For students at the Farm School in Hamilton, Virginia, the classroom is outside every day. Jaclyn Jenkins is the founder of the school. “The No. 1 question we get immediately from parents is 'What happens if it rains?' And we say, 'Bring an extra set of clothes!'” Jenkins adds, “We still educate them. Their brains are working when they're moving. So, our goal is to always be outside.” The Farm School is a preschool, a place for 3- and 4-year-olds to learn and play.

    Alison Huff has taught at other schools. She says the Farm School gives its students more of a hands-on learning experience. For example, children use pumpkins to learn about colors and counting. They learn about measurement by planting seeds 30 centimeters apart. Huff adds, “We can use everything a regular preschool uses, but out in the garden.” In addition to planting vegetables and fruits, children help prepare food and clean up afterwards. The school teaches the children to cook using the food they have grown. “They can see the benefits of what they have in the garden and taste it then instead of going to the grocery store and buying it,” says Huff.

    The preschoolers also learn words in languages other than English. Huff speaks in both English and Spanish. Her assistant speaks French and Arabic. A 3-year-old in her class speaks four different languages.

    Farm animals are also an important part of the education program. Jenkins says the children learn about a different animal every month. Two months ago, she says, that animal was a cow. “We do actually have a cow that we bring to the school. They get to see what the cow is like, an learn what cows eat. They use little gloves and pretend to actually milk a cow. They make butter and yogurt.” The children spent another month with a large bird — a turkey.

    The idea for a school like this started after Jenkins and her husband bought a farm in Hamilton, with a late 18th-century house. They called it “One Day Farm” because years earlier they had hoped that “one day” they would have a farm. “That's when it started, the spark of a farm school,” said Jenkins.

    The announcements that follow inform you of various First Presbyterian Church programs and events to which you are invited. Please save this publication, take it home and keep it for easy reference.

    Summer Musikgarten—Today

    Musikgarten is for infants (VL) through three years old, but if you have older children, bring them with you during the summer. We don't want to leave anyone out! We'll meet for Summer Musikgarten classes in Room 307 at 9:20-9:50 AM today, and on June 25, July 9, 16, 23, 30, August 13 and 20. If you have questions or for more information, please contact Kathy Middleton (kmidd@mchsi.com; 563-505-0471).

    BTC Book Club Bonus—Monday

    Join us for dessert and a discussion of the book, The Traitor's Wife, by Allison Pataki, led by Lois Boyer-Fitzpatrick. We will meet Monday, June 19 at 12:30 PM in the Parlor. For more information, contact Carol Phoenix (563-332-0980).

    Performing Arts Series—Saturday

    The twenty-fifth anniversary season of the Performing Arts Series concludes with two performances of the classic Broadway musical, My Fair Lady. Lerner and Loewe's most successful collaboration, My Fair Lady has delighted audiences for decades, and we look forward to producing it for you. Tickets are $15 for adults and $10 for students, and can be purchased on the church's website or by calling the church office.

    Tabitha's Circle—Sunday

    All those who sew and make some simple dresses and shorts can join us in Fellowship Hall. The clothes we make are sent to children in Africa, Guatemala, Cambodia and Haiti. Please bring your own sewing machines and invites others who would like to participate. We will have refreshments. Contact Rosen Paulsen (563-355-3165) for questions about this outreach project.

    A woman lost the sight in one eye after going swimming in a pool at a hotel wearing contact lenses（隐形眼镜）. Jennie Hurst, from Southampton, suffered from a rare and painful infection caused by amoeba（变形虫）in water. The infection causes people to be sensitive to light and the 28-year-old said she had to stay in a dark room for three months. She is now warning of the dangers of swimming or showering wearing contacts.

    Ms Hurst experienced four operations and a treatment in which she had eye drops every half hour. "During that time I stayed in my bedroom with black curtains at the window. The only thing I could do was to listen to the radio. One evening, I was so eager to look out of window to get a look of the outside world that I opened my curtains in the middle of the night. As soon as I did this the moon shone in my eyes and it really hurt. I didn't do that again. I have been left with no sight in my left eye and the damage to my right eye could be lasting," she said.

    Ms Hurst had been wearing contact lenses for five years. "I don't even like swimming,"she said. "My friends were quite surprised that I had gone swimming and probably thought that I had been a bit lazy. I wasn't aware of the problem at all — it didn't even enter my brain to take them out. I felt responsible that I had let it happen when actually I could have just taken my contacts out."

    The purpose of a map is to express graphically the relations of points and features on the earth's surface to each other. These are determined by distance and direction. In early times distance was often expressed in units of time, for example “so many hours' march” or “a day's journey by river”, but such measurements gave more information about the relative ease of crossing the local terrain than they did about actual distance. The other element is direction, but for the ordinary traveller, whose main concern was “Where do I go from here?” and “How far away is it?”, the accurate representation of direction was not of primary importance. Partly for this reason, written itineraries (行程) for a long time rivaled maps. Even today, certain types of maps, for example, those showing railway systems, may make little attempt to show true directions. Similarly, obvious landmarks along a route were at first indicated by signs, realistic or conventional (惯常的), and varied in size to indicate their importance. Clearly the conventions employed varied with the purpose of the map, and also from place to place, so that in studying early maps the first essential is to understand the particular convention employed.

