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题型:阅读理解 题类:常考题 难易度:普通

安徽省滁州市定远县育才学校2019届高三上学期(普通班)英语入学考试试卷

阅读短文,从每题所给的四个选项(A、B、C和D)中,选出最佳选项。

    Nowadays women appear to have a positive image of themselves as safer drivers than men.

    In a survey done for insurer MetLife, 51% of women said they drive more safely. The evidence is on their side: Men are 3.4 times more likely than women to get a ticket for careless driving and 3.1 times as likely to be punished for drunk driving. "Women are on average less aggressive and more law abiding (守法的) drivers, which leads to fewer accidents," the report says. However, not all male drivers share the same opinion. Of the men surveyed by MetLife, 39% claimed male drivers were safer. The findings did back them up on one point: automotive knowledge. The report showed that more men are familiar with current safety equipment such as electronic stability control, which helps prevent rollover accidents.

    Auto safety unavoidably matters to money. Insurance companies focus on what classes of drivers have the lowest dollar amounts of claims, and for now, that mainly includes women. In general, women pay about 9% less for auto insurance than men. A study by the website Insweb also showed that auto insurance rates are lower for women in most states. Among individual states, women get the greatest advantage in Wyoming (where they pay 20% less), South Dakota and Washington, D. C. where their insurance costs are 16% lower.

    "More than 11, 900 male drivers died in U. S. traffic accidents in 2009, compared with just under 4, 900 women drivers," according to the study. "Based on miles traveled, men died at a rate of 2.5 deaths per 100 million miles traveled, VS 1.7 deaths for women."

(1)、According to the study, female drivers ________.
A、are more aggressive while driving B、are more interested in auto knowledge C、are more likely to stick to driving laws D、are more familiar with safety equipment
(2)、Insurance companies focus on female driver clients probably because they ________.
A、cause more accidents on the road B、pay more money to the insurance companies C、take the most part of the insurance clients D、have the lowest amount of money on insurance claims
(3)、We can infer from the passage that ________.
A、men are 3.1 times more likely to get tickets than women B、all women in the USA pay the same for their auto insurance C、more female drivers die every year than male drivers D、women are generally safer drivers than the opposite
(4)、The writer mainly develops paragraphs by ________.
A、giving examples B、making comparisons C、drawing a conclusion D、presenting an argument
举一反三
阅读理解

Jacob's Pillow Dance Festival

Where: Becket, Massachusetts

When: June 15-Aug 24

    Each summer, this influential dance center presents a number of classes and performances by more than 50 companies from around the world. Highlights (最精彩的部分) this season include the Dance Theater of Harlem's production of Alvin Ailey's “The Lark Ascending”, which opens the festival.

    Many events are free. Ticketed performances start at $22. jacobspillow.org.

Moab Music Festival

Where: Moab, Utah

When: Aug 29-Sept 9

    This area is better known for mountain biking than for music. But since 1992, it has hosted a private festival that brings classical, jazz, Latin and other types of music to the land. This year there will be 16 concerts, including three “Grotto Concerts”, where guests take a 45-minute boat ride down the Colorado River to performances.

Events start at $25. moabmusicfest.org.

Cheyenne Frontier Days

Where: Cheyenne, Wyoming

When: July 19-28

    There's something for everyone at this 117-year-old festival, from an “Indian village” and Old West museum to country concerts. But the competition is still the main attraction, with cowboys and cowgirls competing for major money in the world's largest outdoor stage.

Competition tickets start at $18, and concert tickets at $23. cfdrodeo.com.

The Glimmerglass Festival

Where: Cooperstown, New York

When: July 6-Aug 24

    Each summer, opera lovers from around the country (and the world) travel to upstate New York to watch productions that include stars like Nathan Gunn and Ginger Costa-Jackson. This year's performances include Wagner's “The Flying Dutchman” and Verdi's “King for a Day”, in honor of the 200th birthdays of both composers (作曲家).

Tickets start at $26. glimmerglass.org.

阅读理解

    On a stormy day last August, Tim heard some shouting. Looking out to the sea carefully, he saw a couple of kids in a rowboat were being pulled out to sea.

