One of my first memories as a child in the 1950s was a discussion I had with my brother in our tiny bedroom in the family house in Bethlehem, Pennsylvania.

    We had heard in school about a planet called Pluto. It was the farthest, coldest, and darkest thing a child could imagine. We guessed how long it would take to die if we stood on the surface of such a frozen place wearing only the clothes we had on. We tried to figure out how much colder Pluto was than Antarctica, or than the coldest day we had ever experienced in Pennsylvania.

    Pluto, which famously was downgraded from a “major planet” to a “dwarf planet”(矮星) in 2006, captured our imagination because it was a mystery that could complete our picture of what it was like at the most remote corners of our solar system

    Pluto's underdog discovery story is part of what makes it so attractive. Clyde Tombaugh was a Kansas farm boy who built telescopes out of spare auto parts, old farm equipment and self-ground lenses. As an assistant at Lowell Observatory in Flagstaff, Arizona, Tombaugh's task was to search millions of stars for a moving point of light, a planet that the observatory's founder thought existed beyond the orbit of Neptune. On February 18, 1930, Tombaugh found it. Pluto was the first planet discovered by an American, and represented a moment of light in the midst of the Great Depression's dark encroachment(入侵).

    Pluto is much more than something that is not a planet. It's a reminder that there are many worlds out there beyond our own and that the sky isn't the limit at all. We don't know what kinds of fantastic variations on a theme nature is capable of making until we get there to look.

    London—A morning's train ride away, across the Channel, English kids talk about Liverpool's soccer team in a Paris pub. Some Parisians have even started to go to work in London. In the 19^th century, Charles Dickens compared the two great rival (竞争) cities, London and Paris, in " A Tale of Two Cities". These days, it might be A Tale of One City.

    Parisians are these days likely to smile in sympathy at a visitor's broken French and respond in polite English. As jobs grew lack at home over recent years, perhaps 250,000 Frenchmen moved across the Channel. With an undersea tunnel, they could travel between cities in three hours. The European Union freed them from immigration and customs.

    Paris, rich in beauty, is more attractive. But London feels more full of life, and more fun until the pubs shut down.

    "For me, the difference is that London is real, alive," said Trevor Wheeler, a banker.

    Chantal Jaouen, a professional designer, agrees. "I am French, but I'll stay in London," she said.

    There is, of course, the other view. Julie Lenoux is a student who moved to London two years ago. "I think people laugh more in Paris," she said.

    In fact, London and Paris, with their obvious new similarities, are beyond the old descriptions. As the European Union gradually loosened controls, Londoners flocked into Paris to shop, eat and buy property (地产).

    "Both cities have changed beyond recognition." Said Larry Collins, a writer and sometimes a Londoner. Like most people who know both well, he finds the two now fit together comfortably.

    "I first fell in love with Paris in the 1950s and it is still a wonderful place," Collins said. "But if I had to choose, it would be London. Things are so much more ordered, and life is better."

    But certainly not cheaper. In fancy parts of London, rents can be twice those on Avenue Foch in Paris. Deciding between London and Paris requires a lifestyle choice.

    Like Daphne Benoit, a French journalism student with perfect English, many young people are happy to be close enough so they don't have to choose.

    "I love Paris, my little neighborhood, the way I can walk around a centre, but life is so structured," she said. "In London, you can be who you want. No one cares."

    It is not easy to become a doctor in the United States. The first step is getting into a medical college. More than one hundred and twenty American schools offer study programs for people wanting to be doctors.

    People can get advice about medical schools from many resources. One of these is the Princeton Review. The publication provides information about colleges, study programs and jobs.

    The Princeton Review says the competition to enter medical schools is strong. American medical schools have only about sixteen thousand of openings. But more than thirty-two thousand students may try it. Many of those are women.

    Most applicants contact more than one medical school. Some contact many. An important part of the application usually is the Medical College Admission Test which is called MCAT. The Association of American Medical Colleges provides the test by computer. It is offered in the United States and other countries.

    The people who want to enter medical schools are rated（评定）on reasoning, physical and biological sciences and an example of writing. Applicants for medical schools need to do well on the MCAT. They also need a good record in their college studies.