    The history of cartography (制图) is largely that of the increase in the accuracy with which these elements of distance and direction are determined and in the comprehensiveness of the map content. In this development, cartography has called in other sciences to its aid. For example, instead of determining direction by observing the position of a shadow at midday, or of a constellation (星座) in the night sky, or even of a steady wind, use was made of terrestrial magnetism (地磁学) through the magnetic compass, and instruments were evolved which enabled horizontal angles to be calculated with great accuracy.

    The application of astronomical concepts, and the extension of the knowledge of the world through exploration, encouraged attempts to map the known world. Then astronomers discovered that the earth is not a perfect sphere, but is flattened slightly at the poles, which introduced further refinements into the mapping of large areas. Meanwhile, the demands being made of the map maker were shifting significantly. The traveller or the merchant ceased to be the sole user of maps. The soldier, especially after the introduction of artillery, and the problems of range, field of fire, and dead ground which it raised, demanded an accurate representation of the surface features, in place of the earlier conventional or pictorial delineation (描绘), and a solution in any degree satisfactory was not reached until the contour (等高线) was invented.

    Kulangsu Gallery of Foreign Artefacts from the Palace Museum Collection

    Location: Kulangsu, Xiamen, Fujian Province

    Dates: May 13, 2018 through September 24, 2018

    The gallery is a major place for the Palace Museum to showcase its splendid collection of international art. Most of these works have been kept in the storehouse of the museum and have never been shown to the public. Originally from Europe, East Asia, and North America, these international works date from the sixteenth to the twentieth century.

    Exhibition Commemorating the 120^th Anniversary of Zhang Boju's Birth

    Location: Hall of Martial Valor (Wuying dian)

    Dates: April 3, 2018 through May 6, 2018

    The exhibition features traditional Chinese paintings and calligraphy from state-owned museums. Divided into three sections, the exhibition displays artwork organized in order of time, which offers a comprehensive overview of Zhang Boju's collection through this impressive gathering of the collector's works.

    Discovering the Hall of Mental Cultivation

    Location: The Gate of the Correct Department (Duan men)

    Dates: April 3, 2018 through April 24, 2018

    The exhibition allows visitors new ways to explore the history of the forbidden city with a simple click and celebrates the 92^nd anniversary of the establishment of the Palace Museum, established on October 10, 1925. Adding to the museum's new displays, this exhibition combines traditional Chinese culture and contemporary technologies.

    Treasures from the Al Thani Collection

    Location: The Meridian Gate (Wu men)

    Dates: April 17, 2018 through July 18, 2018

    The Al Thani Collection allows visitors to see cultural landscapes that have been lost in the depths of history. Artefacts from Egypt and Persia throw light on mysteries known to few. Different peoples have marked these relics with their own styles, which reflect the unique sources of each culture but strike the viewers with an equally powerful charm.

A great poem makes you want to get out of your chair and pace around the room. {#blank#}1{#/blank#}. But if you haven't developed your. poetry taste in a while, that feeling might be a little hard to tap into. Here are four tips that can help you get there.

Read aloud and out loud

When reading a poem, it is important to remember that it is not just words on a page, but is meant to be heard or read aloud. {#blank#}2{#/blank#}. It will enhance the appreciation of the piece.

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Approaching poetry with a perspective of finding connections between the poem and one's own life can be a valuable tool for appreciating the poem more. Connecting to the emotions, memories and even the same life experiences can help to relate more to the poem and in turn, truly appreciate it. Through this connection to the poem, we can better understand the feelings, actions and words of the poem.

Create a dialogue

More often than not, a lot of hidden or "unsaid" messages are delivered in poetry. {#blank#}4{#/blank#}. A fruitful discussion about a poem can help readers to understand the poem more, through their different interpretations and opinions.

Write your own poem

{#blank#}5{#/blank#}. As you write your own poem, think about the structure you want to create, the literary devices you want to employ and the emotion you want to arouse. As you write your own poem, you will see your appreciation of the original poem rise, as you gain a sense of the effort that goes into crafting a poem. In this way, it can become much easier to appreciate the poem being read.

A. Find connections

B. Pair poetry with other art forms

C. Writing can be a great way to start your appreciation of a poem

D. It makes you want to throw your hands up and show it to somebody

E. Reading the poem aloud helps you understand the emotion of the poet fully

F. Having a discussion around a poem allows readers to bring out these messages

G. Possessing a critical eye allows readers to appreciate the art of poetry in a meaningful way