Two 12-year-old boys, Christian and Jack, rowed out a boat to search a football. Once they'd rowed beyond the calm waters, a beach umbrella tied to the boat caught the wind and pulled the boat into open water. The pair panicked and tried to row back to shore. But they were no match foritand the boat was out of control.

    Tim knew it would soon be swallowed by the waves.

“Everything went quiet in my head,” Tim recalls(回忆). “I'm trying to figure out how to swim to the boys in a straight line.”

    Tim took off his clothes and jumped into the water. Every 500 yards or so, he raised his head to judge his progress. “At one point, I considered turning back,” he says. “I wondered if I was putting my life at risk.” After 30 minutes of struggling, he was close enough to yell to the boys, “Take down the umbrella!”

    Christian made much effort to take down the umbrella. Then Tim was able to catch up and climb aboard the boat. He took over rowing, but the waves were almost too strong for him.

“Let's aim for the pier(码头),” Jack said. Tim turned the boat toward it. Soon afterward, waves crashed over the boat, and it began to sink. “Can you guys swim?” he cried. “A little bit,” the boys said.

Once they were in the water, Tim decided it would be safer and faster for him to pull the boys toward the pier. Christian and Jack were wearing life jackets and floated on their backs. Tim swam toward land as water washed over the boys' faces.

    “Are we almost there?” they asked again and again. “Yes,” Tim told them each time.

    After 30 minutes, they reached the pier.

阅读理解

    After opening the world's first commercial Direct Air Capture plant(直接空气捕集工厂)designed to pull CO2 out of the air, Swiss company Climeworks is now trying to create the world's first “negative emission(负排放)” power plant.

    An international team of scientists has been working on a way to turn captured CO2 into minerals. The project is called CarFix. Experts capture the gas, put it into water and send it to more than 700 meters underground. There the CO2 on contact with a special kind of rock forms into a mineral.

    “Our results show that between 95 and 98 percent of the CO2, sent underground was mineralized over the period of less than two years, which is amazingly fast,” says lead author of the CarFix project, Dr. Juerg Matter. Before this discovery it was thought that this mineralization could take hundreds to thousands of years.

    The DAC technology can collect CO2 from the atmosphere and then store it underground or sell it to business needing the gas. For example, customers can use it in drinks. And the first plant in Zurich is supplying the captured CO2 to a nearby greenhouse to “feed” vegetables. By using the company's CO2 the customers can reduce their carbon mission as well as lower their dependence on energy.

    A 2015 study suggested that before the CarFix project, experts could collect CO2, but they didn't have a large-scale(大规模的)method to safely treat it.

    Combining Climeworks' DAC technology with the CarFix mineralization process they will be able to create a system. This system doesn't put additional carbon back into the atmosphere. Actually it is carbon negative.

    “The economic cost of applying this kind of carbon capture technology on a large-scale is not particularly practical now, but for the first time we are seeing a realistic and effective system,” says Christoph Gebald CEO of Climeworks.

阅读理解

    I'm sitting in my kitchen in London, trying to figure out a text message from my brother. He lives in our home country of Germany. We speak German to each other, a language that's rich in odd words, but I've never heard this one before: fremdschämen. I'm too proud to ask him what it means. I know that eventually, I'll get it. Still, it's slightly painful to realize that after years of living abroad, my mother tongue can sometimes feel foreign.

    Most long-term migrants know what it's like to be a slightly rusty(生疏的) native speaker. The process seems obvious: the longer you are away, the more your language suffers. But it's not quite so straightforward.

    In fact, the science of why, when and how we lose our own language is complex and often different to what we think. It turns out that how long you've been away doesn't always matter. Socializing with other native speakers abroad can worsen your own native skills. And emotional factors like trauma(精神创伤) can be the biggest factor of all.

    It's not just long-term migrants who are affected, but to some extent anyone who picks up a second language. The minute you start learning another language, the two systems start to compete with each other, says Monika Schmid, a linguist at the University of Essex.

