Ebola is a dangerous virus that can cause people to get very sick and even die. The virus is causing the biggest problems in western Africa, where it has spread quickly. {#blank#}1{#/blank#} But it can get worse and cause life-threatening symptoms(症状), such as bleeding and trouble breathing.

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    Ebola does not spread like colds or the flu because it does not float through the air. Ebola also doesn't spread through food or water, like some other viruses. Instead, Ebola spreads when someone touches the body fluids(液体) of a sick person.

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    An outbreak is when many people are getting sick with the same illness around the same time. You may have heard of a flu outbreak, which is when lots of people get sick from the same types of flu virus. When an outbreak happens because of a virus, more people could get sick because there is a lot of that virus around.

    Where did Ebola come from?

    Scientists aren't sure how the first person gets Ebola at the start. {#blank#}4{#/blank#}Tropical animals in Africa believed to carry the virus include great apes, chimpanzees, gorillas, monkeys, fruit bats, porcupines, and forest antelopes.

    What do kids need to do about Ebola?

    Ebola is making many people sick in Africa, but no matter where you live, it's always a good idea to wash your hands well and often. {#blank#}5{#/blank#}

A. How do people catch Ebola?

B. But they think that people may pick up the virus by touching or eating infected animals.

C. Why do I need to wash my hands?

D. It's very important that infected people get treatment right away.

E. Ebola symptoms can start with fever and headache, kind of like the flu.

F. What is an outbreak?

G. Keeping hands clean can help protect you from common illnesses like colds and the flu.

    Great white sharks! Just hearing that name makes many people's hair stand on end. In reality, these big fish have more to fear from us than we do from them. For many years, people killed countless great white sharks in the waters around the United States.

    But thanks to conservation (保护) efforts, great whites are making a comeback in the U.S. Two recent studies show that the population of these sharks is rising along the east and west coast.

    Why is the growing population of a killer fish something to celebrate? “When you fish too many of them, you start to lose balance in the environment,” says shark researcher Tobey Curtis. As the biggest killer, sharks help keep the populations of fish, seals, and other creatures they eat from growing too large.

    In spite of their importance, great white sharks had long been hunted for their meat and their fins (鳍). Then, in 1997, the U.S. government passed a law that didn't allow the hunting of great whites.

    Afterwards, the numbers of these sharks in the U.S. waters started to increase.

    The law wasn't the only thing that has helped great whites. Conservationists have also played a part in the sharks' comeback. The research group OCEARCH is using a method called tagging (加标签) to help change people's attitudes about great white. They let the public follow each shark as it travels the world's oceans. OCEARCH also gives each tagged shark a name to help people form a closer connection with the big fish.

    The group's most well-known shark is named Katharine. She was tagged last year near Cape Cod, Massachusetts. Since then, thousands of people have tracked Katharine's movements on Twitter and the OCEARCH website.

    This helps  people see sharks in a new way. Chris Fischer, the founder of OCEARCH believes learning to appreciate great whites will encourage people to do more to protect them.

    We all know that listening to music can soothe emotional pain, but Taylor Swift, Jay-Z and Alicia Keys can also ease physical pain, according to a study of children and teenagers who had major surgery.

    The research was carried out because of a very personal experience. Sunitha Suresh was a college student when her grandmother had major surgery and was put in intensive care (重症监护). This meant her family couldn't always be with her. They decided to put her favorite music on an iPod so she could listen around the clock.

    It was very calming, Suresh says. “She knew that someone who loved her had left that music for her and she was in a familiar place.”

    Suresh could see that the music relaxed her grandmother and made her feel less anxious, but she wondered if she also felt less pain. That would make sense, because anxiety can make people more sensitive to pain. At the time Suresh was majoring in biomedical engineering with a minor (兼修) in music cognition (认知) at Northwestern University where her father, Santhanam Suresh, is a professor of pediatrics (儿科).

    So the father and daughter decided to do a study. And since Dr Suresh works with children, they decided to look at how music chosen by the children themselves might affect their tolerance for pain.

    It was a small study, involving 60 patients between 9 and 14 years old. All the patients were undergoing big operations that required them to stay in the hospital for at least a couple of days. Right after surgery, patients received narcotics (麻醉药) to control pain. The next day they were divided into three groups. One group heard 30 minutes of music of their choice, one heard 30 minutes of stories of their choice and one listened to 30 minutes of silence via noise canceling headphones.

