A． Strong Is Your Hold

This book was written by Galway Kinnell, who spent many years in finishing the book．Kinnell's first collection of new poems in more than a decade revisits themes of marriage, friendship and death, with long, loose lines reminiscent of Whitman．It is popular with the people who are interested in literature．

B． The Letter

The murder of a television star appears to be the work of thieves who are quickly caught．But they escape from prison and a young lawyer says she knows who the real criminals are．Written with intelligence, this story is so fast-moving that it demands the reader's complete attention．

C． London Alive

This author of many famous novels has now turned to writing short stories with great success．The stories tell of Londoners' daily lives and happen in eighteen different places——for example, one story takes place at a table in a cafe, another in the back of a taxi and another in a hospital．

D． Gone West

A serious look at one of the least-known regions of the United States．The author describes the empty villages which thousands left when they were persuaded by the railway companies to go west in search of new lives．The author manages to provide many interesting details about their history．

E．Cutting for Stone

This book was written by Abraham Verghese．It is a powerful story about twin brothers born in a Catholic hospital in Addis Ababa, Ethiopia． Their mother, an Indian nurse at the hospital, dies in childbirth．The brothers are raised by two Indian doctors who live at the hospital．One brother later moves to the United States．This is a story about the extremes of love, family, and medicine．

F．Jane Eyre

There is great kindness and warmth in this love story．Poor and plain as Jane Eyre is, she has a strong will, sharp wisdom and great courage．She is forced to battle against a harsh employer and a rigid social order．Yet she is never defeated． Standing on her feet, she gains her own happiness in the end．

请阅读以下读者的相关信息，然后匹配他/她感兴趣的书籍：

⒈Takumi doesn't have much free time so he reads short stories which he can finish quickly．He likes reading stories about ordinary people and the things that happen to them in today's world．{#blank#}1{#/blank#}

⒉Terresha Houghs has read widely since she was in university．She can recite most of essays and poems she has read, especially poems from Leaves of Grass．She is fond of traditional themes in poetry and still keeps her habits of reciting poems．{#blank#}2{#/blank#}

⒊Ali enjoys reading crime stories which are carefully written so that they hold his interest right to the end． He enjoys trying to guess who the criminal really is while he's reading．{#blank#}3{#/blank#}

⒋Lucy is a quiet girl who likes to read in a quiet corner in the library．Her favorite stories are those with characters brave enough to face and overcome difficulties in life．{#blank#}4{#/blank#}

⒌Charlie, who attends college in the Midwest, majors in medicine．He is fond of reading stories about family and love, especially those related to his future career．{#blank#}5{#/blank#}

    People in the United States have many ways to get news, some of which are available 24 hours a day. In a recent survey（调查）, about 15 percent of American interviewees said that they spend less than one-half to two hours per day watching, listening to, or reading the news. News comes from every source, not only from printed ways, but from TV, radio, and the Internet as well.

    With the increased availability of news, serious questions have been raised about the role of the news media in society. Should the media report every detail about every story, even when the information does not seem timely or valuable? Some researchers are concerned that by focusing on everything at once, the media increasingly ignore the more important social, political and economic problems that we face. We cannot concentrate on what's important by reading about what is not. One extreme example of this is the type of information covered by the tabloid（小报）media, which focus on negative stories of violence and crime.

    How can people deal with all the news that is available to them? Some become “news resisters” and choose to turn their backs on news, resisting their desire to turn on the TV and read the paper every day. They argue that although daily news reports may provide us with many facts, they do not include the background or some information that we need to understand news events. They suggest that, instead of daily reports, we look for information that has more in-depth analysis of the news, such as monthly magazines.

    Our series The Genius Behind will take you inside the minds of people who are making the impossible possible. Whether it is designing the fastest ever land vehicle, helping the blind to see or creating space history, success relies levels of knowledge to new heights . What can we learn about genius from minds? Based on the people and the projects outlined in the series, we've come up with five lessons.

    Lesson one: New challenges require new ways of thinking

    Bloodhound SSC aims to be the first vehicle to break the 1,000 mph barrier. One of the key challenge has been to design the wheels. Thinking twice, Mark Chapman, chief engineer decided to change the way they were trying to solve problems and came up with a wheel design, part car, part jet fighter and part spaceship, which would hold together and was strong enough.

