Chinese New Year for Kids

    Chinese New Year for Kids is a full color paperback book with beautiful Chinese illustrations (插图). This is a hands-on workbook for parents and teachers, written for children from ages 3 to 12 years old, for use in the classroom or at home. Music, physical movement, art, and food all add to the atmosphere of taking an imaginary trip to China during the Chinese New Year.

   The Polar Express

One couldn't select a more delightful and exciting premise (前提) for a children's book than the tale of a young boy lying awake on Christmas Eve only to have Santa Claus sweep by and take him on a trip with other children to the North Pole. And one couldn't ask for a more talented artist and writer to tell the story than Chris Van Allsburg.

   The Secret of Saying Thanks

Perhaps you'd like to know a secret, one of the happiest ones of all. You'll discover it all on your own, maybe when you least expect. If you've not yet discovered the secret of saying thanks, it's waiting for you. The secret can be found in the sunrise that offers promises for the day ahead, or in the gentle shade of a tree sheltering you from the hot rays of the sun.

   The Runaway Pumpkin

When Buck, Billy and their little sister Lily spy the biggest pumpkin they've ever seen, they can't resist (抵制). Buck and Billy try to roll the pumpkin down the hill to show everyone, but it's too big! Before they know it, it's rolling out of control down the hillside. It knocks over Gran dpa Baxter and makes him think of pumpkin soup. And when Poppa Baxter finally stops, all he can think of is pumpkin bread.

    For most caffeine(咖啡因)consumers, its main benefit is that it helps you get more done. This is what makes it unusual, says Stephen Braun, author of Buzz: The Science and Lore of Alcohol and Caffeine.

    “Its appeal is that it helps us earn more money,” he adds. “What makes it different from other drugs is that it's used as a productivity tool –– not for pleasure.”

    Many of history's creative minds have also been connected with a large amount of caffeine consumption (消耗).

    According to one biographer, the French novelist and playwright Balzac drank as many as 50 cups of coffee a day. “Were it not for coffee one could not write, which is to say one could not live,” he once insisted.

    For seven years, the film-maker David Lynch ate at the same Los Angeles diner every day, drinking up to seven sweetened cups of coffee “with lots of sugar” in one sitting, which he said would guarantee that “lots of ideas” arrived.

    Ludwig van Beethoven was said to have painstakingly counted out exactly 60 coffee beans per cup when he brewed(煮)coffee.

    Perhaps recent tales of caffeine excess (过量) featured the singer Robbie Williams, who reportedly consumed 36 cups of black coffee and 20 cans of Red Bull a day.

    It is the routine task itself, as much as the stimulating(刺激的)effects of caffeine, that makes the process so important, says Mason Currey, author of Daily Rituals: How Artists Work. “A lot of artists use the process of making coffee as a gateway to the creative process,” he adds. “You need to get into the right mindset to do that sort of work, and the preparation process provides a focus.”

    One problem with attempting to control caffeine, says Braun, is that it affects everyone differently –– it is impossible to work out a “safe” limit that works for everyone. “Eventually, you have to become your own scientist –– there isn't an alternative to careful self-experimentation,” he says.

    When it comes to bringing up children, everybody agrees that it is not an easy task. Every parent watches eagerly the child's acquisition (学会) of each new skill — the first spoken words, the first independent steps, or the beginning of reading and writing. It is often tempting (吸引人的) to hurry the child beyond his natural learning speed, but this can set up dangerous feelings of failure and states of worry in the child. This might happen at any stage. A baby might be forced to learn something too early. A young child might be encouraged to learn to read before he knows the meaning of the words he reads. On the other hand, though, if a child is left alone too much, or without any learning chances, he loses his natural enthusiasm for life and his desire to find out new things for himself.

    Parents vary greatly in their degree of strictness towards their children. Some may be especially strict in money matters. Others are strict with the time of coming home at night or being on time for meals. In general, the controls show the needs of the parents and values (价值观) of society as much as the children's own happiness.

    When it comes to the development of moral standards (道德标准) in the growing child, consistency (前后一致性) is very important in parental teaching. To say "No" to a thing one day and excuse it the next is no foundation for morality (道德). Also, parents should realize that "example is better than precept". If they are not sincere and do not practice what they preach (说教), their children may grow confused and emotionally insecure when they grow old enough to think for themselves, and realize they have been to some extent cheated.

    A sudden realization of a big difference between their parents' principles and their morals can be a dangerous disappointment.

    Compared with solar and wind energy, which are booming, tidal (潮汐的) power is a loser in the clean - energy competition. But if you did want to build a tidal power station, there are few better sites than the mouth of the River Severn, in Britain. Its tidal range, the difference in depth between high and low tides, of around 15 metres is among the largest in the world.

