We were on the way from Hutchinson to Chicago for a short spring break. For many years I had wanted to take my family on the train. We all had been to Chicago four years ago, and the kids loved it. Chicago is one of my favorite cities, too, so the thought struck me again last fall to ride the train to Chicago. Of course, flying would have been faster. But I don't think flying is easier, especially these days, with all the security and waiting in lines at airports.

    Though we were tired in the middle of the night, the kids got on the train with the exhilaration of this adventure. “We're moving,” my son William shouted happily with big eyes as the train began to pull away from the Hutchinson station.

    I removed my shoes and lay down to try to finish my night's sleep. The sleeper car would have better enabled that, but the ordinary train seats were not too bad. An airline flight is a more miserable experience for me: not enough room, two hours of pain with my knees almost touching my chin, the hard seatback in front cracking my kneecaps (膝盖) with every move of the body planted in front of me. On the train I could almost outstretch all of my 6-foot-2-plus body in the generous legroom.

    The journey didn't feel at all as long as it was. We all found the train ride a joy. The car ride would have felt every minute of 13 hours. But on the train you are free to walk around, sit in the observation carriage for a while and enjoy the scenery out the windows, have a nice meal in the dining car, read a book, or play a board game.

    In short, the train is all about enjoying the trip, which isn't something I do so much when traveling by airline or by car, when the trip seems more of a mission (任务) to get there than an experience to enjoy along the way.

    Chicago offers much to do for a family. This time, getting there was half the fun.

    Back in the 1860s, a British scientist named Henry Walter Bates noticed something interesting in the animal world: a kind of butterfly, Common Mormon, can change the pattern on its wings so that it looks like another butterfly species, the Common Rose, which is poisonous for birds to eat.

    Bates argued that animals develop this ability to protect themselves from being eaten. This theory had been widely accepted by scientists. But one question remains: how do these animals manage to do that?

    After more than 150 years, scientists are finally able to answer that question-it is all down to a gene(基因) called “doublesex", according to a study published on March 6 in the journal Nature.

    In fact, scientists have long known that genes are responsible for this useful ability. But until the new study, scientists hadn't been able to find out which genes in particular were responsible.

    Scientists at the University of Chicago compared the genetic structures of the Common Mormons that changed their wing patterns with those of ones that did not. And all the results pointed to a single gene, “doublesex”.

    This was much to the scientists' surprise. They used to expect that something as complex as this would be controlled by many different genes. For example, one gene would control the color of the upper part of the wing, one would do so for the lower part.

    However, the “doublesex” gene doesn't quite do everything by itself. Instead, it acts like a switch-it “tells” other genes to change the wing patterns. Isn't that clever?

    Scientists believe that this special ability of the “doublesex” gene on Common Mormon was developed throughout the long history of evolution. “The harmless species gains an advantage by resembling something predators(捕食者) avoid,” Sean Carroll, a scientist told Nature. “it was obvious evidence for natural selection.”

    You get anxious if there's no wi-fi in the hotel or mobile phone signal up the mountain. You feel upset if your phone is getting low on power, and you secretly worry things will go wrong at work if you're not there. All these can be called “always on” stress caused by smart phone addiction.

    For some people, smart phones have liberated them from the nine-to-five work. Flexible working has given them more autonomy（自主权）in their working lives and enabled them to spend more time with their friends and families. For many others though, smart phones have become tyrants（暴君）in their pockets, never allowing them to turn them off, relax and recharge their batteries.

    Pittsburgh-based developer Kevin Holesh was worried about how much he was ignoring his family and friends in favour of his iPhone. So he developed an app — Moment — to monitor his usage. The app enables users to see how much time they're spending on the device and set up warnings if the usage limits are breached（突破）. “Moment's goal is to promote balance in your life,” his website explains. “Some time on your phone, some time off it enjoying your loving family and friends around you.”

    Dr. Christine Grant, an occupational（职业的）psychologist at Coventry University, said, “The effects of this 'always on' culture are that your mind is never resting, and you're not giving your body time to recover, so you're always stressed. And the more tired and stressed we get, the more mistakes we make. Physical and mental health can suffer.”