    Lesson two: Let evidence share your opinion

    Geophysicists widely believed that water on Earth originated from comets. But by studying rocks, Steven Jacobsen discovered water hidden inside, suggesting that the oceans gradually made its way out of the planet's interior many centuries ago. “Unfortunately, I had a pretty hard time convincing others,” he admits. Only time can tell whether the new theories are true.

Lesson three: It really is 99% efforts

    Sheila Nirenberg at Cornell University is trying to develop a new prosthetic device(假肢器官)for treating blindness. “Sometimes I'm exhausted and I get burnt out,” she adds. “But then I get an email from somebody saying that they can't see their own children's faces, and it is like, 'How can I possibly complain? Once I thought of this, I couldn't eat, I couldn't sleep—all I wanted to do was work'. It gives me the energy to just go back and keep doing it.”

    Lesson four: The answer isn't always what you expect

    Sylvia Earle has spent decades trying to see the ocean with new eyes. Her “dream machine” is a submarine that could take scientists all the way to the bottom of the deepest ocean floor what sort of material could best withstand the types of pressure y would encounter thousands of miles below the ocean surface?” It could be steel, it could be titanium, it could be some sort of ceramic, or some kind of aluminium system,” says Earle. “But glass is the best choice.”

    Lesson five: A little luck goes a long way

    It was considered as one of the biggest success stories in the history of space exploration—20 years of planning ended earlier this year with the Philae lander landing safely Comet 67P over 300 million miles(480 million kilometers)away from Earth, though Philae's anchoring harpoons(锚定鱼叉)didn't fire as planned.

    As a matter of fact, genius is difficult to define. “Genius is a funny word,” says Nirenberg. “I just sort of ignore it and just go on with life. You just do what you do regardless of whatever label's attached to you. I don't know really how else to explain it.

    Are you often upset about your failure in daily life? In fact everyone has gone through failure. In most cases you fail because of a lack of persistence(坚持不懈). Being persistent is a skill that can help you reach a dream more easily, get what you desire and even be a way in which you defend your idea or right before difficult people. Being persistent is a kind of quality most people who are successful have.

    Failure is often used as an excuse or reason not to go after a goal. Yet, getting over failure is a good way of being persistent. So to be persistent, you should accept that we all experience failure in life. The most successful people in life have ever failed. The difference between them and people who fail is that successful people face the failure, learn from it and use it fully and wisely to inspire their next attempt.

    You should keep on trying at the first sight of difficulty. Anything that is worth doing or achieving is sure to be difficult. Treat that as the challenge and as something that will test your courage, shape you for the better, and make you stronger and wiser. If at first you do not succeed, try it again and again.

    More importantly, you need to learn to give up where necessary. If the constant facts tell you that you should let go of an realistic goal despite your efforts, be wise about devoting your energies. Don't waste time and energy, for you have just learned what does not work and is not worth persisting with.

    In addition, it is also important to be persistent when refusing or demanding something. So you have to be persistent in what you say so that other people truly understand your meaning and know that you mean it. Whether it that will be remembered by others. Thus, when making your request or refusal, make eye contact with the person you are talking with, and this shows you are serious. Avoid saying sorry unless it is necessary because an apology usually is a sign of guilt, uncertainty or fear. Always state what you want to do or what you refuse to do clearly and exactly.

    Pretending you're someone else can make you creative

    One great irony(讽刺) about our collective fascination with creativity is that we tend to frame it in uncreative ways. That is to say, most of us marry creativity to our concept of self: We are either "creative" people or we aren't, without much of a middle ground.

    Pillay, a tech businessman and Harvard professor has spent a good part of his career destroying these ideas. Pillay believes that the key to unlocking your creative potential is to dismiss the conventional advice that urges you to "believe in yourself". In fact, you should do the exact opposite: believe you are someone else.

