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题型:阅读理解 题类:常考题 难易度:普通

山东省烟台市2017-2018学年高二下学期英语期末考试试卷(音频暂未更新)

阅读理解

    There are a lot of reasons why people calling 911 might not be able to tell operators which floor they're on in a high-rise building. They could be injured or simply confused. Yet precious minutes are wasted when emergency personnel have to search a building to find a person in need. With a new app called Sensory, emergency responders soon may be able to use a caller's smartphone to locate his exact position in a building.

    Columbia University researchers William Falcon and Henning Schulzrinne created Sensory using a two-step process. First, they used all existing smartphone features that help narrow down a caller's location. All iPhones produced after 2014 already include GPS and altimeter(测高仪) that can help emergency responders determine if a person is outdoors or inside a building. But when it comes to tall buildings, just knowing a person's altitude may not be enough,because the distance between floors changes from one building to another.

    So Falcon and Schulzrinne analysed the plans of figuring out the average distance between floors in residential(住宅的)buildings and office buildings among more than 1000 buildings in New York City. They tested their app in 63 experiments in five high-rise buildings and found that it could find a caller's location within two floors with about a 91 percent accuracy.

    In a survey conducted by Find Me 911 this year, dispatchers(调度员)said that they regularly received calls from people in need who often couldn't share their location. They sometimes accidentally give the wrong address or floor number. Some callers are too young to know their address. Dispatchers also received calls from those who are deaf or have hearing problems and they often couldn't hear the operator's questions.

    The new Sensory app could help shave precious minutes off the time it takes first responders to get to those calling for help. And it could make the difference between life and death.

(1)、The new app Sensory can be used to         .
A、provide emergency measures B、speed the connection to 911 C、locate emergency callers accurately D、improve the function of smartphones
(2)、What can the Sensory's first step help emergency responders do?
A、Make use of a smartphone's sensors. B、Detect whether a caller is indoors. C、Combine GPS and signal strength. D、Help callers speak clearly and accurately.
(3)、What does Paragraph 4 really want to tell us?
A、The reasons for failing to get exact location. B、The basic information about emergencies. C、The potential danger of failing to rescue. D、The different kinds of emergency callers.
(4)、What is the author's attitude to the new app?
A、Skeptical. B、Supportive. C、Unconcerned. D、Opposed.
举一反三
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Throughout the history of the arts, thenature of creativity has remained constant to artists.Nomatter what objects they select, artists are to bring forth new forces andforms that cause change—to find poetry where no one has ever seen orexperienced it before.

Landscape (风景) isanother unchanging element of art.It can be found from ancient timesthrough the17th-century Dutch painters to the 19th-century romanticists andimpressionists.Inthe 1970s Alfred Leslie, one of the new American realists, continued thispractice.Lesliesought out the same place where ThomasCole, a romanticist, had producedpaintings of the same scene a century and a half before.UnlikeCole who insists on a feeling of loneliness and the idea of finding peace innature, Leslie paints what he actually sees.In his paintings, there is no particularchange in emotion, and he includes ordinary things like the highway in thebackground.Healso takes advantage of the latest developments of color photography to helpboth the eye and the memory when he improves his painting back in his workroom.

Besides, all art begs the age-oldquestion: What is real? Each generation of artists has shown theirunderstanding of reality in one form or another.The impressionists saw reality in briefemotional effects, the realists in everyday subjects and in forest scenes, andthe Cro-Magnon cave people in their naturalistic drawings of the animals in theancient forests.Tosum up, understanding reality is a necessary struggle for artists of allperiods.

Over thousands of years the function ofthe arts has remained relatively constant.Past or present, Eastern or Western, thearts are a basic part of our immediate experience.Many and different are the faces ofart,and together they express the basic need and hope of human beings.

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    Where to Dine on a Budget with Kids in London

    Where to dine on a budget with kids? These four London restaurants are as welcoming as they are wallet-friendly.

    Barbican Kitchen at the Barbican Centre

    Europe's largest multi-arts venue is home to cinemas, a theatre, a concert hall and galleries so there are plenty of ways for families to work up an appetite before refuelling at the Barbican Kitchen. This ground floor restaurant serves a range of light bites, hot sandwiches and handmade pizzas and children under 12 eat free with every adult ordering a main meal.