    Some students work for a year or two in a medical or research job before they attempt to enter a medical school.

    Bottled water is a booming industry in New Zealand, but it's terrible for the environment —each bottle thrown away adding to the 190,000 tons of plastic New Zealanders throw into landfills each year.

    But now one company has created water storage that they hope will prove to be just as convenient as a plastic bottle—but contains no actual plastic.

    Skipping Rock Labs make Oohos, flexible membranes filled with water that are constructed using a seaweed extract—meaning they, re totally edible and biodegradable, wrapping and all.

    There aren't any known side effects from digesting the membranes, which are tasteless—though Ooho! says flavors can be added to make them more appetizing.

    The company took to crowdfunding site CrowdCube with the idea, and it has since gone viral— with more than 900 investors bagging them A£ 751,700 to develop and launch the Ooho! balls ( $ 1.35 million).

    Skipping Rock Labs create the balls by dipping ice into brown algae and calcium chloride, with the membrane taking shape around the ice—and while that may sound complicated, the company says it, s more cost-effective than producing a plastic bottle.

    A layer atop the membrane can be peeled off just before drinking, for hygiene purposes. Skipping Rock Labs are hoping their new product takes off—and that it starts to put a dent into the plastic packaging industry.

    Now in 2019, jazz music is an important part of Indianapolis' art culture. Jazz clubs around the city still host concerts with local jazz musicians like Rob Dixon and Joel Tucker. One of these clubs, the Chatterbox Jazz Club, still has live jazz seven nights a week.

    But the real history of jazz in Indy is much less simple. Along with the Avenue's culture, jazz music was gone from the streets for many years.

    Indiana Avenue was the heart of a neighborhood along the White River. It was a center for black music and live street music. The wealthy avoided this area. So it became a place that poorer families, including many African-American and immigrant (移民) families, moved to.

    Jazz prospered in the mix of American cultures around the Avenue in the 1930s and 1940s. But in the 1950s, things changed. After the war, there were projects to make the city beautiful and build a university nearby. Both of these seemed like good changes. However, the new university and buildings caused poorer families to have to leave the area. This destroyed the Indiana Avenue community - and with it, its jazz culture.

    After many years, Indianapolis remembered the value of its arts and music culture. It began to bring back lost cultures such as live music on the Avenue. To do so, it began to make new changes. The changes included repairing historic areas like the Avenue. Once again, the high living costs in these historic arts areas pushed low-income families out.

    Today there are several old-style jazz clubs where friends can meet up to remember the past or just enjoy a summer evening. It might seem at first that jazz is alive again, but there is a sad reality behind these jazz clubs: Modern Indy jazz is only a shadow (影子) of the lively culture that was once on Indiana Avenue.

Nanjing Yunjin brocade is traditional Chinese silk art with a history of about 1,600 years. Its complex weaving techniques, various colors and patterns, and its particular choices of materials make it valuable and ancient people said, "An inch of brocade, an inch of gold." Today, the traditional characteristics and unique skills of yunjin remain to be an award-winning art treasure. Its techniques are passed down from generation to generation by artisans. 

Zhou Shuangxi, a national-level inheritor of yunjin weaving techniques, is one of them. Back in 1973, he graduated from a mining school and was selected to become a student at the NanjingYunjin Research Institute along with five other students, just because he was "in good shape". There were only several masters in their 70s and not even a loom (织布机) to use. "The old masters finally remembered a loom was stored somewhere. When I opened the door, I saw what seemed like a pile of wood," Zhou recalled. 

"Weaving was difficult, but different from mining. Mining requires heavy physical labor, but working with the soft and thin silk requires studying and practicing in front of a loom for decades until you master the technique. My hands became quite awkward due to mining, so I used to put my hands in warm water whenever I could. In this way, they could become softer and weave the silk more easily," he said. 

Out of the six or so students, Zhou is the only one who has insisted on the trade to this day. Having devoted the past five decades to yunjin production despite all the sweat and struggles, he has developed his techniques to the point where he can weave the antique dragon robes in all their small details. He also made various artworks that not only show China's intangible cultural heritage but also serve as Zhou Shuangxi's artistic creations. 

"I am lucky to be in such a good era and I have the honor of being a representative inheritor," Zhou said.