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题型:阅读理解 题类:常考题 难易度:普通

广西省陆川中学2017届高三下学期期中考试英语试题

阅读理解

    In France, a man walks on what can only be described as a human-sized hamster wheel. The wheel moves around and around, as the man keeps walking. What is he doing? He is lifting a heavy object to the top of a tower the same way workers moved such objects 800 years ago.

    In the 13th century, workers did not have the 100-meter tall cranes they now use to build tall buildings. So they had to be creative and come up with simple machines to get their work done.

    The man on the large wheel is walking at a reasonable speed. The wheel turns and pulls a rope connected to a pulley(滑轮)at the top of the tower. Another rope tied to the pulley lifts supplies from the ground.

    This is just one way skilled craftsmen arc building a 13th-century castle without using modern tools. Crew have been working on the castle since 1997. It is being built in the Burgundy area of central France. Organizers expect the work to last another 10 to 15 years. That means it will take close to 30 years to finish the project.

    The crew are making progress at about half the speed of the workers from 800 years ago. That is because many of them are accustomed to using modern tools. When the crew use heavy chisels(凿子)and hammers to break rock, as they did hundreds of years ago, they are learning as they go. The goal of the project is to learn more about old building techniques in case they might be of use today.

    Clement Guerard, 44,is a stonemason; he cuts and builds with stone. He has been working on the tower for 17 years. He said one way he is able to work on something like this for so long is by forgetting “some of the pace of modern life", he is able to adapt to working by hand.

(1)、Why is the man walking in the wheel?

A、To draw the attention of passers-by. B、To act as an ancient building worker. C、To test an ancient machine for building. D、To raise building materials to the building top.
(2)、What makes the project last so long?

A、The quality it requires. B、The ancient way to built it. C、Its huge size. D、Its great height.
(3)、What's the purpose of building the tower in the ancient way?

A、To build a unique ancient building. B、To copy a famous ancient building. C、To master ancient building techniques. D、To experience ancient way of building.
(4)、Why has Clement Guerard worked such a long time for the tower?

A、He in used to doing handwork. B、He can get a steady income. C、He forgets how to do other jobs. D、He likes building ancient buildings.
举一反三
根据短文理解,选择正确答案。

    Mail lay scattered across the kitchen table. I couldn't put off sorting through it any longer. I checked the envelopes, putting aside the ones addressed to my husband.

    It had been over three years since Bob had died. To friends and family it looked like I had moved past the worst of my sorrow. I took care of my house, socialized and kept up with community. On the outside everything appeared to be normal. But inside I was anything but I worried I would never get better, never be myself again. They say sorrow has no set time limit, but I was so tired of feeling empty and hopeless. My sorrow was sharp and fresh as ever. It was like a wall of pressure in my chest, pressing my heart.

    I picked up a piece of Bob's mail and held it out to tear in half, but stopped myself from cutting up the envelope. The letter was from an organization that funded a Haitian orphanage called My Father's House. Its founder, Carol Hawthorne, had given a presentation at our church. Bob and I had donated, and Bob ended up on the mailing list to receive the newsletter (通讯) with updates on the children.

    I hadn't read one since Bob died. But just three months before, in January 2012, the country had been hit by a terrible earthquake. In my depressed state, it hadn't even occurred to me to wonder whether the orphanage had survived. I opened the newsletter and was surprised to find out that My Father's House was still standing. Of course now it was more crowded than ever. At the bottom of the page was an announcement about an upcoming trip to visit the orphanage in person. “I should go.” The thought wouldn't leave me. I contacted Carol Hawthorne.“What would I do if I go?” I asked.“Build houses?”

    “The Haitian people there are eager to work and they know what they're doing,” said Carol. “What they need are raw materials, and we provide them. We also visit with the children. We go to clinics and schools, pass out supplies. You'll be very busy, I promise!” I reserved a seat but didn't mention it to any of my friends. Just a few weeks later, I was at the airport with seven strangers, waiting to board a plane to Haiti. Even after takeoff I wasn't really sure of what I was doing.

