“There's a mother in PICU(儿童重症监护病房)who wants to talk about a kit she received,” the nurse told me. “Something about it made her cry.”

    I've been a child-1ife specialist at the Cleveland Clinic Children's Hospital since 2000. I help families understand diagnoses and treatment plans and manage the ups and downs that come with caring for a sick child. Tough talks with parents are part of the job, which still makes me feel nervous.

    The kits the nurse was talking about were something I had recently introduced to the hospital: Comfort Kits from Guideposts. They were supposed to make a child's experience here easier, not upsetting.

    When I came across the kits at a conference. I fell in love with them. A treasure box of items designed not only to entertain kids, but to comfort and inspire them. There's a coloring book, a stress ball, a CD of relaxing music, a hairy star named Sparkle, a journal and much more. I really believed these kits would help kids. I wished I hadn't been mistaken.

    At the patient's room in PICU I saw a little girl, sleeping soundly, surrounded by tubes and machines. My eyes met her mother's. The kit was open on her lap and tears were running down her cheeks.

    “I'm Shannon. I manage the Child Life Department.” I said. “I'm sorry if the kit upset you .It's a new item…”

    The mother shook her head. “This has been one of the worst days of my life .I felt so scared and alone. Then I was handed this box. I know it's for my daughter, but it's just the comfort I needed. I wanted to say thank you.”

    With that I knew Comfort Kits belonged here. We've been using them for almost three years now. Each child who's admitted to the hospital receives one. Every day I see kids coloring, journaling, playing with Sparkle.

    But as this mom showed me Comfort Kits aren't just for kids. The hope they bring, which can be in short supply in hospitals sometimes, is felt by the whole family.

    Everyone should be so lucky as to have a friend like Francia Raisa. On Thursday, singer and actress Selena Gomez, 25, used Instagram to explain why she was “laying low” this summer. She posted a photo of herself in a hospital bed with her friend Francia Raisa holding hands. She said she recently received a kidney transplant from her best friend because of complications（并发症）from lupus（狼疮）, an autoimmune disease, which means it is the result of the immune system attacking normal tissue, including the kidneys, brain, heart and lungs.

    People with lupus may first experience tiredness, joint pain or a little bit of rash（皮疹）on their bodies and can go for a long time before their doctors realize it is more serious. Many people see two or four doctors before the real problem is picked up. According to Dr. Kyriakos Kirou, roughly a third to one-half of people with lupus develop kidney disease, and up to one in five of them will eventually need a transplant, sometimes because they weren't treated with effective drugs to prevent the immune system from attacking the kidneys. Though Gomez said that she was “very well now,” she warned about the dangers of not taking medical diagnoses seriously, like she initially did.

    Her Instagram post also called attention to two major health topics: the need for living organ donators and the fact that Gomez represents three groups more likely to be diagnosed with lupus and lupus-related kidney disease. Nine out of 10 people diagnosed with lupus are women, and most develop the disease between the ages of 15 to 44. And lupus is two to three times more common among women of color, including Hispanic women, according to the Lupus Foundation.

    Raisa is Latina, and Gomez's father is of Mexican origin. While it's not essential that the organ donator and receiver be of the sane ethnicity, people who share a similar background sometimes are better matched, according to data from the United Network for Organ Sharing.

    Recently, some Chinese experts advise people to be more careful about making a "V" gesture (手势) while taking a photo, because the fingerprints may be stolen.

    It is possible. If the distance between the person and a smartphone is less than half a meter, the possibility of the fingerprint being stolen will be bigger. Having fingerprints stolen can cause a lot of difficulty, as they are used in many things, including ID cards, passports and online payments. So it's a must to pay attention to their protection and avoid them being spread on the Internet.

    This kind of discussion was first raised by a Japanese research center, the National Institute of Informatics.

    ZengQiaoyi, 19, who likes sharing selfies (自拍) on WeChat, said she is also worried about it. She said she seldom posts pictures with "V" gestures and most pictures she shares are made to be not so clear by certain software. "I blur backgrounds in selfies, hoping to hide my location," she added.

    Tan Tieniu, a scientist, said at the 2016 China National Computer Congress that using fingerprints instead of passwords or voice identification is far from safe, compared with face recognition (辨认).

    But a police officer from Jiangsu province, said locals don't need to be overly anxious, because the cameras of many cellphones are not clear enough, and the shooting distance of most photos taken by cameras is too far.

    Humans are social animals. They live in groups all over the world. As these groups of people live apart from other groups, over the years and centuries they develop their own habits and ideas, which are different from other cultures. One important particular side of every culture is how its people deal with time.

