You've flown halfway around the world; you've sniffed out this place that nobody in Falongland or Thailand seems to have ever heard of; so what on earth is there to do here? You consider this question as you sink into an old wooden beach chair that holds you above the sand.

    It was a long journey from Bangkok to Huaplee. By the time you found the bus station and got yourself sorted out, it took almost as long as the flight from Falongland.

    Huaplee is located just south of Hua Hin, about two hundred kilometres from Bangkok, down the west side of the Gulf of Thailand. Not many tourists find this place，and the ones that do wonder if finding it has been their purpose all along.

    There's an apparent laziness that surrounds you here. It's what this place offers, and it，s free of charge. The small waves that tap the shoreline seem to slow everything down. You settle into your beach chair in preparation for a long rest. You sit there and watch the sea.

It's early afternoon, so the cook comes out and asks what you'd like to eat this evening. Before long he's rushed off to the market to buy the ingredients for whatever it was that you ordered—every meal fresh and to order. No menu here.

    There is no poolside noise here but just that wonderfully warm, clear blue sea. There⁹ s no street noise. The only sounds are the murmurs of nature.For now you just count your blessings (福祉)，listing them in the sand with your toe (脚趾)• You don't have to worry about being late for work. You don't have to do anything.

    The beach to your right stretches off to the horizon (地平线)，slowly narrowing to nothingness only to re-emerge again on your left, now steadily widening until it covers the chair beneath you. Sand to your left and sand to your right; it's unbroken, endless. No start, no end, just sand, sun,and peace. Step off it, and you re-enter the world of traffic, stress, work，and hurry.

    Normally you，re the type who can，t sit still for more than ten minutes, but you're on Huaplee Lazy Beach now and, in the right frame of mind, it stretches all the way around theworld.

     “How could it take me so long to find it?” you wonder.

    Listening looks easy, yet hard to master. Don't worry. Here we've collected four books to help you to be a good listener.

    The Good Listener by James E. Sullivan

    The book points out how our poor listening hurts others and how much we can heal（使……好受些）a person just by listening and understanding his/her feelings. It also gives suggestions on how we can improve our listening and how we can share so others will understand us better.

    Just Listen by Mark Goulston

    This book is about listening and giving responses. Just Listen is a good how-to guide to becoming a better face-to-face communicator. It reveals（揭露）how to make a powerful first impression, how to respond positively and more. If you deal with difficult people around you, this is a must-read for you to not only understand them but also make them feel understood.

    Power Listening by Bernard T. Ferrari

    Poor listening can lead to poor business decisions. The book focuses on corporate（团体的）listening. It's great for anyone who leads groups through decision and design. The author offers a step-by-step guide to turn readers into active listeners.

    The Lost Art of Listening by Michael P. Nichols

    What is it that keeps so many of us from really listening? Nichols answers the question. The book is filled with real-world examples that show easy-to-learn techniques for becoming a better listener. The techniques enable us to break through misunderstandings and conflicts in our relationships.

                                                                                                  Chinese International School

    Application Form

    Before an applicant can be invited to take part in an assessment, an application form should be returned to the Admissions Office, and the application fee of HK$1,000 cannot be returned. For overseas applicants wishing to pay in currencies other than HK dollars, the fee is US$145. Checks are also good for payment to “Chinese International School”.

    The application should include

    Applicants' academic report from the last school year.

    A recent passport-sized photo (attached to the application form).

    A copy of the applicant's Hong Kong ID card or a passport showing a valid Hong Kong visa.

    Only for applicants applying under a Corporate Nomination (提名) Right：A company letter confirming the nomination.

    Please note that the application fee is non-refundable. Applicants who would like to re-apply for another academic year are asked to submit a new application and application fee.

    Acceptance

    Applicants will be informed of their acceptance status in writing by postal mail. Initial (最初的) offers for Reception will be sent out from late March once all assessments have been completed.

Some applicants who have been assessed may be held on a reserve list. Acceptances may also be made on a conditional basis among the applicants on the reserve list.

    Applicants who have been assessed but who have not been admitted are welcome to reapply for the next academic year. Please note that such applicants will be asked to submit a new application and application fee.

    Confirmation of Acceptance and Enrollment (录取)

    Once an applicant has been admitted, the applicant family will be asked to confirm acceptance and hold the student's place with immediate payment of the required fees for the Nomination Right (HK$ 500), plus the sum of HK$ 7,500 as the first tuition payment.

