题型:阅读理解 题类:常考题 难易度:普通
上海市上海交大附中2020届高三上学期英语10月月考试卷
Tips for Writing Short Stories
I was reading an article with David Vann's top tips for writing short stories -- he is a published writer, his most famous book being, "Legends of a Suicide." First of all he stats that there are no rules, but if he were forced to create rules for short stores, then they would be something like the following.
He says there is no room for anything that is not related to the protagonist -- the main character of the story -- or indeed the problem of the protagonist. He makes it clear that the protagonist must have a problem, and this problem must divide the protagonist: he doesn't know what he is going to do to solve the problem. There is no point, then, in having a short story about a man who says he is hungry and then just goes to the shops to buy food. Nothing exciting happens. But if the man is hungry and he has a child who is hungry, then he has a problem; who does he give the food to?
There should also be an antagonist, that is, somebody who works against the protagonist. The antagonist should ideally have the same problem as the protagonist but will have a totally different way of looking at it. This presents the possibility of having battles in the short story.
Furthermore, the antagonist and the protagonist must know each other. But because they are viewing the same problem from different angles, they will probably drive each other crazy.
Finally, the short story has to acknowledge a change in the protagonist. We must then, as a reader, see how the character will continue their life differently as a result of the events of the story. There is no point in going back to the beginning; the short story is a waste of time if nothing actually happens that is significant.
It is very hard to create a character whom a reader cares about and a plot that a reader is interested in with just a few hundred words. But it is possible: Edgar Allen Poe, Anton Chekhov, and JG Ballard -- amongst many others -- have proved repeatedly that short stores can be little pieces of perfection. The best don't just see the protagonist change; they see the reader change, too.
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