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题型:阅读理解 题类:常考题 难易度:普通

湖北省荆州中学2017-2018学年高二上学期英语期末考试试卷

阅读理解

    Cosmetic surgery (整容手术) is not something to be entered into lightly. Unfortunately, in this modern world, we have become confused by very narrow standards of beauty. Images of stars who never seem to age are seen everywhere these days. We forget the fact that most of these images are the result of super photo manipulation (处理), driven by the extremely powerful beauty industry. We are all different — why should we all look the same? Isn't there more to life than having surgery in order to have the same boring face that everybody else wants to have?

—Dr Elisabeth McKenna, Psychologist

    Yes, it's not real! That's what I told my friends when they started asking me about my nose job. I'd always been sensitive to my nose, but it took me a long time before I decided to go for cosmetic surgery. I took advice from several doctors and after careful consideration I finally decided to have it done. I had been saving money from my part-time job and my parents helped me out with the rest. It was quite expensive but I don't regret a penny of it. In fact I wish I'd had it done a few years ago. I' m sure I wouldn't have been laughed at so much at school.

—Debbie Caron, Student

    It makes me really angry to think of the millions of people who spend much money on cosmetic surgery. Surgery should be carried out for medical purposes, not vanity (虚荣心). I would rather all the money spent on cosmetic surgery was used to treat people around the world who are in need but can't get proper medical treatment. Furthermore, there are thousands of under-qualified doctors out there who only care about getting as rich as possible as quickly as possible. They don't care about the psychological and physical damage they do. The whole industry makes me sick. We should do something to stop it.

—Danny Glass, Student

(1)、What does Dr Elisabeth McKenna suggest?
A、Don't be fooled by “perfection”. B、Cosmetic surgery often goes wrong. C、The beauty industry needs improving. D、It's unnecessary to set new standards of beauty.
(2)、What did Debbie Caron's cosmetic surgery bring to her?
A、More friends. B、More worries. C、More self-confidence. D、More job opportunities.
(3)、How does Danny Glass feel about those who have cosmetic surgery?
A、They should be treated as patients. B、They hurt themselves psychologically and physically. C、They can have a new start. D、They waste money and medical resources.
举一反三
阅读理解

    My sister and I grew up in a little village in England. Our father was a struggling lawyer, but I always knew he was special. He never criticized us, but used praise to bring out our best. He'd say, "If you pour water on flowers, they flourish (茂盛). If you don't give them water, they die." I remember as a child I said something unkind about somebody, and my father said, "Any time you say something unpleasant about somebody else, it's a reflection of you." He explained that if I looked for the best in people, I would get the best in return. From then on I've always tried to follow the principle in my life and later in running my company.

    Dad's also always been very understanding. At 15, I started a magazine. It was taking up a great deal of my time, and the headmaster of my school gave me a choice: stay in school or leave to work on my magazine.

    I decided to leave, and Dad tried to sway me from my decision at first, as any good father would. When he realized I had made up my mind, he said, "Richard, when I was 23, my dad persuaded me to go into law. And I've always regretted it. I wanted to be a biologist, but I didn't pursue my dream. You know what you want. Go fulfill it."

    As it turned out, my little publication went on to become Student, a national magazine for young people in the U.K. My wife and I have two children, and I'd like to think we are bringing them up in the same way Dad raised me.

根据短文内容,选择最佳答案,并将选定答案的字母标号填在题前括号内。

阅读理解

    Today we talk about a time when half the world is waking from the dark, cold winter months. Spring! We often describe “spring” as a time of rebirth, renewal and awakening. Many trees are blossoming and early flowers are pushing through the earth. Things are coming to life!

    But the word “spring” is not just a season. It is also a verb that means something going on or coming out quickly. When you put “spring” and “life” together, you will get “spring to life”. This expression means something suddenly becomes very active or perhaps seems more alive! You may “spring to life” after hearing that a distant friend will be visiting you. Or maybe your favorite soccer team finally “sprang to life” in the second half, played well and won the match.