    Engineers and governments have been toying with the idea since at least 1925. But none of the suggested projects has materialised. Price is one objection. A study thought that tidal energy might cost between ￡216 and ￡368 ($306 - 521) per MWh of electricity by 2025, compared with ￡58 - 75 for seagoing wind turbines (轮机) and ￡55 - 76 for solar panels. Environmentalists also worry that any plant would change the tides, making life harder for wildlife.

    An engineer called Rod Rainey thinks he has a way around both problems. He plans to replace the conventional turbines of previous plans with a much older technology. Specifically, he plans to span (横跨) the river mouth with a line of water wheels. This is a design that dates back to the early days of the Industrial Revolution. Examples can be found fixed to the sides of old watermills (水磨).

    But there would be nothing old - fashioned about Mr Rainey's wheels. Thirty metres high and sixty wide, they would be made from ordinary steel. Two hundred and fifty of them, along with the supporting structures, would be floated into place and secured to the seabed, creating a line 15km long. Together, they could supply power at an avenge ate of 4GW. That is about as much as two biggish nuclear power stations would manage. Substituting one of the wheels with a set of locks would provide a shipping channel about twice the width of Panama Canal, permitting upstream ports such as Avonmouth and Cardiff to continue operating.

    Yellowstone National Park is the flagship of the National Park Service and a favorite to millions of visitors each year. The park is a major destination for all members of the family. By driving the grand loop road, visitors can view the park from the comfort of their vehicle and also take a rest at one of the many roadside picnic areas.

    How much is the entrance fee?

    $25 - Private, noncommercial vehicle;

    $20 - Motorcycle or snowmobile (winter);

    $12 - Visitors 16 and older entering by foot, bike, ski, etc.

    This fee provides the visitor with a 7-day entrance permit for both Yellowstone and Grand Teton National Parks.

    A $50 park annual pass provides entrance for a single private non-commercial vehicle at Yellowstone and Grand Teton National Parks. The $10 Interagency Senior Pass (62 and older) is a lifetime pass available to U.S. citizens or permanent residents.

    Where can you stay?

    Inside Yellowstone, you can choose to stay in modern or historic hotels and cabins inside the park like the Old Faithful Inn, the world's largest log structure. For those who want to be a little closer to nature, there are 12 campgrounds with a range of services from primitive pit toilets to shower and laundry facilities. There's also RV camping with and without dumping stations.

    Staying outside the park gives you unique Old West experiences but still keeps you close to park attractions.

    If you're taking a road trip to Yellowstone, you'll want to check out our Hotels and Cabins On The Road section.

An Art Class

When Kelly was twelve, she started taking classes at Miss Grace's School for Art. She didn't like it at first: the "novice artists"-the kids who hadn't really done art before-worked mostly with clay, and Kelly was a terrible sculptor. 

It wasn't until her third year that Kelly found something she was really good at-charcoal drawing （素描）. She loved watching the lines spread unevenly across the page as she moved the bits of charcoal back and forth over the paper. 

One day, Sophia. the best artist in her class, sat down and set up her easel （画架） next to Kelly. Kelly felt a sinking feeling in her stomach. She'd. actually found an art form that she enjoyed-and was good at--and now Sophia was going to outshine her again? Kelly fought back tears when Miss Grace entered the room. 

"Hello class, Miss Grace said. "We'll continue to work on the project today. What masterpiece would Sophia have come up with?

Kelly looked at Sophia's easel and she couldn't believe it--it was a mess! For a brief moment, Kelly couldn't actually believe her drawing was better than Sophia's. 

But then she looked at Sophia, who was watching Kelly with an anxious expression. "I…. I couldn't decide what to do, " Sophia said. "And you're so good. Sometimes I feel like my stuff is just so bad in comparison. 

Kelly looked to see if Sophia was joking, but she seemed completely serious. Now Kelly was shocked. "I'm not talented ... Miss Grace seldom praises me. You're the best one in our class!"

Sophia raised her eyebrows. "I might be a really good copier of the stuff, but I have no idea what to do when it comes to making up my own images. You are so great at making new things out of the old stuff. I've loved your works. "

"I've loved yours, too, Kelly said. 

"Well, definitely not this one, " Sophia said. 

Kelly smiled. "Maybe not right now. But if you move these lines up. . . "she said, pointing her finger on Sophia's paper. 

Sophia was quiet for a moment. "That's a great idea!" she said finally. 

Kelly smiled and turned back to her drawing, looking every so often at Sophia's work to see that she was taking her advice, down to the last line.