. It is safe to say that great movies may be made from not particularly good books.

The source material may be anything from classic novels, short stones, comic books and stage plays, as well as non­fiction such as biography and autobiography, even those written by ghostwriters. All can work well, but why do many adaptations and indeed remakes fail with both cinema audiences and critics?

A key question is obviously how close to the original the film is. Since a typical film is only around two hours long, it becomes a question of what to leave out, and how to script the dialogue. Sometimes there may be changes to the plot, additions and even different endings to please producers, directors and test audiences. I, like many people, have often left the cinema feeling "the film is not like the book".

Another problem area is the cast. Whether suitable actors are found or not can mean the difference between success and failure. Readers of the book use their imaginations to visualize characters and have very definite ideas about how characters look and sound. This is where I think many film adaptations fall down.

Some books are just too difficult to film for technical reasons, although movies like The Life of Pi are changing this perception. The impact of CGI technology has had a huge impact on the movie industry and allowed the previously unfilmable to become a reality.

 Sometimes authors are very involved in the process and many may even be the screenwriters. This can actually be a bad thing because they may be too close to the material and find it difficult to adapt. At other times they are not the screenwriters, and there are instances where writers have been very unhappy with the film versions of their work. Roald Dahl and Stephen King are examples of this. Even more extreme was novelist J. D. Salinger who made sure no film versions of his popular novels could ever be made. In this situation, it is clear viewers will not be disappointed.

Can you imagine there being a community where boys and girls growing up together can finally speak different languages? In Ubang Nigeria, it really happens. It's not exactly clear what percentage of the words in the men's and women's languages are different, but there are enough examples to make sentences sound different when spoken by the opposite sex. For "clothing", men use the word "nki", while women say "ariga"; "kitchi" means tree for men, while women say "okweng". These are not just some slight pronunciation differences, but totally different words. "It's almost like two different lexicons (词汇集)," a language expert, Chi Chi Undle said. "There are a lot of words that men and women share in common, but there are others which are totally different depending on your sex. They don't sound alike, and don't have the same letters. They are completely different words."

Interestingly, both men and women are able to understand each other perfectly in Ubang, as both boys and girls grow up around their parents and get to learn both languages, but by the age of 10, boys are expected to speak in the male tongue. It seems that there is a stage the male will reach and he discovers he is not using the rightful language. When he starts speaking the men's language, you know the maturity is coming into him.

No one really knows how or why the double-language tradition of Ubang began. Chi Chi Undie believes the two languages are the result of a "double-sex culture" where men and women operate in two separate spheres (范围) and live in separate worlds that rarely come together. However, she admits this is a weak theory, as the double-sex culture is present in many parts of Africa, where there are no different languages for men and women.

Today, with English words constantly entering the lexicon of young Nigerians, Ubang's two languages are in danger of being lost forever. Worse still, neither the male nor female language is written down, so they both rely on young people passing them down to the next generation.