    And as the number of connected smart phones is increasing, so is the amount of data. This is leading to a sort of decision paralysis（瘫痪）and is creating more stress in the workplace because people have to receive a broader range of data and communications which are often difficult to manage. “It actually makes it more difficult to make decisions and many do less because they're controlled by it all and fell they can never escape the office,” said Dr. Christine Grant.

    When I was a child, my grandmother Adele took me to museums, restaurants, dances. She showered me gifts from her travels around the world. But I can only remember a book she gave me—one book that, to this day, I have not read. She presented me with her own favorite childhood book: Hans Brinker. My grandmother was happy to share this book with me. She even decorated the title page with her proud writing.

    I tried to read it. I adored reading, and would dive into a new pile of books from the library all at once. But something about Hans Brinker just wouldn't let me in. The story was set in Holland, a long time ago. It felt dull and unfamiliar, even though I was a fan of classics of other times and places. I simply read the first pages over and over. I could not progress.

    Standing on a bookshelf in our living room, the book was like something I avoided. It scolded me for not being interested, for not trying hard enough, for disappointing my grandmother. The book started to fit in, almost forgotten, until Adele asked. Had I read it? Did I like it? Always determined, she wanted to know the answer. I would make some kind of excuse, but feel bad, and open it again, hoping for a new reaction. The book weighed on me.

    Years passed and finally Adele and I both accepted that I would never read Hans Brinker. Eventually I cleared the book from the shelf. The Hans Brinker experience led me to set a rule that I've lived by ever since: Do not ask about a book given as a gift and don't let anything become your barrier. What Adele originally wanted to do is to give book-giving special meaning, but she increased the possibility of the owner to be a disappointment.

    According to the Guinness World Records, a Sitka Spruce (锡特卡云杉) growing on New Zealand's southernmost island is the loneliest tree on Earth. Not only is it the only tree on Campbell Island, but the nearest other tree can be found over 200 km away on the Auckland Islands.

    Bluff, Campbell Island is one of the harshest places in the world. With strong winds blowing almost all year round and less than 600 hours of sunshine, it's not exactly a good place to live in, which is probably why, except for occasional visits by research scientists, it, has remained deserted for over half a century.

    It is believed that the Sitka Spruce on Campbell Island was planted by Lord Ranfurly, a former governor of New Zealand, sometime between 1901 and 1907. It's not clear why he decided to plant there, but according to some sources he said that the island was not productive, and took the first step to cover it with forestry. His idea was never going to work because of the harsh climate of the area, but somehow the Sitka Spruce survived.

    Apart from its reputation as the loneliest tree on Earth, the Sitka Spruce of Campbell Island has a series of other particularities. First of all its shape makes it look more like a giant cauliflower than a tree. This is believed to have been caused by repeatedly cutting down its trunk every year, for decades. Another interesting thing about the world's loneliest tree is that, though it is over 100 years old, it has never produced cones (球果).

    Who knew a lonely tree growing 200 km away from its nearest cousins could be so interesting?

Chinese brocade(云锦) has a history of 1,300 years. It {#blank#}1{#/blank#}(be) once for the Chinese elite. Now, young fashion{#blank#}2{#/blank#}(design) like it. Things like flames, beasts, weapons, and stars decorate the brocade. Flowers are a common pattern, like in a silk piece from the middle of the 18th century.

This art is very complex. Old craftsmen can only make about two{#blank#}3{#/blank#} (inch) of cloth a day. Traditional looms are 18 feet long and have thousands of parts. {#blank#}4{#/blank#} (Operate) them needs dozens of steps. Artisans sing songs to remember the process. The made fabric is bright, {#blank#}5{#/blank#} patterns made of silk, gold, and peacock-feather yarn.

The {#blank#}6{#/blank#} (early) Chinese brocade is from the Tang Dynasty. Different regional kinds {#blank#}7{#/blank#} (develop) in places like Nanjing and Chengdu. Silk museums there let tourists buy real brocade scarves and bags. Factories can't copy this complex fabric. It can only be made on traditional looms. It is a proud symbol of cultural heritage and {#blank#}8{#/blank#}(appeal) to older Chinese people. More and more new fashion designers are working with{#blank#}9{#/blank#} (tradition) weavers. Designer Chen Liwen launched a series of scarves and accessories for Gen Z consumers last year with the hu bu tiger pattern. Ancient brocade seems closely tied {#blank#}10{#/blank#}China's future.