    In a recent column for Harvard Business Review, Pillay pointed to a 2016 study showing the impact of stereotypes(刻板印象)on one's behavior. The authors, education psychologists Denis Dumas and Kevin Dunbar, divided their college student subjects into three categories, instructing the members of one group to think of themselves as "eccentric(古怪的) poets" and the members of another to imagine they were "rigid librarians" (people in the third category, the control group, were left alone for this part). The researchers then presented participants with 10 ordinary objects, including a fork, a carrot, and a pair of pants, and asked them to come up with as many different uses as possible for each one. Those who were asked to imagine themselves as "eccentric poets" came up with the widest range of ideas for the objects, while those in the "rigid librarian" group had the fewest. Meanwhile, the researchers found only small differences in students' creativity levels across academic majors—in fact, the physics majors inhabiting(寄生) the personas(伪装的外表) of "eccentric poets" came up with more ideas than the art majors did.

    These results, write Dumas and Dunbar, suggest that creativity is not an individual quality, but a "malleable(可塑的) product of context and perspective." Everyone can be creative, as long as they feel like creative people.

    Pillay's work takes this a step further: He argues that identifying yourself with creativity is less powerful than the creative act of imagining you're somebody else. This exercise, which he calls "psychological halloweenism", refers to the conscious action of inhabiting another persona—an inner costuming of the self. It works because it is an act of "conscious unfocus", a way of positively stimulating the default mode(默认模式) network, a collection of brain regions that spring into action when you're not focused on a specific task or thought.

    Most of us spend too much time worrying about two things: How successful/unsuccessful we are, and how little we're focusing on the task at hand. The former feeds the latter—an unfocused person is an unsuccessful one, we believe. Thus, we force ourselves into quiet areas, buy noise canceling headphones, and hate ourselves for taking breaks.

    What makes Pillay's argument stand out is its healthy, forgiving realism: According to him, most people spend nearly half of their days in a state of "unfocus". This doesn't make us lazy people—it makes us human. The idea behind psychological halloweenism is: What if we stopped judging ourselves for our mental down time, and instead started using it? Putting this new idea on daydreaming means addressing two problems at once: You're making yourself more creative, and you're giving yourself permission to do something you'd otherwise feel guilty about. Imagining yourself in a new situation, or an entirely new identity, never felt so productive.

Title: Pretending you're someone else can make you creative

    If there is one word to describe the progress made in the last 100 years, it's connectedness. From the telephone to the radio to the TV to the Internet, we have found ways to bring us all closer together, enabling，constant worldly access.

    I don't think I need to highlight the benefits of all this. But the downsides are also beginning to show. Beyond the current talk about privacy and data collection, there is perhaps an even more detrimental side-effect here: We now live in a world where we're connected to everything except ourselves. According to Pascal, we fear the silence of existence, and we dread boredom and instead choose aimless distraction and use the noise of the world to block out the discomfort of dealing with ourselves.

    However, we ignore the fact that never facing ourselves is why we feel lonely an anxious in spite of being so intimately connected to everything else around us.

    Fortunately, there is a solution. The only way to avoid being ruined by this is to face it. It's to let the boredom take you where it wants so you can deal with whatever it is that is really going on with your sense of self. That's when you'll hear yourself think, and learn to engage the parts of you that are masked by distraction.

    The beauty of this is that, once you cross that initial barrier, you realize that being alone isn't so bad. Boredom can provide its own stimulation.

    When you surround yourself with moments of solitude and stillness, you become intimately familiar with your environment in a way that forced stimulation doesn't allow. The world becomes richer, the layers start to peel back, and you see things for what they really are, in all their wholeness, in all their contradictions, and in all their unfamiliarity.

    You learn that there are things you are capable of paying attention to than just what makes the most noise on the surface. Just because a quiet room doesn^'t scream with excitement like the idea of immersing yourself in a movie or a TV show doesn't mean there isn't depth to explore there.

    Sometimes, the direction that this solitude leads you in can be unpleasant, especially when it comes to introspection (内省)—your thoughts and your feelings, your doubts and your hopes—but in the long term, it's far more pleasant than running away from it all without even realizing what you are.

    Being alone and connecting inwardly is a skill nobody ever teaches us. That's ironic because it^'s more important than most of the ones they do.

    Solitude may not be the solution to everything, but it certainly is a start.