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题型:阅读理解 题类: 难易度:困难

河南省封丘县第一中学2023-2024学年高一下期6月阶段检测英语试题

 阅读理解

Last August, the 900-year-old Wan'an Bridge in Pingnan County, a locality of Ningde City in the coastal Fujian province, was destroyed when it suddenly caught fire.

Wan'an, a national-level protected building, was a wooden arch corridor bridge (木拱廊桥),which for centuries was an ancient architectural calling card for the region. The bridge,98.2 meters long and 4.7 meters wide, was first built in the Song dynasty (960~1279), and was the longest wooden arch corridor bridge left standing in China. Few, however, had imagined that such an ancient bridge would attract public attention in such a way.

Amid the powerful voice of the local population for new wooden arch bridges, the traditional techniques behind the building work have well and truly been revived (唤醒), but the protection of the ancient buildings still has much room for improvement.

Currently, China's approach to the protection of national heritage sites puts protecting and rescuing endangered buildings before all else, but to keep these ancient buildings alive, preventive protection is key.

"Technically, restoring (修复) Wan'an isn't very difficult," said Li, Deputy County Mayor of Pingnan. "Along with the help of the local inheritors of the national intangible cultural heritage, the bridge's restoration looks hopeful. However, the historical value will definitely be affected."

Meanwhile, Zhan, the former Deputy Dean at the Chinese Academy of Cultural Heritage, pointed out the recent destruction of Wan'an Bridge highlights a serious shortage of warning mechanisms and preventative protection measures, which currently are supposed to be the most important part of protection. "Significant improvements have been made in the past few years in protection, but we still have a long way to go on proper planning for protection work. How to protect cultural heritage is a matter that we need to discuss as soon as possible," he added.

(1)、What does paragraph 2 mainly tell us about the bridge?
A、Its exact length. B、Its historical value. C、Its special location. D、Its talented builder.
(2)、What plays a key role in keeping ancient buildings alive according to the text?
A、Rescuing ruined sites first. B、Following the locals' advice. C、Taking preventive action. D、Developing the tourist industry.
(3)、What can we infer about the protection of cultural heritage from Zhan's words?
A、It needs more effort. B、It is a complete failure. C、It is a success story. D、It focuses on warnings.
(4)、Which can be a suitable title for the text?
A、How We Restore Old Buildings B、What Wan'an Bridge Taught Us C、A Fresh Approach to Fire Prevention D、A Plan of Action for Protection Work
举一反三
阅读理解

    Idema, a Dutch Sinologist(汉学家), has served as the director of the Chinese Languages and Cultures Department at Leiden University of the Netherlands and was also director of Harvard's Fairbank Center for East Asian Research.He has studied ancient Chinese plays, novels and literature, and has authored or translated a number of influential books published in English and other languages.

    The 70-year-old Dutch Sinologist recalled his half-century-long romance with Chinese culture during a recent visit to Beijing.As a child,the vivid descriptions of China in Nobel and Pulitzer Prize-winner Pearl S.Buck's books sparked Idema's interest in the country.He later read classic Chinese literature and spent whole days pouring through works at the National Library of China.

    While many other experts on China focused on the country's economic transformation, Idema continued to study traditional Chinese literature."There were scholars studying law, religion and society, but not traditional Chinese literature,which was my personal interest," Idema explains.

    Finding reference books for his research,especially regional publications,used to be a huge challenge,and Idema used to spend a lot of time collecting books and other materials during visits to China.Now it is much more convenient with the Internet.

    Idema usually chooses less-known subjects for his research and tries to get firsthand materials.In recent years, he has devoted himself to translating Chinese folk tales and writing about Chinese folk society and folk culture.

    "Traditional Chinese culture is a passion.I have been studying it for 50 years and will continue to do so,"says the retired professor.

根据短文内容,选择最佳答案,并将选定答案的字母标号填在题前括号内。

阅读理解

We are interested in the preservation of the biodiversity on Earth. What I've been working on is rats. Just looking at rats, you can understand continental drift and climate change. We've actually rediscovered rats that were thought to be extinct. Darwin was the last one to document them on the Galapagos Islands. People have gone there for hundreds of years and not seen one. In 1997, I went there with my mentor(导师) and another graduate student. Everyone thought I was crazy, why look for something that doesn't exist? They wouldn't even give us permits. Our plan was to stop on a beach for a day and then hike up to the top of an extinct volcano where very few people had been: We were on a picturesque, isolated beach. We set out the traps just to see what we might find. The next morning, I checked my traps! I immediately ran back to my mentor. When he looked in the mental trap—I will never forget his face— It looked like he'd seen a ghost.

I certainly understand the argument: "Who cares about an extinct rat?" but you have no idea what role that rat plays in that functioning ecosystem. People can appreciate beauty, so that's why people love pandas and want to keep them around. You never hear, "What good is panda?" Ecologically, these rats are much more important to their ecosystem than those pandas— not that I don't love pandas but we have to look beyond the big and beautiful.

    I teach conservation biology and evolution. In both you have to appeal to people asking "Why is this important to me?" Some scientists refuse to do that. That's my entire approach. I'll ask "How many of you had a family member who was in a tornado, hurricane or flood?" .And almost every hand goes up. Climate change is suddenly very personal, and now they want to hear what you are saying. You are not looking for sympathy for the rats but for a greater understanding of the system.

阅读理解

    When a group of children politely stop a conversation with you, saying, "We have to go to work now." you're left feeling surprised and certainly uneasy. After all, this is the 21st century and the idea of children working is just unthinkable. This is, until you are told that they are all pupils of stage schools, and that the "work" they go off to is to go on the stage in a theatre.

    Stage schools often act as agencies to supply children for stage and television work. More worthy of the name "stage school" are those few places where children attend full time, with a training for the theatre and a general education.

    A visit to such schools will leave you in no doubt that the children enjoy themselves. After all, what lively children wouldn't settle for spending only half the day doing ordinary school work, and acting, singing or dancing their way through the other half of the day?

    Then of course there are times for the children to make a name and make a little money in some big shows. Some stage schools give their children too much professional work at such a young age. But the law is very tight on the amount they can do. Those under 13 are limited to 40 days in the year; those over 13 to 80 days.

    The schools themselves admit that not all children will be successful in the profession for which they are being trained. So what happens to those who don't make it? While all the leading schools say they place great importance on children getting good study results, the facts seem to suggest this is not always the case.

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