    In Haiti we were met by Pastor Ronald Lefranc, the director of My Father's House. We piled into an old school bus and drove over uneven roads full of stones and mud. We passed women shaking under the weight of huge water buckets balanced on their heads. Piles of rubbish scattered across the landscape, and the land was covered with broken tents. Finally we pulled up to the orphanage. A crowd of children—52 in all—rushed up to greet us. I couldn't understand the words of the song they sang in Creole, but with the smiles on their faces I didn't need to. Each child planted a big kiss on my cheek.

    Carol and Pastor Ronald led us into the main building. “What are those over there?” I asked, pointing to a collection of thin tents. “Is there not enough room in the building for all the children?”

    “We have the room,” said Pastor Ronald. “But many of these children came here after the earthquake. They still don't feel safe sleeping under a roof.”

    There was no sign of fear in the playroom inside. I played dolls and other games. Children I'd just met presented me with pictures they'd drawn and letters written in Creole. In the evening the children gathered in the dining room. They took turns reading aloud and then they all joined in song. The words were strange, but the tune sounded familiar.

    They'd lost so much, yet were so joyful. In the evening the children gathered in the dining room. One of the older children stood up to speak and then they all joined in song. The words were strange, but the tune sounded familiar. The children settled down. In the silence, a quiet noise began.

阅读理解

    In 1977, a dead author of detective stories saved the life of a 19-month-old baby in a most unusual way. The author was Agatha Christie, one of the most successful writers of detective stories in the world.

    In June 1977, a baby girl became seriously ill in Qatar, near Saudi Arabia. Doctors were unable to find out the cause of her illness with confidence, so she was sent to Hammersmith Hospital in London. She was then only semi-conscious and on the "Dangerously Ill" list. A team of doctors hurried to examine the baby only to discover that they, too, were confused by the very unusual symptoms (症状). While they were discussing the baby's case, a nurse asked to speak to them.

    "Excuse me," said Nurse Marsha Maitlan, "but I think the baby is suffering from thallium (铊) poisoning(中毒)."

    "What makes you think that?" Dr. Brown asked. "Thallium poisoning is extremely rare."

    "A few days ago, I was reading a novel called A Pale Horse by Agatha Christie," Nurse Maitlan explained. "In the book, somebody uses thallium poison, and all the symptoms are described. They're exactly the same as the baby's."

    "You're very thoughtful and you may be right," another doctor said. "We'll carry out some tests and find out whether it's thallium or not."

    Tests showed that the baby had indeed been poisoned by thallium, a rare metallic substance(物质) used in making special glass. Once they knew the cause of the illness, the doctors were able to give the baby the correct treatment. She soon recovered and was sent back to Qatar. Later it was reported that the poison might have come from an insecticide (杀虫剂) used in Qatar.

阅读理解

    Never before have Chinese Internet users so openly liked and supported a Japanese athlete as they have loved table tennis star Ai Fukuhara (福原爱), better known by her Japanese nickname “Ai-Chan”.

    But they may now feel heartbroken, as the 29-year-old said on Oct.21 that she would retire (退役) from the sport. I've found the answers within myself that I have been searching for. From the standpoint ( 立场) of an athlete, I'm drawing the line here," Fukuhara wrote on her blog.

    After she started playing table tennis at 3 years old, Fukuhara was seen as a child gifted at the sport. Being trained in China at a very young age, Fukuhara can speak fluent Mandarin, with a northeastern accent.

    If her deep-rooted connection with China is one thing that has won the hearts of Chinese fans, her character is another. She always shows her real self to the public without hiding her feelings. She laughs in games when she wins, and cries when she loses. The fact that she often cries when she gets upset has earned her the nickname “Crybaby Ai-Chan” in China.

    Although she was beaten by a long line of Chinese players, Fukuhara always tries her best when playing her favorite sport. Yet, she also knows that now is the best time to close the curtain on her successful career. It's hard to say goodbye to a long journey but as Fukuhara once said on a reality TV show, “Life is not all about table tennis. Instead, it is just part of life.”

    As for her future plans, Fukuhara wrote that she would like to help more people around the world get to know the beauty of the sport.

阅读理解

    For most of her life, Suanne Laqueur's passion for storytelling was shown on the dance floor.

