Such chronic (慢性的) diseases as heart disease, stroke, cancer and lung disorders are the most leading causes of death in the world. Yet health experts say these conditions are often the most preventable.

    The World Health Organization (WHO) points out chronic diseases lead to about 17 million early deaths each year. The United Nations (UN) agency expects more than 380 million people to die of chronic diseases by 2015. About 80% of the deaths will happen in developing nations.

    Chronic diseases now cause two-thirds of all deaths in the Asia-Pacific area. In ten years it could be almost three-fourths. People are getting sick in their most economically productive years. In fact, chronic diseases are killing more middle-aged people in poorer countries than in richer ones. The WHO estimates (估计) that chronic diseases will cost China alone more than 500,000 million dollars in the next ten years. That estimate represents the costs of medical treatment and lost productivity. Russia and India are also expected to face huge economic losses.

    According to a WHO report, deaths from chronic diseases have increased largely as the result of economic gains in many countries. Until recently infectious and parasitic (寄生的) diseases have been the main killers in Asia and the Pacific but they are no longer the major cause of death in most countries.

As many as 80% of the deaths from chronic diseases could be prevented, health officials say. An important tool for governments is to limit the marketing of alcohol and tobacco to young people. Also, more programs are needed to urge healthy eating and more physical activity.

    The UN aims to reduce chronic-disease deaths by 2% each year by international action through 2015, that's to say, 36 million lives could be saved, including 25 million in Asia and the Pacific.

    The faces of the four U. S. presidents on Mount Rushmore will likely last for centuries. But at a newly opened exhibit in Japan, you can catch them only for about eight months. This year, the annual sand sculpture event at the Sand Museum in Tottori, Japan, is focused on another country. This is the 10^th anniversary of the event. Artists came from 19 countries to shape sand into different sculptures that represent events in U. S. history and American landmarks.

    Tottori is a remote city in western Japan. In the past, not many tourists traveled to it. To attract more visitors, Tottori officials decided to use a natural resource: sand. They decided to create a sand museum that would house a series of sand sculptures based on different geographic areas of the world. The sand from each year's exhibition is used again the next year. The project has been a success. About 500,000 people visit the museum during the eight months. Some return year after year to see the new sculptures.

    The city is now a popular spot for sand sculpture artists too. Sculptors from around the world come to Tottori each spring, spending a few weeks working on their masterpieces. They use special tools to smooth the sandy surfaces, cut angles and details. They use only sand and water to create the huge sculptures, some of which tower over their creators.

    Originally, the artists built their creations outside. But the works lasted less than two months outdoors. So the museum built a permanent structure 10 house the artworks, which extended their life to eight months. Now many more tourists get to see the sculptures. Still, the fact that this art is not permanent is part of the appeal. The temporary sculptures reflect the Japanese value of appreciating the fleeting（稍纵即逝）nature of the world.

    Tottori is not the only Japanese town that shows temporary art like this. Sapporo, in northern Japan, hosts a similar exhibit in the winter, using snow instead of sand. Thai will be just about the time that the U. S. sand sculpture exhibition is taken apart, and the sand is saved for next year's show.

    If you get into the forest with your friends, stay with them always. If you don't, you may get lost. If you really get lost, this is what you should do. Sit down and stay where you are. Don't try to find your friends—let them find you by staying in one place.

    There is another way to help your friends or other nearby people to find you. Give them a signal (信号) by shouting or whistling (吹口哨) three times. Any signal given three times is a call for help.

    Keep up shouting or whistling always three times together. When people hear you, they will know that you are not just making noise for fun. They will let you know that they have heard your signal. They give you two shouts, two whistles, or two gun-shots (枪声). When someone gives you a signal, it is an answer to a call for help.

If you don't think that you will get help before night comes, try to make a little house—cover up to the holes with branches (树枝) with lots of leaves. Make yourself a soft bed with leaves and grass.

    What should you do if you get hungry or need drinking water? You would have to leave your little house to look for a river. Don't just walk away. Pick off small branches and drop them as you walk so that you can find your way back. The most important thing to do when you are lost is—stay in one place.

    The strand bookstore is a New York Institution, and Fred Bass was a part of it almost from the moment he was born until the day he died. Every day, dozens of sellers arrive armed with piles of books, and every day thousands of buyers browse through the 18 miles of shelving, squeezing through narrow, dark aisles towered over by high, cramped shelves.

    Film studios wanting a line of books for a backdrop rent them from the Strand by the foot; interior designers looking for books with the same color spine will order a job lot; and hosts wishing to impress dinner guests will order the latest tomes(巨著) to replace on their coffee tables. Some even might be read.

    "You never know what someone is going to walk in with," Bass told The Villager magazine in 2010, adding that there was nothing he loved more than the "treasure hunt". Many books came from critics keen to add to their income by offloading review copies, they came from large estates, fellow bookshops and even publishers quietly offloading surplus(过剩的) stock. One visitor spoke of Bass as a character who could have come from a book. "I remember sensing in Bass, beyond a slightly gruff look, a man of great passion, a man who knew the innumerable and shifting current of the book trade the way that an old sailor knows the changeable sea," wrote Tom Vanderbilt in the New York Review of Books.

    Bass himself took a kind, almost paternalistic(家长式的) approach to the business. Some employees remained with him for decades.  When Greg Farr, a dissatisfied member of staff, published a novel that was critical of the store's management and the unions he still had his job, furthermore, the Strand sold his book.

