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题型:阅读理解 题类:常考题 难易度:普通

浙江省浙南名校联盟2018-2019学年高二下学期英语期中联考试卷(音频暂未更新)

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    Brazil, the largest country in South America, is famous for the Amazon rainforest and soccer. But on the hottest days, people travel there for another reason – the Carnival. Full of excitement and fun, the Carnival is held annually in February or March. This year, the celebration runs from March 2nd to 9th.

    It is a wild festival of food, music and dance. The word "Carnival" comes from the Portuguese "Carne Vale", which means "farewell to meat". In the early 1600s, the Portuguese brought European traditions to Brazil. Then they started their own carnival with dances and music, which were inspired by black people brought there by the slave trade.

    With its beautiful floats (花车), attractive clothes and happy people, the Samba Parade is the most fantastic event of the Carnival. The Sambadrome is a special stadium for the Carnival in Rio de Janeiro with 80,000 seats where people can sit and enjoy the festival. Samba is said to be the soul of Rio. "This is where the passion for samba lies – the atmosphere is electric as even the oldest men and women sing and dance to the music," travel guidebook Lonely Planet noted.

    Top samba schools stand out in the main parade, with fantastic parades of floats and thousands of dancers. The parade goes on until dawn. The schools base their performances on certain themes from Brazilian history or on social and environmental problems, such as that of the Amazon rainforest.

    Besides fun street parties, colorful costumes and energetic music, Carnival also offers plenty of tasty street food, such as Quindim – a dessert made of egg yolks and sugar.

Overall, it is traditionally a time to go a bit crazy with eating, dancing and dressing up.

(1)、What is true about the Carnival in Brazil?
A、It is annually celebrated from March 2nd to 9th. B、It has attracted a large number of people. C、It is held for people to stop eating meat. D、It was brought to Brazil by black people.
(2)、It can be inferred that Samba is popular because _______.
A、it brought European tradition B、it highlights top Samba Schools C、it represents Brazilian passion D、it reflects Brazilian history
(3)、What is the main purpose of the passage?
A、To tell the history of European settlers. B、To attract more visitors to Brazil. C、To introduce the Carnival in Brazil. D、To show the attraction of Samba.
举一反三
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    Most people know that Marie Curie was the first woman to win the Nobel Prize, and the first person to win it twice. However, few people know that she was also the mother of a Nobel Prize winner.

    Born in September, 1897, Irene Curie was the first of the Curies' two daughters. Along with nine other children whose parents were also famous scholars, Irene studied in their own school, and her mother was one of the teachers. She finished her high school education at the College of Sevigne in Paris.

    At the age of 17 Irene entered the University of Paris to prepare for a degree in mathematics and physics. When World War I began, Irene went to help her mother, who was using X-ray facilities(设备) to help save the lives of wounded soldiers. Irene continued the work by developing X-ray facilities in military hospitals in France and Belgium. Her services were recognized in the form of a Military's Medal by the French government.

    In 1918, Irene became her mother's assistant at the Curie Institute. In December 1924, Frederic Joliot joined the Institute, and Irene taught him the techniques required for his work. They soon fell in love and were married in 1926. Their daughter Helene was born in 1927 and their son Pierre five years later.

    Like her mother, Irene combined family and career. Like her mother, Irene was awarded a Nobel Prize, along with her husband, in 1935. Unfortunately, also like her mother, she developed leukemia because of her work with radioactivity(辐射能). Irene Joliot-Curie died from leukemia on March 17, 1956.

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    Aerial performer Jennifer Bricker was born without legs, but she never let it stop her.

    Wrapped in a loop of red silk hung from the ceiling Jennifer Bricker climbs and twists to the music. Her head hangs down and her strong arms let go as she balances on her back, high above the ground a move that's all the more daring because she has no legs.

    Jennifer was a few months old when she was adopted by Sharon and Gerald Bricker. She had big brown eyes, a bright smile, and huge amounts of energy. When a doctor advised her adoptive parents to carry her around in a kind of bucket, they refused.

    Jennifer soon learned to walk — and run — on her hands and bottom, and grew up fearlessly climbing trees and bouncing on the trampoline(蹦床) with her three older brothers. “My parents didn't treat me differently so I didn't grasp the concept that I was different. I knew I didn't have legs but that wasn't stopping me from doing the things I wanted to do.”

    At the age of three she was fitted with artificial legs, but she never really took to them — she moved more freely without.

    In 1996 the Olympic Games took place in Atlanta. Jennifer loved to watch the women's gymnastics team, and especially adored the 14-year-old Dominique Moceanu who competed for the US. When Moceanu and the women's team won gold, Jennifer decided she was going to be a gymnast, too. She took up power tumbling, which involves performing floor exercises down a runway. But Jennifer did not want any allowances to be made for her disability.

