There is a large percentage of Asian people in the US. They'rehard working, respectful but strange sometimes. If you don't understand theculture, you will get some problems with them. Asian people are different fromany other cultures if you think you know them, you might want to think again.

How are they different? When it comes to most Asian culture,respect is everything. You can do anything you want but don't disrespect anAsian man. You will get some real consequences afterward and especially if heis your boss. It's something called “face saving” in the Asian culture.It's ridiculous sometimes but it's their culture. Sometimes their culture cancome in between their relationship at work. Asian people might expect a lot ofrespect from their co-workers when their co-workers just see them as an equal.

Americans are very different from Asian people. If you're Asian,you might want to understand the American culture and even adapt to theirculture if you work with them. It will be easier for you since you're in theircountries. Imagine an American working in China, expecting Chinese co-workersto get along with him when he criticizes them straight out on every singlematter in front of everyone. I think they will take him outside and take careof him. It just doesn't work that way with Asian people.

If you're an American boss giving your Asian employee a review,you will see that they will have a problem with your negative remarks. Theywill think that you don't like them, disrespectful, and want to get rid ofthem; when in fact, you're just doing your job. Of course, it's not fair foryou as an American boss but just expect that it can be something that is onyour Asian employee's mind.

    London's newest skyscraper (摩天大楼)is called the Shard and it cost about 430 million pounds to build. At a height of almost 310 metres, it is the tallest building in Europe. The Shard has completely changed the appearance of London. However, not everyone thinks that it is a change for the better.

    The Shard was designed by the famous Italian architect Renzo Piano. When he began designing the Shard for London, Piano wanted a very tall building that looked like a spire (尖顶)• He wanted the glass surfaces to reflect the sky and the city. The sides of the building aren't regular. So the building has an unusual shape. It looks like a very thin，sharp piece of broken glass. And that is how the building got the name: the Shard. Piano says that the spire shape of the Shard is part of a great London tradition. The shape reminds him of the spires of the churches of London or the tall masts (桅杆）of the ships that were once on the river Thames.

    The Shard has 87 floors. At the top, there is an observatory. At the moment the building is empty, but eventually there will be a five-star hotel. There will also be top quality restaurants, apartments and offices.

    Before building work began, a lot of people didn't want the Shard though the plans were approved. Now they are still unhappy about the Shard. Some critics say that such a tall skyscraper might be good in a city like New York, but not in London. They say that the best thing about the Shard is its spire shape. But that is the only thing. There is no decoration, only flat surfaces. The Egyptians did that 4,500 years ago. They also think the Shard is too big for London. It destroys the beauty of the city.

    Other critics don't like what the Shard seems to represent. They say that the Shard shows how London is becoming more unequal. Only very rich people can afford to buy the expensive private apartments and stay in the hotel. But the people who live near the Shard are among the poorest in London. So the Shard seems a symbol of the division in society between the very rich and the poor.

    The Shard now dominates the London skyline. It is not certain, however, that ordinary London citizens will ever accept it as a valuable addition to the city.

    Those accustomed to browsing (浏览) through thousands of books in large bookstores may find Japan's Morioka Shoten a little strange. That's because this tiny bookstore that is located in Ginza, Tokyo sells only a single book at a time.

    Opened in May 2015, Morioka Shoten is the brainchild (脑力劳动成果；发明；主意) of Yoshiyuki Morioka. He began his career as a bookstore clerk in Tokyo's Kanda district before branching out into opening his own store. It was here while organizing book reading and signing that he realized that customers usually came into the store with one title in mind. Morioka began to wonder if a store could exist by selling multiple copies of just one single book. In November 2014, he partnered Masamichi Toyama to establish a unique bookstore with the philosophy of "a single room with a single book".

    The selections that are picked by Morioka change weekly and vary widely to attract customers with different interests. Recent choices include The True Deceiver, an award-winning Swedish novel by Tove Jansson, Hans Andersen's fairy tales, and a collection of Karl Blossfeldt's photography of plants. Morioka has also selected books written by a famous Japanese author Mimei Ogawa.

    To highlight his only offering, Morioka often uses clever tricks. For example, when selling a book about flowers, the storekeeper decorates his shop with the ones that have been mentioned in the book. He also encourages authors to hold talks and discussions so they can connect with customers. Morioka says his goal is to let customers experience being inside a book, not just a bookstore.

    Risky as the idea might seem, things appear to be going well. The storekeeper says he has sold over 2,100 books. Things can get better given that his bookstore is becoming increasingly popular not just among the locals but also visitors from other countries.