    Now, besides being a season and a verb the noun “spring” refers to a metal coil (线圈) that is wound tightly. When the coil unwinds, it often jumps. So, we often say a person “has a spring in his step” if he is lively and active. He might even appear to jump, or bounce a little when he walks.

    There is another way we use “spring” as a description. In the case of a “spring chicken”, “spring” means young. However, “spring chicken” is also an informal, humorous way to refer to someone who isn't young at all. So, we use this expression in the negative form, as in “no spring chicken”. For example, let's say you know an 85-year-old man who decides to run a marathon, even though he has never exercised before. You could say, “That's amazing! After all, he's no spring chicken.”

    But be careful when using this expression. It could be a little disrespectful. Let's say your boss shows you a picture of his wife, and you say, “Wow, she's no spring chicken.” That response would be disrespectful and a bad career move.

阅读理解

    Not so long ago, most people didn't know who Shelly Ann Francis Pryce was going to become. She was just an average high school athlete. There was every indication that she was just another Jamaican teenager without much of a future. However, one person wants to change this. Stephen Francis observed then eighteen-year-old Shelly Ann as a track meet and was convinced that he had seen the beginning of true greatness. Her time were not exactly impressive, but even so, he seemed there was something trying to get out, something the other coaches had overlooked when they had assessed her and found her lacking. He decided to offer Shelly Ann a place in his very strict training seasons. Their cooperation quickly produced results, and a few year later at Jamaica's Olympic games in early 2008, Shelly Ann, who at that time only ranked number 70 in the world, beat Jamaica's unchallenged queen of the sprint(短跑).

    “Where did she come from?” asked an astonished sprinting world, before concluding that she must be one of those one-hit wonders that spring up from time to time, only to disappear again without signs. But Shelly Ann was to prove that she was anything but a one-hit wonder. At the Beijing Olympic she swept away any doubts about her ability to perform consistently by becoming the first Jamaican woman ever to win the 100 meters Olympic gold. She did it again one year on at the World Championship in Briton, becoming world champion with a time of 10.73—the fourth record ever.

    Shelly-Ann is a little woman with a big smile. She has a mental toughness that did not come about by chance. Her journey to becoming the fastest woman on earth has been anything but smooth and effortless. She grew up in one of Jamaica's toughest inner-city communities known as Waterhouse, where she lived in a one-room apartment, sleeping four in a bed with her mother and two brothers. Waterhouse, one of the poorest communities in Jamaica, is a really violent and overpopulated place. Several of Shelly-Ann's friends and family were caught up in the killings; one of her cousins was shot dead only a few streets away from where she lived. Sometimes her family didn't have enough to eat. She ran at the school championships barefooted because she couldn't afford shoes. Her mother Maxime, one of a family of fourteen, had been an athlete herself as a young girl but, like so many other girls in Waterhouse, had to stop after she had her first baby. Maxime's early entry into the adult world with its responsibilities gave her the determination to ensure that her kids would not end up in Waterhouse's roundabout of poverty. One of the first things Maxime used to do with Shelly-Ann was taking her to the track, and she was ready to sacrifice everything.

    It didn't take long for Shelly-Ann to realize that sports could be her way out of Waterhouse. On a summer evening in Beijing in 2008, all those long, hard hours of work and commitment finally bore fruit. The barefoot kid who just a few years previously had been living in poverty, surrounded by criminals and violence, had written a new chapter in the history of sports.

    But Shelly-Ann's victory was far greater than that. The night she won Olympic gold in Beijing, the routine murders in Waterhouse and the drug wars in the neighboring streets stopped. The dark cloud above one of the world's toughest criminal neighborhoods simply disappeared for a few days. “I have so much fire burning for my country,” Shelly said. She plans to start a foundation for homeless children and wants to build a community centre in Waterhouse. She hopes to inspire the Jamaicans to lay down their weapons. She intends to fight to make it a woman's as well as a man's world.