Fred Bass was born in Manhattan in 1928, the year after his father, Benjamin, a Lithuanian immigrant, founded the Strand bookstore on Fourth Avenue, which was then known as "Book Row". His mother, Shirley, a Polish immigrant, died from cancer when Fred was six. His father remarried, to Esther, a bookkeeper who was involved in various civil rights causes.

    As a child young Fred swept the floors and by 13 he was working behind the counter on Saturdays. He recalled going on buying trips with his father and hauling back bundles of books on the subway, all tied with rope that cut into his hands. The family lived in the Bronx and young Fred studied English at Brooklyn College in the mornings and worked in the shop in the afternoons. His only extended period of time away was two year' service with the US armed forces, but even then he used his leave from the Korean War to work at the shop. In 1957, a year after taking over the business, Bass moved the store from Fourth Avenue to the corner of 12th Street and Broadway, where it stands to this day.

In 1952, Bass, who could eventually afford to purchase an apartment in Trump Tower, married Patricia Miller. They had a son, Stephen, who died in 2001, and a daughter, Nancy, who married Ron Wyden, a senator from Oregon. Since her teens she has worked with her father, developing the store, remodeling the space and adding air conditioning ("I hated it," said Bass). Since 1986 the Strand has run a "Books by the Foot" department, which creates custom book collections based on readers' literary tastes or preferred colors.

    In 1996, after seven decades as tenants(房客), the Bass family bought their building for $8.2 million. Until then they had negotiated the lease with their landlord at the nearby Knickerbock Bar and Grill; now Bass had to deal with himself." When I want to negotiate my own lease I have go to the bar myself", he joked. Even in his late eighties Bass was making buying trips, though no longer by subway.

Time and the Internet have not been kind to booksellers. "Book Row" is now only the Strand, which itself has been redesigned to be more "userfriendly". T-shirts, postcards, fridge magnets and other gifts now account for about 15 per cent of the Strand's turnover. Satellite stores have been set up and new books have joined the traditional secondhand commodities. "I make less money, "Bass said," but it's a little bit more scientific".

    Perhaps the most unusual part of management at the Strand book store was the book quiz­matching authors and title­that job applicants since the 1970 have been required to take.

    One spring day, once the flowers have begun to open, a bee will hover (盘旋) and zip through your yard and dive-bomb your picnic table. While you're thinking about avoiding an attack, that bee is focused on something else entirely: me.

    A honeybee has about six weeks to live. Today, like most days, her task is to fly as many as three miles from home, stick her long, straw-like tongue into a hundred or so flowers. When the bee has had her fill, she'll fly home. There the bee will deposit what she has got into the mouth of one of her co-workers, who will relay it to another, and so on for about 20 minutes, until the mixture is ready to be placed into the comb. Then she and her 50,000 or so mates will hover in the dark all night every night, flapping their wings to create hot, breezy conditions to remove the water from the mixture. Several sunrises later, they will seal me off in a golden cell of beeswax. In her lifetime, our bee may visit 4,000 flowers, and yet will produce only one-twelfth of a tea spoon of me.

    The average American consumes nearly a pound and a half of me every year, in tea, on toast, and beyond. If I do say so myself, I am a timeless treasure. Literally--I never go bad.

    Unfortunately, my good health is not guaranteed. The problem lies in the growth of industrial agriculture and the use of pest control chemicals, as well as changes in weather patterns, all of which reduce the number of flowers bees have to visit. I'd appreciate your letting your own garden grow just a little wild. My future depends on all of us fostering spring and summers wild flowers, thus helping the bees, who give so much--to you, to me--without ever asking for anything in return.

A great poem makes you want to get out of your chair and pace around the room. {#blank#}1{#/blank#}. But if you haven't developed your. poetry taste in a while, that feeling might be a little hard to tap into. Here are four tips that can help you get there.

Read aloud and out loud

When reading a poem, it is important to remember that it is not just words on a page, but is meant to be heard or read aloud. {#blank#}2{#/blank#}. It will enhance the appreciation of the piece.

{#blank#}3{#/blank#}.

Approaching poetry with a perspective of finding connections between the poem and one's own life can be a valuable tool for appreciating the poem more. Connecting to the emotions, memories and even the same life experiences can help to relate more to the poem and in turn, truly appreciate it. Through this connection to the poem, we can better understand the feelings, actions and words of the poem.

Create a dialogue

More often than not, a lot of hidden or "unsaid" messages are delivered in poetry. {#blank#}4{#/blank#}. A fruitful discussion about a poem can help readers to understand the poem more, through their different interpretations and opinions.

Write your own poem

{#blank#}5{#/blank#}. As you write your own poem, think about the structure you want to create, the literary devices you want to employ and the emotion you want to arouse. As you write your own poem, you will see your appreciation of the original poem rise, as you gain a sense of the effort that goes into crafting a poem. In this way, it can become much easier to appreciate the poem being read.

A. Find connections

B. Pair poetry with other art forms

C. Writing can be a great way to start your appreciation of a poem

D. It makes you want to throw your hands up and show it to somebody

E. Reading the poem aloud helps you understand the emotion of the poet fully

F. Having a discussion around a poem allows readers to bring out these messages

G. Possessing a critical eye allows readers to appreciate the art of poetry in a meaningful way