    Every man wants his son to be somewhat of a clone（克隆）, not in features but in footsteps. As he grows you also age, and your ambitions become more unachievable. You begin to realize that your boy, in your footsteps, could probably achieve what you hoped for. But footsteps can be muddied and they can go off in different directions.

    My son Jody has hated school since day one in kindergarten. Science projects waited until the last moment. Book reports weren't written until the final threat.

    I've been a newspaperman all my adult life. My daughter is a university graduate working toward her master's degree in English. But Jody? When he entered the tenth grade he became a "vo-tech" student (技校学生). They're called "motorheads" by the rest of the student body.

    When a secretary in my office first called him "motorhead", I was shocked. "Hey, he's a good kid," I wanted to say. "And smart, really."

    I learned later that motorheads are, indeed, different. They usually have dirty hands and wear dirty work clothes. And they don't often make school honor rolls (光荣榜).

    But being the parent of a motorhead is itself an experience in education. We who labor in clean shirts in offices don't have the abilities that motorheads have. I began to learn this when I had my car crashed. The cost to repair it was estimated at $800. "Hey, I can fix it," said Jody. I doubted it, but let him go ahead, for I had nothing to lose.

    My son, with other motorheads, fixed the car. They got parts (零件）from a junkyard, and ability from vo-tech classes. The cost was $25 instead of $800.

    Since that first repair job, a broken air-conditioner, a non-functioning washer and a non-toasting toaster have been fixed. Neighbors and co-workers trust their car repairs to him.

    These kids are happiest when doing repairs. They joke and laugh and are living in their own relaxed world. And their minds are bright despite their dirty hands and clothes.

    I have learned a lot from my motorhead: publishers need printers, engineers need mechanics, and architects need builders. Most important, I have learned that fathers don't need clones in footsteps or anywhere else.

    My son may never make the school honor roll. But he made mine.

    While staring out of the window during a flight, not everyone will think carefully about the question why airplanes have rounded windows rather than square ones.

    Over the years, aerospace engineering has made huge steps in airplane technology, meaning planes can carry more passengers and go faster. The planes have also changed shape to increase safety—including the windows. As commercial air travel took off in the mid－20th century, airline companies began to fly at higher altitudes to lower their cost—the air density(密度) is lower up there, creating less drag(阻力)for airplanes. However, higher altitudes came with problems, like the fact human beings can't really survive at 30，000 feet. To make that possible, the cabin was changed to a cylindrical(圆柱体) shape to support the pressure inside. But at first, plane builders left in the standard square windows and this expansion meant disaster. The de Havilland Comet came into fashion in the 1950s. With a closed cabin, it was able to go higher and faster than other aircraft.

    However, where there's a corner, there's a weak spot. Windows, having four corners, have four potential weak spots, making them likely to crash under stress—such as air pressure. By curving the window, the stress that would eventually break the window corner is distributed and the chance of it breaking is reduced. Rounded shapes are also stronger and resist deformation(变形), and can thus survive the extreme differences in pressure between the inside and outside of the aircraft.

    Fortunately, designers figured out the lack of design pretty quick. Now we have nice, rounded airplane windows that can resist the pressure of traveling altitude. It gives being able to gaze out of your window to the world from 35，000 feet a whole new outlook, doesn't it?

The wonders of ancient Egypt have drawn visitors for thousands of years. Astonishing temples, pyramids and legendary pharaohs are its timeless legacy. Smithsonian Journeys will be your best choice if you want to visit Ancient Egypt. It would be a great tour as you would be viewing the only remaining structure of the Seven Ancient Wonders of the World. The Pyramids, Temples and Tombs are amazing works that make you wonder just how these magnificent structures were built thousands of years ago! However, there is so much more with Smithsonian Journeys！ Join us on this new tour to discover Egypt's mysteries.

What Is Provided With Your Tour

Pre-tour information, including a reading list;

Luggage handling for one bag per person;

All on-tour transportation, unless otherwise noted;

All accommodations and meals during the tour;

All sightseeing and visits.

A Note about Costs

This journey will cost you about ＄5000. All prices are based on two persons sharing a room. All prices are quoted in U.S. dollars. Tour costs are based upon current airfares, tariffs, currency values. While we will do everything possible to maintain the listed prices, they are subject to change. Due to fluctuations in oil prices, a fuel surcharge may be added to your tour fee (e.g. internal flights, cruises, etc.). Details will be advised prior to departure.

Registration

To submit a reservation request, please use our secure online system at Smithsonian Journeys. Org or contact a Cultural Travel Specialist, at 1-855-330-1542 Mon—Fri 9 am—6 pm. Submitting an online request does not guarantee space on a tour. You will be notified by a Reservation Specialist of your status once your request has been received and processed.