Considering how much time people spend in effects, it is important that with A be well designed. Well-designed office spaces help create a corporation's image. They motivate workers and they make an impression on people who visit and might be potential, or {#blank#}1{#/blank#} , customers. They make business work better, and they are a part of the corporate culture to live in.

As we move away from an industrial-based economy to a knowledge-based one, office designers come up with {#blank#}2{#/blank#} to the traditional work environments of the past. The design industry has moved away from a fixed office setup and created more flexible “strategic management environments.” These {#blank#}3{#/blank#} solutions are meant to support better organizational performance.

    As employee hierarchies （等级制度）have flattened or decreased, office designers' response to this change has been to move open-plan areas to more desirable locations within the office and create fewer formal private offices. The need for increased flexibility has also been {#blank#}4{#/blank#} by changes in workstation design. Office and work spaces often are not {#blank#}5{#/blank#} to a given person on a permanent basis. Because of changes to methods of working, new design allow for expansion or movement of desks, storage, and equipment within the workplace. Another important design goal is communication, which designers have improved by breaking the walls that {#blank#}6{#/blank#} workstations. Designers have also created informal gathering places and upgraded employees'{#blank#}7{#/blank#} to heavily trafficked areas such as copy and coffee rooms.

Corporate and institutional office designers often struggle to resolve a number of competing and often {#blank#}8{#/blank#} demands, including budgetary limits, employees hierarchies and technological innovation (especially in relation to computerization). These demands must also be balanced with the need to create interiors (内饰) that in some way enhance, establish or possess a company's image and will enable employees to {#blank#}9{#/blank#} and their best.

    All these {#blank#}10{#/blank#} of office design are related. The most successful office designs are like good marriage—the well-designed office and the employees that occupy it are seemingly made for each other.

    An {#blank#}1{#/blank#} arson attack on a respected Japanese animation studio left a shocked nation grieving, as investigators looked to identify victims and determine a possible motive in one of the deadliest acts of {#blank#}2{#/blank#} in Japan's modern history.

    A total of 33 people — many of them young — were killed a day earlier when a man {#blank#}3{#/blank#} to douse flammable liquid through the Kyoto Animation Co. studio and set it alight, {#blank#}4{#/blank#} an inferno, officials said. Some 36 others were injured, about 10 critically.

    The blaze at the production house struck at a pillar of Japan's anime industry, an obsession in the country and a cherished cultural {#blank#}5{#/blank#}. Kyoto Animation, known as KyoAni, had produced hits such as "Lucky Star," "K-On!" and "Haruhi Suzumiya, " {#blank#}6{#/blank#} worldwide acclaim for its skilled drawings.

    Outside the charred shell of the company's workspace in Kyoto's outskirts on Friday, crowds of well-wishers left flowers and messages of support for the victims. Many bowed, or {#blank#}7{#/blank#} down and prayed as they offered their respects.

    The {#blank#}8{#/blank#}, Shinji Aoba, aged 41, remained in the hospital after {#blank#}9{#/blank#} burns all over his body. A woman who saw police detain the man a day earlier told reporters that he "seemed to be discontented, he seemed to get angry, shouting something about how he had been plagiarized, " according to Reuters.

    Hideaki Hatta, a co-founder and president of Kyoto Animation, said Thursday that the studio had been receiving {#blank#}10{#/blank#}, including emails threatening murder. He said the attack had "broken our hearts."

Celebrity (名人) has become one of the most important representatives of popular culture. Fans used to be crazy about a specific film, but now the public tends to base its consumption on the interest of celebrity {#blank#}1{#/blank#} to any given product. Besides, fashion magazines have almost abandoned the {#blank#}2{#/blank#} of putting models on the cover because they don't sell nearly as well as famous faces. As a result, celebrities have realized their unbelievably powerful market {#blank#}3{#/blank#}, moving from advertising for others' products to developing their own.

Celebrity clothing lines aren't a completely new phenomenon, but in the past, they were typically aimed at the ordinary consumers, and limited to a few TV actresses. Today they're started by first-class stars whose products enjoy {#blank#}4{#/blank#}fame with some world top brands. The most successful start-ups have been those by celebrities with specific personal style. As celebrities become more and more experienced at the market, they try to {#blank#}5{#/blank#}their production scale rapidly, covering almost all the products of daily life.

However, for every success story, there's a related warning tale of a celebrity who overvalued his consumer {#blank#}6{#/blank#}. No matter how famous the product's origin is, if it fails to impress consumers with its own qualities, it begins to resemble an exercise in self-promotional marketing. And once the {#blank#}7{#/blank#}attention dies down, consumer interest might fade, loyalty returning to tried-and-true labels.

Today, celebrities face even more severe embarrassment. The pop-cultural circle might be bigger than ever, but its rate of turnover has speeded up as well. Each misstep is likely to {#blank#}8{#/blank#}to reduce a celebrity's shelf life, and the same newspaper or magazine that once brought him fame has no problem picking him to pieces when the opportunity appears. Still, the ego's (自我的) potential for expansion is {#blank#}9{#/blank#}. Having already achieved great wealth and public {#blank#}10{#/blank#}, many celebrities see fashion as the next frontier to be conquered. As the saying goes, success and failure always go hand in hand. Their success as designers might last only a short time, but fashion—like celebrity—has always been temporary.