    After a 30-minute session, the children who listened to music or books reduced their pain burden by 1 point on a 10-point scale. Sunitha Suresh says it's equal to taking an over-the-counter pain medication like Advil or Tylenol.

    The findings suggest that doctors may be able to use less pain medication for their pediatric patients. And that's a good thing, says Santhanam Suresh, as children are smaller and are more likely to suffer side effects. So the less pain medication, he says, the better.

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    In 2016, designer Liz Ciokajlo received a task from the Museum of Modern Art (Moma) in New York: revisit the Moon Boot, a fluffy-looking snowshoe inspired by the footwear used by the Apollo astronauts.

    Launched in 1972 at the height of the lunar missions, the Moon Boot is an icon of the 20th Century's “plastic age” and the museum administrators wanted a new take on it.

    Ciokajlo set out to reimagine it. She knew only a biomaterial would work in a “post-plastic age”, but the designer also wanted a new destination to inspire it. Our generation's space travel obsession is not the Moon, she thought, but the red planet Mars. And Mars allows you to really think outside of the box.

    The task led her to an amazing biomaterial that had already attracted the attention of engineers innovating m building materials and of top space agencies like NASA and ESA. Her final design, a tall, female, rough-looking boot, can be made on board a spaceship with almost only human sweat and a few fungus spores (真菌孢子), ideal for a seven-month trip to Mars with limited check-in luggage.

    This magic biomaterial is mycelium (菌丝体), the vegetative part of the fungus It looks like amass of white thread-like structures, each called hyphae. Collectively, these threads are called mycelium and are the largest part of the fungus.

    Mycelium has amazing properties. It is a great recycler, as it feeds off a substrate to create more material, and has the potential of almost limitless growth in the right conditions. It can endure more pressure than conventional concrete without breaking. It is a known insulator and fire-retardant and could even provide radiation protection on space missions.

    On Earth it's currently used to create ceiling panels, leather, packaging materials and building materials, but in outer space it stands out for its architectural potential, says artist and engineer Maurizio Montalti, who has teamed up with Ciokajlo.

    For her revisited boot, Ciokajlo wanted to use the human body as the source for some of the building materials and decided to employ sweat. Reusing sweat is not entirely new in space exploration but a novelty approach for footwear. She thinks it might make astronauts feel closer to home during the long journey to Mars.

    The design is still hypothetical, because the real boot submitted for Moma and currently in display at the London Design Museum did use mycelium but not human sweat, as their deadline was too tight, but the science checks out.

    For Kim Duffy, sending away her teenage daughter was the best hope for saving the girl's life.

    Corinne, then 17, had been struggling with bulimia (贪食症) and anorexia (厌食症) for more than five years. Duffy and her husband, Terry, found a residential facility in Virginia, and Corinne signed on for a two-month stay in the summer of 2009.

    Today, Corinne's healthy and pursuing a master's degree in Colorado. She and her parents believe the holistic (整体) approach and individualized focus were key to her recovery. And they know they had access to unique resources. "We were fortunate," says Duffy. "We could pay for everything."

    But many can't. According to a report released in November 2014 by the Standing Committee on the Status of Women, between 600, 000 and one million Canadians suffer from an eating disorder. Public in patient programs often won't admit patients until they're in life-threatening condition. Private clinics often have a long waitlists and high costs-at Homewood, in Guelph, Ont., a room is $ 305 to $360 per day.

    The Duffs' struggle led then to connect other families with the quality of care they received in the United Sates. In late 2013, hey founded the WaterStone Clinic, a private eating disorder center in Toronto.

    Since the facility opened, 170 clients have received treatment. They take yoga, do art therapy and participate in meal preparation, building real-life skills with a support team. Programs run weekdays from 8 a. m. to 2 p. m., and notably, so far WaterStone has no waiting list.

    But this approach is costly: approximately $650 per day. Realizing that the price tag puts WaterStone out of reach for many, the Duffys created the WaterStone Foundation-a charity that provides aid to patients who can't afford treatment the following year. Candidates are assessed by two committees that make a decision based on clinical and financial need. Since 2014, the foundation has helped 100 people.

    Duffy also wants to change the public system. In June of this year, the foundation awarded ＄170, 000 to four Ontario hopitals offering creative treatment to eating disorder patients. "Yes, people need private treatment," she says, "but it's important to help out on a broader scale, too."