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题型:阅读理解 题类:模拟题 难易度:普通

安徽省六安市2019-2020学年高三英语年级最后一卷试卷

阅读理解

This season, the bushfires in Australia have burned more than 12.35 million acres of land. At least 25 people have been killed and 2000 homes destroyed. According to the BBC, this is the most casualties (伤亡) from wildfires in the country since 2009. The University of Sydney estimates that 480 million animals have died in South Wales alone.

Zeke Hausfather, an energy systems analyst and climate researcher at Berkeley Earth, said warmer temperatures and extreme weather have made Australia more susceptible to fires and increased the length of the fire season. "The drier conditions combined with record high temperatures in 2019 created main conditions for the disastrous fires. Australia's fires were worsened by the combination of those two. 2019 was the perfect storm for being the warmest year on record for Australia and the driest year on record for Australia," Hausfather added on Friday.

Kevin Trenberth, a senior scientist at the US National Center for Atmospheric Research, said warmer ocean temperatures also contributed to more variable weather around the world. Trenberth believes that global warming contributed to energy imbalances and hot spots in the oceans, which can create a wave in the atmosphere that locks weather patterns in places, causing longer rain events in Indonesia, for example, and at the same time contributing to drought in Australia. He said that once an area experiences drought conditions for two months or more, it increases the risk of fires catching and spreading. Those changing weather patterns due to global warming make drought events longer.

Climate experts stress that climate change is not the only factor in the severity of wildfires. How land is managed can also impact the amount of fuel available for fires. Practices like controlled burns and other factors can impact the risk to people and property, such as warning systems and the type of development in a given area. Changing those policies has great potential to limit future damage from wildfires along with changes to how fire management resources are dispatched (派遣).

(1)、What are the numbers about in paragraph 1?
A、The causes of Australian fires. B、The consequences of Australian fires. C、The damaged areas of Australian fires.    D、The property destruction of Australian fires.
(2)、Which of the following best explains "susceptible to" in the second paragraph?
A、Very quickly to adapt to. B、Very seriously to focus on. C、Very likely to be influenced by. D、Very easily to be protected against.
(3)、What can we infer from Trenberth's research?
A、Global warming is the root cause of the bushfires. B、Longer dry weather contributes to global warming. C、Warmer ocean temperatures promote fires spreading. D、The imbalanced energy leads to the temperature rising.
(4)、What does the author intend to do in the last paragraph?
A、To stress the effects of Australia fires. B、To show the methods for controlling burns. C、To predict the seriousness of Australia fires. D、To provide some advice about reducing damage.
举一反三
阅读理解

    Before we came to Canada in 1951, when I was three, my parents and I spent a year at refugee camp (难民营) in Austria. We had escaped from what was then called Czechoslovakia. My parents had already lost their livelihood once to the Nazi. Mummy was freed from the Nazi concentration camp Bergen-Belsen and spent the years after the war trying to find her family, only to discover she was the only survivor. She met my father in a small town outside Prague. They married and had me in 1948. When we arrived in Montreal, everything we owned was contained in an army trunk and a couple of army blankets. Mummy bought an old sewing machine and some inexpensive materials and using patterns in magazines, taught herself to sew. Her hands were always going, making something. She learned English by singing along to the hit song as she worked.

    For me, high school was a lonely time. My mother worried that I'd never come out of my shell so she signed me up for classes at the Montreal Children's Theatre. That's where I found my voice with her strong faith in me, Mummy had opened a door. Although she was an educated woman, I never heard my mother said “This is what I gave up for you.” She was always there for my younger brother and me. When I sat in the kitchen with her, I felt safe. When she made soup or sewed a ballet costume for me, it was all a gift, a labor of love. She wanted to make us happy. For a long time, I had a picture hanging in the kitchen saying “Put your heart into it.” I grew up with that phrase. Mummy taught that lesson by example, and it has become my own work ethic(职业道德).

阅读理解

    A European Union program is letting blind people experience famous paintings for the first time. It uses three dimensional (3-D) printing to re-create famous paintings so that they can be touched.

    One painting printed with the new technology is Gustav Klimt's "The Kiss." It is a popular attraction at the Belvedere Museum in Vienna, Austria. The painting shows a man and a woman standing in a field filled with flowers. They are wearing gold robes and have their arms around each other. The man leans down to kiss the woman.

Klimt finished the painting in 1908. Until now, people who have trouble seeing can not enjoy the artwork. But thanks to the reproduction (复制品) they can touch the piece and feel the ridges (隆起) and depressions (凹地). Andreas Reichinger started making 3-D versions of artwork in 2010. He said this reproduction was his most difficult project because the couple's robes are so detailed (精细的).

    Dominika Raditsch is a blind museum visitor. She touched the reproduction. As she moved her hands around it, she said, "Exactly, can you see these? There are so many details." Raditsch said she can imagine what the original painting looks like when she touches the reproduction. "It's somehow round. You can feel it. It comes with it. And in many places it's so smooth. And then I think to myself: it probably shines too!" Raditsch said.

    The Belvedere is not the only museum to have 3-D versions of its artwork. Some of the pieces at the Prado, in Madrid, Spain, have reproductions that can be touched. But the piece in Vienna has one special part: it is made with widely available 3-D printing technology. That means one day, blind art fans anywhere in the world could download the source files and print the reproductions themselves.

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