B

    I first met Paul Newman in 1968, when George Roy Hill, the director of Butch Cassidy and the Sundance Kid, introduced us in New York City. When the studio didn't want me for the film— it wanted somebody as well known as Paul— he stood up for me. I don't know how many people would have done that; they would have listened to their agents or the studio powers.

    The friendship that grew out of the experience of making that film and The Sting four years later had its root in the fact that although there was an age difference, we both came from a tradition of theater and live TV. We were respectful of craft（技艺）and focused on digging into the characters we were going to play. Both of us had the qualities and virtues that are typical of American actors: humorous, aggressive, and making fun of each other— but always with an underlying affection. Those were also at the core （核心）of our relationship off the screen.

    We shared the brief that if you're fortunate enough to have success, you should put something back— he with his Newman's Own food and his Hole in the Wall camps for kids who are seriously ill, and me with Sundance and the institute and the festival. Paul and I didn't see each other all that regularly, but sharing that brought us together. We supported each other financially and by showing up at events.

    I last saw him a few months ago. He'd been in  and out of the hospital.He and I both knew what the deal was,and we didn't talk about it. Ours was a relationship that didn't need a lot of words.

    City people usually think they are a lot smarter than country people. They often laugh at simple country ways. But people do not laugh at country music. It is one of the most popular kinds of music in the United States today.

    Perhaps it is so popular because it is about simple but strong human feelings and events—love, sadness, good times and bad times, it tells real life stories and sounds the way people really talk. As life becomes more and more complicated(复杂的), it is good to hear music about ordinary people.

    Country music, sometimes called country western, comes from two kinds of music. One is the traditional music of the people in the Appalachian Mountains in the eastern United States. The other is traditional cowboy music from the West. The singers usually play the guitars, and in the 1920s they started using electric guitars.

    At first city people said country music was low-class. It was popular mostly in the South. But during World War Ⅱ, thousands of Southerners went to the Northeast and Midwest to work in the factories. They took their music with them. Soldiers from the rest of the country went to army camps in the South. They learned to like country music. Slowly it became popular all over the country.

    Today country music is popular everywhere in the United States and Canada, in small towns and in New York City, among black and white, and among educated and uneducated people. About 1,200 radio stations broadcast country music twenty-four hours a day. People sing it in their languages. The music that started with cowboys and poor farmers is now popular all over the world.

    I work with Volunteers for Wildlife, a rescue(救援) and education organization at Bailey Arboretum in Locust Valley. Trying to help injured, displaced or sick creatures can be heartbreaking; survival(存活) is never certain. However, when it works, it is simply beautiful.

    I got a rescue call from a woman in Mutton town. She had found a young owl(猫头鹰) on the ground. When I arrived, I saw a 2­to-3­week­old owl. It had already been placed in a carrier for safety.

    I examined the chick(雏鸟) and it seemed fine. If I could locate(定位) the nest, I might have been able to put it back, but no luck. My next work was to construct(建造) a nest in a tree.

The homeowner was very helpful. A wire basket was found. I put some pine branches(松树枝) into the basket to make this nest safe and comfortable. I placed the chick in the nest, and it quickly calmed down.

    Now all that was needed were the parents, but they were nowhere to be found. I gave the homeowner a recording of the hunger screams of owl chicks. These advertise the presence of chicks to adults; they might also encourage our chick to start calling as well. I gave the owner as much information as possible and headed home to see what news the night might bring.

    A nervous night to be sure，but sometimes the spirits of nature smile on us all! The homeowner called to say that the parents had responded(回应) to the recordings. I drove over and saw the chick in the nest looking healthy and active. And with it was the greatest sight of all — LUNCH！The parents had done their duty and would probably continue to do so.

    At schools across the United States, students often sit down to cafeteria lunches made from processed foods that are high in fat, sodium, and sugar. But kids at Public School(P. S. )216 in Brooklyn have a different dining experience. Principal Donna Neglia reports that her students love eating fresh fruits and vegetables.

    P. S. 216 participated in the Edible Schoolyard Project, a nonprofit program founded by Chef Alice Waters in 1995. The program that Waters created helps public schools across the country start on-site gardens and weave principles of healthy eating into the curriculum. Students grow and maintain crops, harvesting the fruits and vegetables for cafeteria meals.

