In the coming months, we are bringing together artists from all over the globe, to enjoy speaking Shakespeare's plays in their own language, in our Globe, within the architecture Shakespeare wrote for. Please come and join us.

National Theatre of China   Beijing Chinese

    This great occasion(盛会) will be the National Theatre of China's first visit to the UK. The company's productions show the new face of 21st century Chinese theatre. This production of

    Shakespeare's Richard III will be directed by the National's Associate Director，Wang Xiaoying.

    Date & Time Saturday 28 April, 2.30 pm & Sunday 29 April, 1.30 pm & 6.30pm

Marjanishvili Theatre Tbilisi | Georgian

    One of the most famous theatres in Georgia, the Marjanishvili, founded in 1928,appears regularly at theatre festivals all over the world. This new production of   It is helmed（指导）by the company's Artistic Director Levan Tsuladze.

    Date & Time Friday 18May,2.30pm & Saturday 19May,7.30pm

Deafinitely Theatre  London | British Sign  Language （BSL）

    By translating the rich and humorous text of Love's Labour's Lost into the physical language of BSL, Deafinitely Theatre creates a new interpretation of Shakespeare's comedy and aims to build a bridge between deaf and hearing worlds by performing to both groups as one audience.

    Date & Time Tuesday 22 May,2.30pm & Wednesday 23 May,7.30pm

Habima National Theatre Tel Aviv | Hebrew

    The Habima is the centre of Hebrew-language theatre worldwide ,Founded in Moscow after the 1905 revolution, the company eventually settled in Tel Aviv in the late 1920s,Since 1958, z& they have been recognised as the national theatre of Israel .This production of Shakespeare's The Merchant of Venice marks their first visit to the UK.

    Date & Time Monday 28May, 7.30 & Tuesday 29 May,7.30pm

    Parents may think they're smart about where they store medicines, but their kids are smarter. Nearly 60,000 young children are rushed to the hospital every year after getting into medicines not meant for them, according to a new report from Safe Kids Worldwide.

    The report finds little connection between what parents know about storing medicines safely and what they actually do. Nine out of 10 parents know that medicines should be stored up and away out of reach and sight, but 7 out of 10 of them admit not doing that. They leave medicines out on kitchen counters, sinks and sofas, believing babies and toddlers(学步者)aren't tall enough or strong enough to reach them. Unfortunately, they probably can. Children as young as a month have ended up in an emergency department because they'd been poisoned by getting into a medicine that was left within reach.

Most poisonings related to medicines—particularly among babies and toddlers—occur within their home. Kids develop rapidly and they want to explore their environment. At certain ages they have a lot of hand-to-mouth activity, and so it's very common for them to explore their environment and then try to taste what they find.

    The new Safe Kids worldwide report includes a survey of 2,000 parents with children under age 6. While the number of children visiting an emergency department for accidental poisonings had declined since the 2010 maximum, the decline has slowed in recent years.

    Prescription and over-the-counter medicines cause the most severe poisonings, but vitamins and supplements(补充品)can also cause problems. There are steps families can take to lower the risk for an accidental medicine poisoning.

    China now has 52 sites included on the UNESCO World Heritage List, which was established to safeguard unique and irreplaceable cultural and natural sites around the world. Let's have a look at some of them, which may give you some clues on your next travel plan.

    Mausoleum of the First Qin Emperor

    The Mausoleum of the First Qin Emperor is located in Lintong county, near Xi'an city, capital of Shaanxi province. A total of 8,000 life-size terracotta warriors, chariots and horses, and hundreds of bronze weapons have been unearthed from it. Many state leaders and experts worldwide believe that the discovery of the mausoleum is a major archeological find and can be called the eighth wonder of the world, paralleling Egypt's pyramids.

    Kulangsu, a Historic International Settlement

    Gulangyu Island, known in the local dialect as Kulangsu, is located on the entry of the Jiulong River, facing the city of Xiamen. The island was occupied by at least a dozen countries, including Great Britain, France and Japan. As a result, Western culture grew rapidly there in the 19th century, especially music. With such a harmonious blend of Western music and Eastern culture, Gulangyu is naturally referred to as the "island of music". It is famous for its outstanding musicians and musical instruments.

    Qinghai Hoh Xil

    Hoh Xil, which means "beautiful girl" in Mongolian, is located in the north-eastern end of the Qinghai-Tibetan Plateau. Hoh Xil National Nature Reserve is China's largest and the world's third largest uninhabited area. Because of the high altitude and fierce weather, it is impossible for people to live there, and therefore, it is a paradise for wildlife and home to more than 230 species of wild animals including endangered species such as the Tibetan antelope, which is recognized as the National Class I Protected animal.