    Schmid is a leading researcher of language attrition, a growing field of research that looks at what makes us lose our mother tongue. In children, the phenomenon is somewhat easier to explain since their brains are generally more flexible and adaptable. Until the age of about 12, a person's language skills are relatively easy to change. Studies on international adoptees have found that even nine-year-olds can almost completely forget their first language when they are removed from their country of birth.

    But in adults, the first language is unlikely to disappear entirely except in extreme circumstances. For example, Schmid analyzed the German of elderly German-Jewish wartime refugees(难民) in the UK and the US. The main factor that influenced their language skills wasn't how long they had been abroad or how old they were when they left. It was how much trauma they had experienced as victims. Those who left Germany in the early days of Nazi occupation, before the worst violence, tended to speak better German – despite having been abroad the longest. Those who left later, tended to speak German with difficulty or not at all.

    "It seemed very clearly a result of this trauma", says Schmid. "Even though German was the language of childhood, home and family, it was also the language of painful memories." The most traumatised refugees had held them back. As one of them said: I feel that Germany betrayed me. America is my country, and English is my language.

阅读理解

China' Forbidden City—-traditionally off-limit at night for anyone except emperors and visiting dignitaries (显要人物)—- was decorated with lanterns as China celebrated the end of the Chinese New Year holiday. The complex, home to Chinese emperors for five centuries, was opened at night for the first time since it was reopened as the Palace Museum 94 years ago.

    The complex and palace walls were illuminated with red lanterns and a light show, designed to recreate the feelings of the royal court, while the China National Traditional Orchestra and the Peking Opera performed. An image of a treasured scroll called A Thousand Li of Rivers and Mountains was cast onto the palace roof.

    Most of China's 1.3 billion people, however, had to watch the show on television. Only 3,000 people were allowed in: 2,500 invited guests and 500 people who booked their tickets online. "The 3,000 visitors can show off for the whole year," one person said on Weibo. When booking for the second day opened at midnight, the booking system crashed for more than an hour due to great demand. The free tickets were quickly taken when it reopened. A lively secondary market soon appeared. Scalpers were selling tickets for as much as 9,999 yuan on online trading sites.

    The Palace Museum is now on a campaign to attract more visitors, with its former curator Shan Jixiang saying he wants to make traditional Chinese culture more accessible to the general public. More than 80 percent of the palace is now accessible to visitors, up from 30 percent in 2012. Shan has set a target of 85 percent by 2020 to mark the palace's 600th anniversary. Creativity today has made the Palace Museum younger and drawn traditional culture closer to the public.

阅读理解

    "What kind of rubbish are you?" This question might normally cause anger, but in Shanghai it has brought about complaints over the past week. On July 1st, the city introduced strict trash-sorting regulations that are expected to be used as a model for our country. Residents must divide their waste into four separate kinds and put it into specific public bins. They must do so at scheduled times, when monitors are present to ensure compliance(服从)and to inquire into the nature of one's rubbish.

    Violators face the possibility of fines and worse. They could be hit with fines of up to 200 yuan ($29). For repeat violators, the city can add black marks to their credit records, making it harder for them to obtain bank loans or even buy train tickets.

    Shanghai authorities are responding to an obvious environmental problem. It generates 9 million tonnes of garbage a year, more than London's annual output and rising quickly. But like other cities in China, it lacks a recycling system. Instead, it has relied on trash pickers to sort out the waste, picking out whatever can be reused. This has limits. As people get wealthier, fewer of them want to do such dirty work. The waste, meanwhile, just keeps piling up. China produces 80 billion pairs of disposable(一次性的)chopsticks a year.

    Many residents appear to support the idea of recycling in general but are frustrated by the details. Rubbish must be divided according to whether it is food, recyclable, dry or hazardous(有害的), the differences among which can be confusing, though there are apps to help work it out. Some have complained about the rules surrounding food waste. They must put it straight in the required public bin, forcing them to tear open plastic bags and toss it by hand. Most upset are the short windows for throwing trash, typically a couple of hours, morning and evening. Along with the monitors at the bins, this means that people go at around the same time and can keep an eye on what is being thrown out; no one wants to look bad.

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