    In addition, enrollment will not be considered complete until the following have been received, normally one month before the start of the new school year

    Physical examination results           Tuition (first month)

    To help the environment, many Americans have made the change from paper and plastic(塑料的) bags to reusable shopping bags. But a report by a Florida newspaper says that reusable shopping bags sold by some supermarkets have high levels of lead (铅), which can be dangerous to humans, especially young children. Now, there's a call for a rethink about the use of reusable shopping bags.

    “When our families go to the store looking for safe and healthy foods, the last thing they should be worrying about is a bag,” Charles Schumer, a government official said.“ Quick and complete research will allow everyone to make right decisions.”

    The newspaper bought more than a dozen bags sold at Publix supermarkets from Florida supermarkets to test them for lead. The results showed that certain bags had lead levels that worried health officials. Some bags had enough lead in them to be considered dangerous waste if people were to throw the bags out with other rubbish. Lead in the bags may not move onto food. But over time, paint on the bags can break off and the bags can wear out. When this happens, lead can be freed.

    The bags with the highest levels of lead had beautiful designs and many pictures. Plain （朴实无华的） reusable bags without them are found to have little lead. People worried about lead levels in reusable bags can turn to cloth. Paper bags are also a good choice, since paper can be reused.

    It's a safe bet that a robot made your car and made your computer. Pretty soon, they could be making your bed and breakfast too.

     Increasingly, engineers are saying that robots are going to move out of research departments and into your home. Companies including General Electric are working on designs for small robots. Products like the Roomba, a robot that can clean floors, are flying off the shelves.

     What's behind this new robot revolution? It's partly a matter of technology. Devices that can recognize and respond to a human voice have been developed. There are now a few different ways for robots to move around. They can walk, crawl or ride on wheels. Robots are being made smaller and smaller. They are also becoming more and more able.

     A bigger part of the story is on the demand side. From the day the television remote control was invented, people around the world have searched for new ways to be lazy. Take into consideration that more and more people can afford robots, and the time seems ripe to introduce robots to the ordinary family.

     To be sure, robots that walk on two legs and talk like people are still a long way off. However, robots that do basic housework such as cleaning or gardening are sure to come out soon. One thing is certain—when these robots do come into our homes, it will change things forever.

According to a 2018 report, people aged between 16 and 24 make up about 15 percent of the population but only 10 percent of museum-goers. Similarly, people aged over 35 go half as much as you would expect from their population size. We have reached the point of recognising the disconnection between art and the audience but haven't yet determined how to bridge the gap. Two answers to tackling this challenge lie in telling a greater diversity of art histories and communicating these stories in more accessible ways.

In 2018, a radio program called Art Matters was started with the aim of discussing art from a pop-culture viewpoint with topics that would engage younger and more diverse audience. It offers an accessible pathway to art history with conversations on different topics. Art history is about storytelling; art content shines when there is an effort to bring audience along for the discussion.

More traditional institutions are paying attention. Recently the Getty Museum issued a social-media challenge for people to recreate paintings using items they had at home. Users displayed incredible creativity, and the museum was flooded with submissions. This reaction proves that there is a potential desire for the audience to engage with art topics if the format is appealing. Since many people feel intimidated and think that there's a base level of understanding required to join the conversation, the Getty initiative serves as a reminder that there are many pathways to engaging with it.

Another result of the Getty challenge was the exposure given to a diversity of artworks. The famous opera singer Peter Brathwaite, for example, made scores of attractive recreations highlighting centuries of black paintings. His efforts opposed the idea that there were not many historical paintings of black figures. It is extremely important that we do a better job of showing the complex and diverse stories that are represented in art. 

Social media have offered a platform for people who have not traditionally had a seat at the table. Anyone can recognise a gap in the field and address it. Accounts have gathered tens of thousands of followers. They are the proof that there is hunger to hear these art histories, and these themes work brilliantly for museum programming.

But there is only so much that can be done without the museums and galleries changing meaningfully from within. We need to see a better balance of these stories represented in permanent collections. We also need a much wider diversity of people and interests represented on board. Ensuring that art—and writing and talking about art—is able to continue on the rising generation of storytellers, inside and outside of institutions, getting the funding and support they need to paint a brighter picture for the part.