Idema, a Dutch Sinologist（汉学家）, has served as the director of the Chinese Languages and Cultures Department at Leiden University of the Netherlands and was also director of Harvard's Fairbank Center for East Asian Research.He has studied ancient Chinese plays, novels and literature, and has authored or translated a number of influential books published in English and other languages.

    The 70-year-old Dutch Sinologist recalled his half-century-long romance with Chinese culture during a recent visit to Beijing.As a child,the vivid descriptions of China in Nobel and Pulitzer Prize-winner Pearl S.Buck's books sparked Idema's interest in the country.He later read classic Chinese literature and spent whole days pouring through works at the National Library of China.

    While many other experts on China focused on the country's economic transformation, Idema continued to study traditional Chinese literature."There were scholars studying law, religion and society, but not traditional Chinese literature,which was my personal interest," Idema explains.

    Finding reference books for his research,especially regional publications,used to be a huge challenge,and Idema used to spend a lot of time collecting books and other materials during visits to China.Now it is much more convenient with the Internet.

    Idema usually chooses less-known subjects for his research and tries to get firsthand materials.In recent years, he has devoted himself to translating Chinese folk tales and writing about Chinese folk society and folk culture.

    "Traditional Chinese culture is a passion.I have been studying it for 50 years and will continue to do so,"says the retired professor.

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    In 1917 Orville Wright predicted that “the aeroplane will help peace in many ways —in particular I think it will have a tendency to make war impossible.” Earlier in 1904, American journalist John Walker declared, “As a peace machine, the value of the aeroplane to the world will be beyond computation.” This wasn't the first grand promise of technology. In that same year Jules Verne announced, “The submarine(潜艇) may be the cause of bringing battle to a stoppage.”

    Alfred Nobel, sincerely believe his dynamite(火药) would be a war obstacle: “My dynamite will sooner lead to peace than a thousand world conventions(公约).” Similarly, when Hiran Maxim, inventor of the machine gun, was asked in 1893, “Will this gun not make war more terrible?” he answered, “No, it will make war impossible.” Gugliemo Mareconi, inventor of the radio, told the world in 1912. “The coming of the wireless time will make war impossible, because it will make war ridiculous.” General James Harbord, chairman of the board of RCA in 1925, believed, “Radio will serve to make the concept of Peace on Earth, Good Will Toward Men a reality.”

    David Nye, a historian of technology, adds to the list of inventions imagined as abolishing war forever and leading to universal peace the hot-air balloon, poison gas, land mines and laser guns.

    It is not that all these inventions are without benefits—even benefits toward democracy（民主）. Rather, it's the case that each new technology creates more problems than it solves. “Problems are the answers to solutions,” says Brian Arthur.

    Most of the new problems in the world are problems created by previous technology. These problems are nearly invisible to us. Every year 1.2 million people die in automobile accidents. The technological transportation system kills more people than cancer. Global warming, environmental poisons, nuclear terrorism, and species loss, are only a few of the many other serious problems troubling people.

    If we embrace(拥抱) technology we need to face its costs.

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    The Museum: The Charles Dickens Museum in London is the world's most important collection of material relating to the great Victorian novelist and social commentator(时事评论员). The only surviving London home of Dickens (from 1837 until 1839) was opened as a museum in 1925 and is still welcoming visitors from all over the world . On four floors, visitors can see paintings, rare editions, manuscripts(手稿),original furniture and many items relating to the life of one of the most popular and beloved personalities of the Victorian age.

Opening Hours

The Museum is open from Mondays to Saturdays 10:00—17:00; Sundays 11:00—17:00.

Last admission is 30 minutes before closing time.

Special opening times can be arranged for groups , who may wish to book a private view.

    Admission Charges: Adults: £5.00; Students: £4.00; Seniors: £4.00; Children: £3.00; Families: £14.00 ( 2 adults & up to five children)

    Group Rates: For a group of 10 or more, a special group rate of £4.00 each applies. Children will still be admitted for £3.00 each.