    At the age of 10 she took part in the Junior Olympics and by age 11 she was tumbling champion for the state of Illinois.

    Jennifer now travels the world as an inspirational speaker and acts as an aerial performer.

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    In 1996 John Jones made an unusual discovery. He had just enlarged (扩大) a piece of paper money for a friend—a Confederate bank note, money issued (发行) by banks in Southern States of America during the Civil War. When he was face to face with the picture, he couldn't believe his eyes: slaves (奴隶) happily picking cotton in their master's fields.

    Jones grew up in South Carolina. He had heard painful stories of slavery from his greatgrandmother. The picture on the money did not match (匹配) the history of African American slaves that he'd heard all his life. “I had never seen that type of picture on money before,” he said.

    Jones wondered why slaves looked so happy. He started doing research.

    Searching for and finding the answers to his questions changed his life. During two years' search, Jones found more than 120 different bills. He discovered that the bills had several things in common. They showed slaves working in jobs related to farming. Many of them showed healthy and smiling slaves at work. None of the bills showed the hardships of slavery.

    Jones wanted to share what he had learned. “I wanted other people to see what I had seen,” he said. He decided to make large paintings of the pictures on the money. After three years of work, Jones had painted more than 80 slavery scenes (场景).He paired each painting with the money on which the picture appeared. “The Color of Money”—an exhibit (展览) of his work—has toured the country.

    Jones' paintings tell an important story about the South 150 years ago. He likes to repeat the saying. “The story is on the money.” In this case, the saying happens to be true.

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    In the depths of the French Guianese rainforest, there still remain unusual groups of (土著的)people. Surprisingly, these people live largely by their own Laws and their own social customs. And yet, people in this area are in fact French citizens because it has been a colony of the French Republic since 1946. In theory,they should live by the French law. However, their remote locations mean that the French law is often ignored or unknown, thus making them into an interesting area of “lawlessness” in the world.

    The lives of these people have finally been recorded thanks to the effects of a Frenchman form Paris called Gin. Gin spent five months in early 2015 exploring the most remote comers of thin area, which sits on the edge of the Amazon rainforest, with half its population of only 250,000 living in its capital, Cayenne.

    “I have a special love for the French Guianese people. I have worked there on and off for almost ten years," says Gin. "I've been able to keep firm friendships with them. Thus I have been allowed to gain access to their living environment. I don't see it as a lawless Und. But rather I Me it as an area of freedom."

    “I wanted to show the audience a photographic record touching upon the uncivilized life," continues Gin. “I prefer to work in black and white, which allows me to show different specific worlds more clearly.”

    His black-and-white pictures present a world almost lost in time. These pictures show people seemingly pushed into a world that they were unprepared for. These local citizens now have to balance their traditional self-supporting hunting lifestyle with the lifestyle offered by the modern French Republic, which bring with it not only necessary state welfare, but also alcoholism, betrayal and even suicide.

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    Every month we look at a different artist. We think Haroshi is super cool—he makes sculptures(雕塑) from skateboards.

    Haroshi is in his late 30s. He's a skateboarder but he also makes things from wood. He began skateboarding when he was 15 years old and he loved it. He used to skate every day. Now, if you know anything about skateboarding, you'll know that skateboards don't last forever because they break. But Haroshi didn't throw his out because he was fond of them. Over time he built up a big collection and at the same time he learnt about all the different types of skateboard. Surprisingly, not all skateboards are of the same shape and actually they are often built in different ways. By the time he was 25, he had an enormous collection of old skateboards.

    He decided he had to do something with them so he started to cut them up. As he was doing that, he noticed some interesting patterns in the wood. He then cut more and stuck them on top of each other. The first thing he created from the wood was a piece of jewelry. He created something new from something old.

    Nowadays, however, he is known for his extremely large 3D wooden sculptures. His ideas generally come from skateboarding culture, ranging from skateboarding cats to cool trainers, but also everyday topics such as hurting yourself, getting better, being crazy about something and of course, growing up. All skateboarders will understand these. Haroshi has made over 40 pieces and each piece takes a very long time. There is no doubt that he is very talented but he's had no formal art training. He taught himself.

    Haroshi held an exhibition in London last month and three of us from @teenattack went along. As we entered the first room, we saw a huge bird that covered one wall. It was absolutely enormous! There was also a sculpture called Ordinary life. It looked like a broken leg—a very common problem, of course. It's incredible to think that these sculptures are all made from broken skateboards. But there's something else that is really interesting about Haroshi's work.

    In the twelfth century a sculptor called Unkei placed a glass ball in each of his works to show the heart of the piece. Haroshi also places something inside his sculptures—a piece of broken skateboard. In this way, he gives his sculptures life. We think that is just awesome!

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