Eric was a nine-year-old boy who lived with his single mother, Stacey and sister, Lily. They lived a hard life. Eric felt bad for their situation but worse for himself, especially in school.

Eric's leather boots were worn out. They didn't protect his feet from the rain, and his socks became totally wet as water went through the holes in his shoes. Stacey attempted to fix the holes but it was no use. Eric still walked to school with that pair of broken shoes. How much he wished he could also have new comfortable and expensive shoes his classmates wore!

One day, Eric returned from school and complained to Stacey, "It was raining today. Water has leaked into my shoes again. I hate my boots! Why can't you get me new ones?" Stacey was sad and helpless. "I spent our last savings on your sister's medicine. She's sick. Eric you know that. You need to act like a responsible big brother!" she answered. Tears welled up in Eric's eyes. "I hate you!" he shouted. "You only care about Lily! You don't love me!" Then he cried and ran to his room.

After preparing dinner, Stacey went to his room with his dinner plate. "I'm sorry, Eric," she whispered to comfort him. "We're going through a very tough journey recently. But I'll get you new shoes in the future." However, Eric refused to listen to her.

The next day, when Eric went to class, he took his seat quietly and hid his feet under his chair, as usual. He was embarrassed to show his boots. As the math teacher Mrs Fletcher entered the class, all the students greeted her. "Today, we have a very special friend with us," she smiled. "Everyone, please welcome Ben, your new classmate." Soon after, a boy with a pair of crutches(拐杖)entered. The new boy only had one leg. Eric was shocked. He and all his classmates thought how unlucky Ben was and that he must be very shy and sad.

注意：1.续写词数应为150左右;2.请按如下格式在答题卡的相应位置作答。

Paragraph 1: At that moment, Mrs Fletcher asked Ben to introduce himself. 

Paragraph 2: Inspired by Ben, Eric realized he should appreciate what he had. 

D

With the completion of the Human Genome（基因组）Project more than 20 years ago, and the discovery of the double helix structure of DNA enjoying its 70th birthday last year, you might assume that we know how life works. Think again!

Evolution has a 4bn-year head start on us. However, several aspects of the standard picture of how life works-the idea of the genome as a blueprint, of genes as instructions for building an organism, of proteins as precisely tailored molecular（分子）machines and more-have wildly reduced the complexity of life. 

In the excellent book How Life Works, Philip Ball explorers the new biology, revealing life to be a far richer, more delicate affair than we have understood. Ball explains that life is a system of many levels-genes, proteins, cells, tissues, and body modules-each with its own rules and principles, so there is no unique place to look for an answer to it. 

Also, How Life Works is a much more appealing title than the overused question of "What is life?". We should be less concerned with what a thing is, and rather more focused on what a thing does. Defining a living thing implies an unchangeable ideal type, but this will run counter to the Darwinian principle that living things are four-dimensional, ever changing in time as well as space.

But it's an idea that is deeply rooted within our culture. Ball points out that we rely on metaphors（比喻）to explain and explore the complexities of life, but none suffice. We are taught that cells are machines, though no machine we have invented behaves like the simplest cell; that DNA is a code or a blueprint, though it is neither; that the brain is a computer, though no computer behaves like a brain at all.

Ball is a terrific writer, pumping out books on incredibly diverse subjects. There's a wealth of well-researched information in here, and some details that are a bit chewy for the lay reader. But the book serves as an essential introduction on our never-ending quest to understand life.

It was 1504,and Columbus was making another trip to the New World.Columbus and his men needed fresh water and food after three months at sea.They saw an island and went to the shore.On the island there were unfriendly Indians who refused to give food and water to them.Columbus' men were afraid of the Indians,but he had a clever plan.He used gesture(手势) language to tell the Indians about his mysterious (神秘的) power to turn off the light in the sky.He knew about a lunar eclipse (月食) the next night because the information was in his almanac (天文历书).Columbus told the Indians,"Tomorrow night I'll turn off the light in the sky." But they didn't believe him.When the eclipse began the next night,the Indians became very frightened.They begged Columbus to turn on the light again,and they quickly gave him all the food and water he wanted.Immediately Columbus and his men hurried back to the ship and sailed away in the moonless night.