    As Muhammad Ali puts it, “Champions aren't made in gyms. Champions are made from something they have deep inside them. A desire, a dream, a vision.” One of the things Shelly-Ann can be proud of is her understanding of this truth.

阅读理解

    Nezha is the subject of the latest feature, which officially opens in cinemas in China on Friday. Nezha has earned hot reviews and is ranked higher than Monkey King: Hero is Back. It is also China's first 3D animated feature film released in IMAX format.

    Since July 13, previews of the film have taken more than 140 million yuan at the box office and the film has a score of 8.8 points (out of 10) on China's largest filming rating site, Douban. It took Jokalate Yang Yu, the film's director and screenwriter, two years to improve the script (剧本) of Nezha, and the film was in production for three years. It is the most complex animated production ever made in China. Nezha has more than 1,300 special effects shots, and it took over 20 Chinese special-effects studios, employing more than 1,600 people, to realize the film's fairy tale setting, the mysterious Dragon King's palace and a fight between fire and water. One splendid scene alone took two months to complete.

    Yang made up his mind to produce an animated film on the theme of breaking the traditional styles and changing fate to the opposite. Yang chose Nezha as his vehicle, the representative of the rebellious (叛逆的) but righteous youth. However, compared with the original novel and past animated versions, the relationships between the characters are given modern meaning. In Yang's film he is fighting prejudice: Nezha is hated and feared. But Nezha believes his fate is not predetermined and that he can choose to be a devil (恶魔) or a god.

    "After watching so many domestic animated films, only Nezha and Monkey King: Hero is Back have made me fascinated," a Weibo user commented under the promotional video.

    "Epic! I finished watching Nezha in tears. The content-rich story, vivid characters, and amazing visual effects, work together to create a 110-minute roller-coaster (过山车) watching experience," a Douban user commented.

    "Bravo! Couldn't believe a domestic animated film can be created with such a well-developed story. The image of Nezha in this film has been overturned but his rebellious spirit is well-established. I'm sure Nezha is gonna go viral this summer!" reads another comment on Douban.

 阅读理解

Last weekend I made my first visit to a remote village, home to one of our students, Tombe. Another teacher and I walked for two and a half hours to get there—first, up a mountain from where we had fantastic views, and then down a shaded path to the valley below. When we arrived at the village, Tombe's mother, Kiak, saw us coming and started crying "ieee ieee". We shook hands with all the villagers. Everyone seemed to be related to Tombe.

Tombe's father, Mukap, a man with a strong jaw and a wrinkled forehead, led us to his house, a low, round bamboo hut with no windows, with a door just big enough to get through, and with grass sticking out of the roof—this shows it is a man's house. Such housing is dark inside so it took time for our eyes to adjust. Fresh grass had been laid on the floor and there was a platform for Jenny and me to sleep on. There was a fireplace in the centre of the hut. The only possessions I could see were one broom, a few saucers, a kettle, cups, pans, and a couple of jars.

Mukap built a fire outside and laid stones on it to heat. He then placed the hot stones in an empty oil drum with kau kau(sweet potato), ripe corn, and greens. He then covered the vegetables with banana leaves and left them to steam. It smelled delicious. We ate inside the hut sitting round the fire. I loved listening to the family talking softly to each other in their language, even though I could not participate much in the conversation. Luckily, Tombe interpreted for us.

Later. I noticed a can standing upside down on the grill(烤架)over the fire. After a while. Tombe threw it out of the doorway. Tombe told me that the can was heated to dry out the leftover food. His family believes that leftovers attract bad spirits in the night, so any leftover food is dried up in a can and the can is then thrown out of the hut.

We left the village the next morning after many goodbyes and firm handshakes. My muscles were aching and my knees shaking as we dragged ourselves down the mountain towards home. That evening I fell happily into bed. It was such a privilege to have spent a day with Tombe's family.

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