    Access: We are constantly working to improve access to the Muse um and its collection. Our current projects involve the fitting of a wheelchair ramp（波道）for better access, a customer care kit and an audio tour for visitors with impaired(受损的)vision. Our Handling Sessions are also suitable for the visually（视觉上地）impaired. The Museum has developed an online virtual（虚拟的）tour through the Museum. Click here to visit all the rooms in the Museum online.

    Hire the Museum: The Museum can be hired for private functions, performances soirees(社交晚会)and many other social occasions.

    Find Us: The Museum may be reached by using the following buses:7,17, 19, 38, 45, 46, 55, 243. And by these underground services: Piccadilly Line; Central Line. For a map, please click here. T he British Museum and the Foundling Museum are within walking distance.

    We have two daughters: Kristen is seven years old and Kelly is four. Last Sunday evening, we invited some people home for dinner. I dressed them nicely for the party, and told them that their job was to join Mommy in answering the door when the bell rang. Mommy would introduce them to the guests, and then they would take the guests' coats upstairs and put them on the bed in the second bedroom.

    The guests arrived. I introduced my two daughters to each of them. The adults were nice and kind and said how lucky we were to have such good kids.

    Each of the guests made a particular fuss over Kelly, the younger one, admiring her dress, her hair and her smile. They said she was a remarkable girl to be carrying coats upstairs at her age.

    I thought to myself that we adults usually make a big "to do" over the younger one because she's the one who seems more easily to be hurt. We do it with the best of intentions.

    But we seldom think of how it might affect the other child. I was a little worried that Kristen would feel she was being outshone. I was about to serve dinner when I realized that she had been missing for twenty minutes. I ran upstairs and found her in the bedroom, crying.

    I said, "What are you doing, my dear?"

    She turned to me with a sad expression and said, "Mommy, why don't people like me the way they like my sister? Is it because I'm not pretty? Is that why they don't say nice things about me as much?"

    I tried to explain to her, kissing and hugging her to make her feel better.

    Now, whenever I visit a friend's home, I make it a point to speak to the elder child first.

Hong Kong Science Museum

    You might really like the Science Museum if you are interested in science. The Museum wants to teach kids science. It gives them a place to have fun with the equipment there. However, adults can learn some science too.

    The Museum has 6,500 square metres. There are over 500 exhibits, and nearly 70 percent of them are suitable for visitors of all ages. Since its opening in April 1991, the Hong Kong Science Museum has proven itself to be a good place for learning science. Through having better exhibits and fun science programs in an enjoyable environment, the Museum wants to popularize science to the public and the support science education in schools. Visitors at the Science Museum can visit the exhibition in their own way and enjoy the fun of discovery learning.

    If you want to have a visit, you'd better read the information carefully.

In 2019, after retiring from her career as a social worker, Ane Freed-Kernis decided to build a home workshop and devote all of her free time to stone carving. "I might be covered head to toe in dust but I'm happy—it was something I needed more of in my life when I hit 60," she says.

This appeal has its origins in Freed-Kernis' childhood. Growing up on her father's farm in Denmark, she used to wander through the fields with her eyes fixed on the ground, looking for stones to add to her collection. "I've always been drawn to the shapes and textures（质地）of stones," she says.

After moving to England in 1977 and training as a social worker, Freed-Kernis soon became occupied with her busy career and the demands of raising her son. Stones were the last thing on her mind, until her father died in 2005. "He took a stone carving course in his retirement, and I always thought stone seemed so fun but never had the time to look into it myself," she says. "After he died, I became determined to learn in his honour."

Signing up for a week-long stone carving course at Yorkshire Sculpture Park, Freed-Kernis began to learn how to turn a block of rock into well-designed shapes. "It was really scary at the start because you would spend hours just hammering（锤打）."

Now 65, Freed-Kernis has a thriving small business built largely through word of mouth. She creates 12 to 15 pieces a year that can take anywhere from a few days to three weeks to complete, while her prices range from £200 to £3, 000. "I'm making smaller ones," she says. "I don't have to depend on the money much, so I want to keep prices in the range that people can afford, mainly just covering costs and labour（劳动力）."