    Although Laqueur began writing at a young age, dancing always took center stage. She majored in dance and theater at Alfred University and taught at her mother's dance studio in Croton-on-Hudson, New York, for years. But when her mother was ready to retire and an opportunity opened for Laqueur to take over the studio, she realized she had no interest in taking on the business side of her art: "Owning a studio is a lot of work—financially, logistically. I love the teaching, the choreographing(编舞), the staging, but I didn't want to own it."

    Yet Laqueur's disinterest in running the studio changed when she became a self-published author. In the fall of 2013, she decided to pursue Self-publishing as a way of sharing her first completed novel with friends and family. During the process, she realized that following her true passion—telling stories through writing—made the business of the art worthwhile, and owning that business meant she could direct her writing career however she chose.

    Starting with her second self-published novel, she began investing more time in marketing and building her audience. Her investment paid off. Since 2014, Laqueur, now 49, has self-published six novels, which collectively have hundreds of ratings and reviews on Goodreads. Her 2016 novel An Exaltation of Larks stole the show at the 25th Annual Writer's Digest Self-Published Book Awards, topping more than 2,300 entries to win the grand prize.

    "You have to write the most truthful story to you, and I think self-publishing allows that freedom,' she says. "If you work with traditional publishing, it's more about what's marketable, There are trade-offs, which everyone will tell you, but by self-publishing I have control of the book, I have control of the story, and I'm cool with that."

阅读理解

Singapore researchers say they have developed a form of electronic skin that can create a sense of touch. They hope their invention will give people with prosthetic hands (假肢手) the ability to identify different objects.

The skin device measures 1 square centimeter. The system contains 100 small sensors that attempt to recreate things like texture (质地), temperature and even pain. The researchers call the device Asynchronous Coded Electronic Skin, or ACES, which can process information faster than humans' nervous system. Machine learning methods trained the device to recognize 20 to 30 different textures. It can even correctly read Braille letters most of the time, the researchers say.

The system does not require the users' movement to work. Humans need to slide to feel texture. But in this case the skin, with just a single touch, is able to detect textures of different roughness.

A demonstration showed that the device could identify the difference between a soft ball and a solid plastic one. "When you lose your sense of touch, you essentially become numb and prosthetic users face that problem, " said Benjamin Tee, leader of the research team. "So by recreating an artificial version of the skin, for their prosthetic devices, they can hold a hand and feel the warmth and feel that it is soft."

Tee said his idea for the device came from the movie Star Wars, when character Luke Skywalker loses his right hand and it is replaced with a robotic one. In the film, the new hand is able to experience touch sensations just like the real one.

The artificial skin technology is still going through experiments and development. But Tee said there had already been a lot of interest in the system, especially from the medical community. Tee said similar inventions that his team has developed include see-through skin that can repair itself when torn and a material for wearable electronic devices that gives off light.

阅读理解

Max Du won the Canada-Wide Science Fair. His project is a drone (无人机) to save people who go into cardiac (心脏的) arrest. Max got the inspiration during Christmas break last year. "I got a toy drone from my parents, but I couldn't fly it because it is snowy." Max said. "So I played with it at home, and it got me thinking how a drone could be used as an indoor robot that could help people."

About 35, 000 people have cardiac arrests in Canada each year. Most of those happen outside of a hospital, of whom fewer than 10 percent survive. Max believed a drone could offer faster support and life-saving medicine, but he had to build it himself to know for sure.

Testing his drone took about six months. Max's parents had to deal with their son's constantly flying and crashing in the home. Every time Max would create an exciting innovation, such as an extendable arm, it would add extra weight to his drone, causing it to break apart. Then Max would have to buy all new parts. Max tested using more lightweight materials until his design was more balanced.

Through trial and error, the 14-year-old boy finally got it right. His drone can open a door handle, fly in the air and then land softly on the ground. A new extendable arm can be released to administer a shot or hand a patient lifesaving medicine. A built-in camera could directly conference with an emergency response team whose members could monitor the patient remotely.

Max plans on applying for a patent (专利) so he can make connections in the health-care industry to get it made for real. He's spent his summer learning about artificial intelligence at California's Stanford University as one of 32 kids selected worldwide. He'll head next to the University of Pennsylvania to take a college-level robotics class before returning to high school in September.

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