Scientists investigated why Ebola virus is so deadly when it spreads from animals to humans and then from human-to-human contact. The research team looked at the Zaire Ebola virus in an animal system to understand how it gains strength. This virus is responsible for the current outbreak in West Africa. They found that initially the animal systems were not affected by the virus, but succeeding transmission(传送) into other animals caused the virus to “hot up” and become more severe.

    The team analyzed the viruses at different stages and were able to identify several changes in its genetic material that were associated with increased disease.

    Professor Julian Hiscox, who led the study from the University's Institute of Infection and Global Health, explains: “The work tells us that the evolutionary goal of Ebola virus is to become more fatal.”

    “We were able to show through genetic analysis which parts of the virus are involved in this process. The information we have gathered will now allow us to monitor for such changes in an outbreak as well as develop future treatment strategies.”

    Professor Roger Hewson, leading the study from Public Health England, Porton Down, said: “Ebola virus is such a destructive infection to the people affected by the disease and the economy of West Africa.”

    “Our understanding of Ebola virus biology is way behind that of other viruses and our cooperation shows how we can bring together our specialists' skills to close this knowledge gap.”

    Professor Miles Carroll, a co-author of the work, said: “This study has allowed the team to be at the forefront of developing methodologies to analyze patient samples recently taken by the European Mobile Laboratory from West Africa to understand disease evolution during the current outbreak.”

    In the coming months, we are bringing together artists from all over the globe, to enjoy speaking Shakespeare's plays in their own language, in our Globe, within the architecture Shakespeare wrote for. Please come and join us.

National Theatre of China   Beijing Chinese

    This great occasion(盛会) will be the National Theatre of China's first visit to the UK. The company's productions show the new face of 21st century Chinese theatre. This production of

    Shakespeare's Richard III will be directed by the National's Associate Director，Wang Xiaoying.

    Date & Time Saturday 28 April, 2.30 pm & Sunday 29 April, 1.30 pm & 6.30pm

Marjanishvili Theatre Tbilisi | Georgian

    One of the most famous theatres in Georgia, the Marjanishvili, founded in 1928,appears regularly at theatre festivals all over the world. This new production of   It is helmed（指导）by the company's Artistic Director Levan Tsuladze.

    Date & Time Friday 18May,2.30pm & Saturday 19May,7.30pm

Deafinitely Theatre  London | British Sign  Language （BSL）

    By translating the rich and humorous text of Love's Labour's Lost into the physical language of BSL, Deafinitely Theatre creates a new interpretation of Shakespeare's comedy and aims to build a bridge between deaf and hearing worlds by performing to both groups as one audience.

    Date & Time Tuesday 22 May,2.30pm & Wednesday 23 May,7.30pm

Habima National Theatre Tel Aviv | Hebrew

    The Habima is the centre of Hebrew-language theatre worldwide ,Founded in Moscow after the 1905 revolution, the company eventually settled in Tel Aviv in the late 1920s,Since 1958, z& they have been recognised as the national theatre of Israel .This production of Shakespeare's The Merchant of Venice marks their first visit to the UK.

    Date & Time Monday 28May, 7.30 & Tuesday 29 May,7.30pm

    Social media is our new travel agent, and it's changing the places we go. In some cases, the places we go. In some cases, the newfound fame brought about by social media platforms has helped to boost local economies and bring tourists to places they might never have discovered otherwise. In other cases, it's creating problems for countries and cities that are simply not equipped to deal with the influx(涌入) of tourists. Check out two of the incredible locations around the world that have gone viral on social media.

    Iceland

    This northern island nation has seen a dramatic surge(激增) in visitors over the past few years. One reason for that is the so-called "Game of Thrones effect,". This, combined with the availability of cheap flights and some very effective marketing campaigns, has made Iceland a popular travel destination. The number of tourists almost doubled from 566,000 to over 1 million between 2011 and 2015, according to Iceland's tourism board.

    While this influx of visitors has brought a much-needed boost to the economy post-recession(经济衰退), it's also pushed up prices for residents and put pressure on the infrastructure. Locals complain of tourists destroying the fragile ecosystem and leaving a mess behind them as they trample over the formerly untouched natural sites.