    Waters expressed her passion for the principles of the farm-to-table movement. She advised schools to connect with the farmers in their area and change their buying practices when planning meals for students.

    Waters has long been inspiring people to care about where their food comes from. In 1993, she put forward the idea of a White House vegetable garden. It was not until 2009 that Michelle Obama started the garden in the backyard of the White House. She and members of the kitchen staff spent hours tending to the garden, often with help from local school children.

    “That gave people a sense that she cared about children and cared about where our food comes from,” Waters said, praising the former First Lady's concern for young people's health. “We are just building this movement, and it is very exciting. ”

    “Through the Edible Schoolyard Project, students also learn about the benefits of healthy eating in the classroom.” Neglia said. “P. S. 216 is teaching kids about careers in the food industry—such as farming and agriculture, nutrition, food safety, and the restaurant business.”

    Similar classes are taking place around the country. So far, the Edible Schoolyard Project has reached more than 1 million students in more than 367 schools. “I'm thinking about the future of the planet,” Waters said. “I'm doing this for our generation.”

    30 November 2017,Serbian tennis player Novak Djokovic defeated Scottish Andy Murray 6-1,7-5,7-6 in the Australian Open 2017 final to win the Grand Slam event (大满贯)for the sixth time. Murray has lost five Australian Open finals, facing Djokovic in all but one of them.

    Djokovic dominated the first set, winning 6-1 in just half an hour. He served seven aces (得分的发球)in total in the match. Murray fought back in the second set, which went up to twelve games lasting for 80 minutes. It was the longest set and Murray had nine aces, twelve in total for the match. Djokovic had 41 unforced errors, compared to Murray's 65.

    The third set lasted for 63 minutes and at 6-6 it went to a tie breaker, which Djokovic won 7-3, to win the eleventh Grand Slam title of his career.

    Djokovic has now equalled the record of Roy Emerson winning six Australian Opens. Djokovic after the match said,“Andy, you are a great champion and friend. I'm sure you'll have more opportunities to fight for this trophy”.Murray congratulated Djokovic, saying “I feel like I've been here before. Congratulations, Novak. Six Australian Opens is an incredible feat (业绩).The last year has been incredible. Good job.” He also left a message for his wife Kim Sears,“I'll be on the next flight home.” The couple is expecting a baby.

    Yesterday, Jamie Murray, Andy Murray's elder brother, won the Australian Open Men's doubles with Bruno Soares. Andy Murray was there in the audience, recording his brother's speech, to which Jamie said,“Andy, you should be in bed!”

    Better known by his stage name KUN, Cai Xukun is a phenomenon, opening up the music industry in China.

    Last year, after participating in the reality TV show Idol Producer, receiving the most votes from fans, the singer-songwriter rose to fame overnight. At just 21 years old, Cai has topped Chinese music charts with multiple singles.

    On July 26, KUN released his newest single Young. Within just 20 seconds, it reached a million sales.

    KUN wrote the song to share his understanding of youth. He mixed R&B and electronic beats (节拍) to make it more cheerful. A reviewer wrote on QQ Music, "When you listen to the song, you just seem to go back to youth again."

    The song was an early birthday present to himself which he celebrated on Aug 2. KUN also hopes that he always has the courage to pursue (追求) his love of music, no matter what people think. "My works are like my children and I have put my best effort into them." he told the Global Times.

    Indeed, KUN has written and produced most of his songs on his own. "I want every piece of my work to have my own spirit in it," he told music website Soundigest, "I feel more enjoyment when I'm performing my own work."

    Although KUN loves performing onstage, when the lights go down, he prefers to fall back into his own world and darkness at night. "I always get inspired when it's quiet, late at night/' he told I-D magazine, "It's a great moment for me to create new things. Sometimes, I can write songs with a melody (旋律) I heard in a dream."

    To develop his introspection (反思) and find new inspiration, KUN attends different kinds of musical performances — from festivals to opera houses. "I just like to do everything, all for my music, all for my art," he told I-D.

    With such talent and dedication to music, it seems that KUN will continue to make his mark in the competitive Chinese music industry.