    Sticky Fingers, Kensington

    Sticky Fingers in Kensington is a rock n'roll restaurant that serves classic American dishes. The kid's menu (for under 12) is just £7.95 for a meal, a drink and a dessert and if you visit on a Monday you can take advantage of the “Monday Madness” promotion for up to 50% off main courses for adults. Don't leave without exploring the Rolling Stones souvenirs including gold discs, guitars and photos of the band.

    Jamie's Italian, Various Locations

    Top British chef, Jamie Oliver knows a thing or two about catering for children. There are often “kids free” promotions running during school holidays but the regular kids menu is only £6.50 for a main dish, a salad and a drink. Activity packs are available for kids and the 2-course lunch deal for grown-ups is a bargain at £11.95.

    Vauxhall City Farm Café

    Combine a day with the animals and lunch with the family at Vauxhall City Farm, a community space home to horse pigs, goats and camels. Enjoy lunch at the Old Dairy Café which serves affordable sandwiches, soups, salads, cakes and dishes from a weekly specials menu. Half portions of everything are available for kids for around £2.

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    She will face the challenges of riding a bike to school or not being able to climb the monkey bars during playtime. But little Ella Peggie, who was born without her left arm, will get an extraordinary opportunity to share a life-changing bond with her new beloved pet, three-legged puppy.

    When her mother, Brooke Hodgson, saw the one-year-old puppy named Snowy, she knew instantly it would be the perfect companion for her one-year-old daughter. “My heart skipped a beat when I saw Snowy online, ”Ms. Hodgson said. It took just three days for the puppy, who recently had surgery to remove a 1eg, to find a new home after she was sent to the animal shelter last week.

    “I knew she was going to be perfect for Ella—they share the same age so they both have a long life of friendship ahead of them. I just know that Snowy is going to increase her confidence when she is growing up. It's going to be great for Ella when she realizes she's different or when she's having a bad day, she will see the resemblance and know that she's not alone. ”

    Ms. Hodgson has been touched by the relationship between the pair since the lively puppy became the latest addition to the family. And she believes the caring puppy will be by Ella's side through the highs and lows of her life. Ms. Hodgson said, “Every morning Snowy looks for Ella first before she runs to anyone else. It's quite a unique link. I'm just thankful that I was able to give her this dog. I just can't wait for them to get even closer. Not many people are able to do this for their children so we're very lucky to have Snowy. I can't even explain how I feel fight now. ”The young mother said Snowy, who was welcomed into the family just a week ago, has been playing a very special part to Ella's life as well as her three-year-old brother Blake and her father, Stewart Peggie.

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    Back in 1988, I was working at the University of Bonn in Germany as a research fellow. I took some time off in early May to visit a friend, who was the director of a museum in Viterbo, in central Italy. I set out by train, which crossed the Swiss border to reach Zurich, winding through valleys and along hillsides, and entering tunnels and making its way through the Swiss Alps. The scenery was so beautiful.

    The train then crossed the Italian border before passing through Milan and Florence, then finally stopping in Rome. I was lucky, as my hotel was close to the railway station. The next morning, I had a coffee at a nearby café and eagerly set out to visit as many of the famous Roman landmarks as possible.

    The following day I headed back to the train station, intending to take a short train ride to Viterbo to meet up with my friend. When I arrived at the station and attempted to locate the correct platform, I quickly realized that the station was closed for an upgrade (升级). For a moment my mind went blank and did not know what to do. My biggest problem was my luggage—my suitcase and hand luggage were so heavy that I couldn't move about easily. As I don't speak Italian, I could not ask anyone for instructions. I dragged my suitcase about 100 meters to a nearby motor mechanics. A tall, strong man of about 50 years of age was working there and I excused myself and asked where the nearest station was. I am sure that he did not understand me properly but he could easily guess that I was looking for a station. He replied, but I did not understand.

    He smiled, wiped his hands and said something, which I guessed to mean "come along". So I dragged my suitcase along and followed him. He opened the door of his car, motioned to me to get in and then drove for a few minutes to the next station. I got out, unloaded my luggage, then shook his hand with thanks. He smiled back and drove away.

    There was no time to hug or exchange names  I understood he was busy and in the middle of his work. I was moved so much by his generosity that I have never forgotten him.

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