    Huangshan Mountain

    Huangshan, known as "the loveliest mountain of China", lies in the south of Anhui province in eastern China. The scenic area covers 154 sq km, and is famous for its peaks, rocks, pines, clouds and springs. It also has a rich cultural heritage. Xu Xiake, a famous traveler of the Ming Dynasty (1368-1644), visited Huangshan twice, and described it in a poem, calling it the best of all mountains in China. Today it holds the same fascination for visitors, poets, painters and photographers.

    The 65-year-old Steve Goodwin was found suffering from early Alzheimer's (阿尔楚海默症). He was losing his memory.

    A software engineer by profession, Steve was a keen lover of the piano, and the only musician in his family. Music was his true passion, though he had never performed outside the family.

    Melissa, his daughter, felt it more than worthwhile to save his music, to which she fell asleep catch night when she was young. She thought about hiring a professional pianist to work with her father.

    Naomi, Melissa's best friend and a talented pianist, got to know about this and showed willingness to help.

    "Why do this?" Steve wondered.

    "Because she cares." Melissa said.

    Steve nodded, tears in eye.

    Naomi drove to the Goodwin home. She told Steve she'd love to hear him play. Steve moved to the piano and sat at the bench, hands trembling as he gently placed his fingers on the keys.

    Naomi put a small recorder near the piano, Starts and stops and mistakes. Long pauses, heart sinking. But Steve pressed on, playing for the first time in his life for a stranger.

    "It was beautiful." Naomi said after listening to the recording. "The music was worth saving."

    Her responsibility, her privilege, would be to rescue it. The music was sill in Steve Goodwin. It was bidden in rooms with doors about to be locked.

    Naomi and Steve met every other week and spent hours together. He'd move his fingers clumsily on the piano, and then she'd take his place. He struggled to explain what he heard in his head. He stood by the piano, eyes closed, listening for the first time to his own work being played by someone else.

    Steve and Naomi spoke in musical code lines, beats, intervals, moving from the root to end a song in a new key. Steve heard it. All of it. He just couldn't play it.

    Working with Naomi did wonders for Steve. It had excited within him the belief he could write one last song. One day, Naomi received an email. Attached was a recording, a recording of loss and love, of the fight. Steve called it "Melancholy Flower".

    Naomi heard multiple stops and starts, Steve struggling, searching while his wife Joni called him "honey" and encouraged him. The task was so hard, and Steve, angry and upset, said he was quitting. Joni praised him, telling her husband this could be his signature piece.

    Naomi managed to figure out 16 of Steve's favorite, and most personal songs. With Naomi's help, the Goodwin family found a sound engineer to record Naomi playing Steve's songs. Joni thought that would be the end. But it wasn't.

    In the months leading up to the 2016 Oregon Repertory Singers Christmas concert, Naomi told the director she had a special one in mind: "Melancholy Flower"

    She told the director about her project with Steve. The director agreed to add it to the playing list. But Naomi would have to ask Steve's permission. He considered it an honor.

    After the concert, Naomi told the family that Steve's music was beautiful and professional. It needed to be shared in public.

    The family rented a former church in downtown Portland and scheduled a concert. By the day of the show, more than 300 people had said they would attend.

    By then, Steve was having a hard time remembering the names of some of his friends. He knew the path his life was now taking. He told his family he was at peace.

    Steve arrived and sat in the front row, surrounded by his family. The house lights faded. Naomi took the stage. Her fingers. His heart.

    The big fire in April that tore through the Notre Dame Cathedral in Paris(巴黎圣母院) is still fresh in people's minds. The 800-year-old landmark suffered great damage to its top, but thankfully the most valuable religious relics and cultural treasures were undamaged.

    So a US publishing company GoArchitect organized the People's Design Competition to invite designers, worldwide to share their ideas of rebuilding the French landmark. The open call attracted more than 200 proposals from 56 countries and regions. In the end, Chinese architects Cai Zeyu and Li Sibei won the competition with their striking design. They are both the post-90s generation.

    Named "Paris Heartbeat", the design replaces the old top with a kaleidoscope(万花筒) of multifaceted mirrors, which is combined with a mirror roof, reflecting the ever–changing urban environment.

    The kaleidoscope is the floating "time capsule", at the top using magnetic levitation(磁悬浮) technology, which is meant to open every half century. The "time capsule" moves up and down, breathing and beating together with the city.

    "I believe that the 'time capsule' can be achieved with present technology," Cai told the Global Times.

    The pair hoped that their design, Paris Heartbeat, could meet people's high expectations for the rebuilding. As Cai and Li told GoArchitect, "Notre Dame witnessed Parisian history. It burns, survives and co-breathes with the ever-changing world…The 2019 fire will mark a new era."

    Though people still don't know what kind of design the French government will choose, it's clear that people around the world hope that the lost beauty of Notre Dame will come back. Once rebuilt, it will certainly become a permanent part of history and the Parisian skyline again.