Shi Jing, also called the Book of Songs, is the oldest existing {#blank#}1{#/blank#}(collect) of Chinese poetry. A few years ago, when Chinese musician Fang Jinlong read Shi Jing, he was interested in the stories in the poems. Because he couldn't {#blank#}2{#/blank#}(full) understand the ancient Chinese language {#blank#}3{#/blank#}(use) in the poems, he turned to experts to explore the poems. 

Then he decided to portray the poems with musical language by inviting composer Ma Jiuyue {#blank#}4{#/blank#}(create) an album. Titled Music and the Book of Songs, the album was released on Jan. 18, {#blank#}5{#/blank#}(feature) 10 original songs composed by Ma. They {#blank#}6{#/blank#}(perform) by Fang and won great popularity. 

The 10 songs are based on 10 poems from Shi Jing, including Qiong Yao, which conveys gratitude to people who are eager to help others, and Swallows, which {#blank#}7{#/blank#}(send) farewell messages to friends. 

"Young people gave warm feedback about traditional Chinese music {#blank#}8{#/blank#}they had watched my performance. It has inspired me to create more works for them, which helps popularize traditional Chinese music," says Fang. 

"The 10 pieces sound {#blank#}9{#/blank#}(enjoy) and easy. For the listeners, it's a fresh way to comprehend poems from Shi Jing," says Ma. "We spent three years working on {#blank#}10{#/blank#}project. There are so many meanings in the poems and we want to display them as deep as possible with music," Ma says. "It's our mutual goal to have traditional Chinese music reach a wider audience."

A grocery store in Ann Arbor, Michigan opened on Tuesday to the public. This is an artist's uneatable creation. The Plastic Bag Store presents shelves filled with items such as meat, eggs, cakes and so on, all of which are made from single-use plastics taken from streets and garbage.

The store at times during the day will be transformed into a stage for a series of short films in which puppetry(木偶戏表演), shadow play, and handmade sets are used to tell a story of how the overabundance of plastic waste we leave behind might be misinterpreted by future generations—and how what we value least may become our most lasting "cultural legacy (遗产)".

Theater and film director Robin Frohardt is the creative driving force behind the Plastic Bag Store. "I got the idea many years ago after watching someone bag and double-bag and triple-bag my groceries," Frohardt said on Tuesday. "I just was sort of struck by how much packaging was involved in our everyday lives. And it just seemed so unreasonable. I just thought, maybe I could set up a project to change it." Combining a real-life supermarket with film experience, Frohardt planned to use art and humor to question our culture of consumption and convenience and to show one of the greatest problems of our planet.

Plastic bags are created by fossil (化石) fuels and often end up as waste in landfills and the ocean. Americans throw away 100 billion plastic grocery bags per year. She hopes that she can continue to tour with the project and bring it to different communities. "My dream would be that this project will become unnecessary one day," said Frohardt.

 "Frohardt's work reminds us, with humor, to think not just about the next two weeks, but also about the next two decades and the next two centuries. What will remain hundreds of years later? We hope that our legacy will be plays rather than piles of plastics," said Tim Tompkins, President of Times Square Alliance.

It was a sunny Sunday afternoon. My husband was taking care of our baby girl so that my six-year-old son and I could do some yard work, just the two of us. It was sure to be 1 . But soon, the clouds of mosquitos seemed 2 to our bug spray (喷雾). I was sweating, itchy, and arguing with my son about how to pull weeds. I had told him the "right" way — getting those weeds out from the bottom, by the roots, 3 them entirely. 

However, my son went about things in his own way. He pulled the 4 of the weeds off, moving quickly down the line as he left the remaining part still in the soil. Somehow, I found this to be incredibly 5 . Why couldn't he do it in my way and save me the time of having to 6 his portion (部分)? Why did he do it at all if he wasn't going to do it properly? 

"If you do as told, we'd be done earlier and 7 a longer period before we would have to return and pull weeds next time," I said, trying to keep my tone 8 . 

He went back to his work, shaking dirt from his handful of growing things and throwing 9 stems into our shared basket. "People do things 10 , Mom," he said innocently. 

My fire soon faded, replaced by the 11 realization that I'd just received a valuable12 from the person that I was supposed to be teaching. While trying to 13 my baby girl, my kindergartener, and the yard work, 14 was a lifeline for me. But my way was, perhaps, not the best way after all. His time shouldn't be 15 . His job was to be a kid and take his time, for as long as he was able.