    Time is not very important in nonindustrial (非工业的) societies. The Nuer people of East Africa, for example, do not even have a word TIME that is in agreement with the abstract thing we call time. The daily lives of the people of such nonindustrial societies are likely to be patterned around their physical needs and natural events rather than around a time schedule (时间表) based on the clock. They cook and eat when they are hungry and sleep when the sun goes down. They plant crops during the growing seasons and harvest them when the crops are ripe. They measure time not by a clock or calendar, but by saying that an event takes place before or after some other event. Frequently such a society measures days in terms of "sleeps" or longer periods in terms of "moons". Some cultures, such as the Eskimos of Greenland measure seasons according to the migration of certain animals.

    Some cultures which do not have a written language or keep written records have developed interesting ways of "telling time". For example, when several Australian aborigines want to plan an event for a future time, one of them places a stone on a cliff or in a tree. Each day the angle of the sun changes slightly. In a few days, the rays of the sun strike the stone in a certain way. When this happens, the people see that the agreed-upon time has arrived and the event can take place.

    In contrast (成对比), exactly correct measurement of time is very important in modern, industrialized societies.

    This is because industrialized societies require the helpful efforts of many people in order to work. For a factory to work efficiently (well, quickly and without waste), for example, all of the workers must work at the same time. Therefore, they must know what time to start work in the morning and what time they may go home in the afternoon. Passengers must know the exact time that an airplane will arrive or depart. Students and teachers need to know when a class starts and ends. Stores must open on time in order to serve their customers. Complicated (复杂的) societies need clocks and calendars. Thus, we can see that if each person worked according to his or her own schedule, a complicated society could hardly work at all.

    A photography exhibition by French artist San Bartolome entitled Moon Door Dreamers opened in the 798 Art Zone in Beijing on December 10, 2011, presenting a cross-cultural perspective (视角) on ordinary life in the capital city.

    Bartolome took these photos in August 2008, and produced a video named Two Worlds, One Dream. These works were displayed in Pingyao, an ancient city in Shanxi Province, under the title Beijing Midsummer Night Dream in September 2010.

    The moon doors serve as a keyhole through which one can catch a glimpse of a slice of Beijing life. He got his inspiration from one cycling trip to the southeastern suburb of Beijing, where he discovered a peculiar street along which a gray brick wall was built to cover the shabby bungalows. These cabins were mostly rented by migrant workers- peddlers, craftsmen, grocers and innkeepers.

    Born in 1950, Bartolome has worked as a photographer, stage director. Artistic manager, writer and diplomat. A noted Sinophile, Bartolome frequently visits China for photographic subjects. In the fall of 2003, he joined the French Embassy in Beijing as a cultural attache. His work experience in China from 2003 to 2015 further enhanced his awareness of and love for China.

    Bartolome not only loves Chinese culture but also the Chinese people. He thinks that Chinese people are kind, welcoming and diverse.

    Back from his bike ride to southeastern Beijing, he decided to shoot pictures about ordinary urban lifestyles. He observed dwellers carefully and made friends with them.

    After about 30 days and nights that he spent with these common migrants, he created a number of portraits. Meanwhile, he learned more about those rural migrants who earn their living in a city with which they are unfamiliar.

    He adopted an optimistic perspective to shoot the sights, and he borrowed the title of one of William Shakespeare s comedy works: A Midsummer Night's Dream.

Father's Day is celebrated today in 75 countries around the world. In my personal world, it's a day I like to think of my father's father.

I learned a lot in my later life from my dad. But I learned something else, as a kid not even yet in school, from my grandfather. I learned to be curious. Little things fathers and grandfathers do can change the life of a child forever. In my case, this change came from necessity：My mom needed someone to look after little Allen, barely 4 years old, during the school day. My grandmother volunteered, and my grandfather came up with a way I could be watched while he worked in his clockmaker's shop.

He seated me on a chair every day while I was there, right in front of his big workbench.  He told me stories. He had a great sense of humor and a funny way of making a "buh﹣buh﹣buh" sound when he sensed my attention was weakening, and he encouraged me to ask questions about anything he was doing.

Naturally, I was usually asking questions about clocks﹣what made the hands move, what the pendulum (钟摆) did, why you had to stop winding just before the weight hit the stop.  Sometimes I just asked about which shiny parts went where.

Most of all, he showed me how clocks worked. He treated me as if I were a sort of small grown﹣up. He never talked down to me, never told me I was "too young to understand".

And so my grandfather granted me two things: A love of clocks, and an everlasting curiosity.

As a journalist, I turned that fascination into explanations of why computers and software do what they do﹣﹣and, perhaps even more importantly, why they fail at that task. I haven't been afraid of opening up the innards and looking for what is wrong with the computer.