    Cuba

    According to Cuba's ministry of tourism, four million visitors went to Cuba in 2016, an increase of 13 percent from the year before. The tourism boom has had some consequences for the country's residents, The New York Times reported in December 2016.

    The surge in visitors has led to a food shortage, and basic food items have become completely unaffordable for locals. Local hotels and restaurants are buying up supplies in bulk for guests, pushing up prices and leaving limited amounts for locals.

    The situation has been acknowledged by the Cuban government, who put caps on prices to make them more affordable for residents. This has only encouraged sellers to put products on the black market, according to The New York Times.

      Apply for a Library Card

    Any person who lives, works or attends school in New York State is qualified to receive a New York Public Library card free of charge.

    Adult and teen users may either apply online or in person at any New York Public Library location. Applications for children aged 11 and under must be completed in person, and require the signature of a parent or guardian.

    When you apply for a card online, you will receive a 7-digit temporary barcode(条形码). This allows you to set a PIN (Personal Identification Number).

After you receive your permanent barcode, which is required to borrow materials, search library databases, or reserve a computer, you must validate your card.

    Renew or Validate Your Card

    All adult, teen and child library cards for cardholders in New York City and areas of New York State outside of New York City expire(期满) and must be renewed every three years. New library card applicants who applied for a card online must validate their card before full cardholder privileges can be extended.

    Cardholders in New York City must visit any New York Public Library location to present the required forms of identification in order to renew or validate their card.

    Cardholders from areas of New York State outside of New York City may email scans or copies of the required forms of identification to patronaccounts@nypl.org.

    Forgot Your PIN?

    If you provide the library with a valid email address, you can click on the Forgot Your PIN? Link on the login(登录) screen of either Biblicisms or the Classic Catalog. A link with instructions on changing your PIN will be sent to the email address on your account, giving you a brief period of time to update your information. You must select a 4-digit numeric PIN, with no repeating or obvious characters(e.g.1234 or 2222).

    If you have not provided us with a valid email address, you have to visit a library location with valid identification to have a staff member reset your PIN for you.

    A young woman carrying a three-year-old child got on a bus. The conductor hurried to give her a warm welcome and then kindly asked the other passengers to make more room for the woman and her child. On seeing this, people were surprised and began to talk. "You know this conductor used to be very rude. Now suddenly he has changed his bad behavior, "said a middle-aged man.

    "Yes, he should be praised and we must write a letter to the company," said a second passenger. "That's right," another lady said, "I wish a newspaper reporter were here so that more people could learn from this conductor.”

    Just then a gentleman who looked like a teacher turned to the conductor and said, "Excuse me, but can I know your name, please? Your excellent service must be praised..."

    Before he could open his mouth, the three-year-old child sitting on the young woman's lap interrupted, "I know his name. I call him Dad."

    Sandra Cisneros was born in Chicago in 1954 to a Mexican American family. As the only girl in a family of seven children, she often felt like she had "seven fathers," because her six brothers, as well as her father, tried to control her. Feeling shy and unimportant, she retreated (躲避) into books. Despite her love of reading, she did not do well in elementary school because she was too shy to participate.

    In high school, with the encouragement of one particular teacher, Cisneros improved her grades and worked for the school literary magazine. Her father encouraged her to go to college because he thought it would be a good way for her to find a husband. Cisneros did attend college, but instead of searching for a husband, she found a teacher who helped her join the famous graduate writing program at the University of Iowa. At the university's Writers' Workshop, however, she felt lonely－a Mexican American from a poor neighborhood among students from wealthy families. The feeling of being so different helped Cisneros find her "creative voice".

    "It was not until this moment when I considered myself truly different that my writing acquired a voice. I knew I was a Mexican woman, but I didn't think it had anything to do with why I felt so much imbalance in my life, but it had everything to do with it! That's when I decided I would write about something my classmates couldn't write about."

    Cisneros published her first work, The House on Mango Street, when she was twenty-nine. The book talks about a young Mexican American girl growing up in a Spanish-speaking area in Chicago, much like the neighborhoods in which Cisneros lived as a child. The book won an award in 1985 and has been used in classes from high school to graduate school level. Since then, Cisneros has published several books of poetry, a children's book, and a short-story collection.