Generally speaking, waiting rooms are always filled with a lot of impatient people. However, a project carried out by The Observer suggests that people regard these spaces as a place of refuge (避难), a window in their tightly scheduled lives.

    Ella Doroudy, Margate Station

    We were at the beach for the day, and now are on our way home. We don't have to wait very long, because we checked the timetable so we got here in time for the train. I just chat with my mates, really, and listen to music until the train comes. Waiting with other people is easier because you can kill time when you're talking about stuff.

    Caroline Lacey, Streatham Dental Center

    I don't really get nervous about seeing the dentist, but since these two fillings (补牙的材料) came out I've been in sharp pain. It's very bright and airy here, so it's quite calming. Usually I kill time by reading magazines. I've been coming to the dentist as and when I need to, but now it's got to be regular.

    Katie Hawkins, Model Casting

    I was a bit late today, which I'm quite pleased about because some of these girls have been waiting ages. I can't help but look at everyone else a bit — I look at the other girls and think: "I wonder if they'll like her better than they like me." While I'm waiting, I'm thinking: "Oh come on. I do have a life!"

    Paul Thomas, Royal London Hospital

    I feel pretty indifferent (满不在乎的)  while I'm waiting here, to be honest. It's something I've got very used to since my motorbike accident seven years ago. I've had about 32 operations so far. It's no good rushing in thinking you're going to escape in five minutes, so I just sit back and people-watch, really.

    Modern lifestyles are generally quite different from those of our hunter-gatherer ancestors, a fact that some claim as the cause of the current rise in global obesity, but new results published July 25 in the open access journal PLOS ONE find that there is no difference between the energy expenditure(耗费) of modern hunter-gatherers and Westerners, casting doubt on this theory.

    The research team behind the study, led by Herman Pontzer of Hunter College in New York City, along with David Raichlen of the University of Arizona and Brian M. Wood of Stanford measured daily energy expenditure among the Hadza, a population of traditional hunter-gatherers living in the open Savannah of northern Tanzania. Despite spending their days hiking long distances to seek for wild plants and game, the Hadza burned no more calories each day than adults in the U.S. and Europe. The team ran several analyses accounting for the effects of body weight, body fat percentage, age, and gender. In all analyses, daily energy expenditure among the Hadza hunter-gatherers was indistinguishable(难以区分的) from that of Westerners. The study was the first to measure energy expenditure in hunter-gatherers directly; previous studies had relied entirely on estimates.

    These findings overturn the long-held assumption that our hunter-gatherer ancestors expended more energy than modern populations, and challenge the view that obesity in Western populations results from decreased energy expenditure. Instead, the similarity in daily energy expenditure across a broad range of lifestyles suggests that habitual metabolic(新陈代谢的) rates are relatively constant among human populations. This in turn supports the view that the current rise in obesity is due to increased food consumption, not decreased energy expenditure. It means we have more to learn about human physiology(生理学) and health, particularly in non-Western settings.

    "These results highlight the complexity of energy expenditure. It's not simply a function of physical activity," says Pontzer.” Our metabolic rates may be more a reflection of our shared evolutionary past than our diverse modern lifestyles."

    No poem should ever be discussed or "analyzed", until it has been read aloud by someone, teacher or student. Better still, perhaps, is the practice of reading it twice, once at the beginning of the discussion and once at the end, so the sound of the poem is the last thing one hears of it.

    All discussions of poetry are, in fact, preparations for reading it aloud, and the reading of the poem is, finally, the most telling 'interpretation' of it, suggesting tone, rhythm, and meaning all at once. Hearing a poet read the work in his or her own voice, on records or on film, is obviously a special reward. But even those aids to teaching cannot replace the student and teacher reading it or, best of all, reciting it.

    I have come to think, in fact, that time spent reading a poem aloud is much more important than "analyzing" it, if there isn't time for both. I think one of our goals as teachers of English is to have students love poetry. Poetry is "a criticism of life", "a heightening of life, enjoyment with others". It is "an approach to the truth of feeling", and it "can save your life". It also deserves a place in the teaching of language and literature more central than it presently occupies.

    I am not saying that every English teacher must teach poetry. Those who don't like it should not be forced to put that dislike on anyone else. But those who do teach poetry must keep in mind a few things about its essential nature, about its sound as well as its sense, and they must make room in the classroom for hearing poetry as well as thinking about it.

    When Johnny, a homeless man, spent his last $20, he wasn't looking at it as an investment — but it's about to pay him huge profits. After he helped a woman who ran out of gas, she returned the favor by raising a lot more on the Internet.

    Kate McClure, 27, was driving to visit a friend when she ran out of gas halfway. “He saw me pull over and knew something was wrong," she wrote. "He told me to get back in the car and lock the doors. A few minutes later, he came back with a red gas can, using his last 20 dollars to make sure I could get home safe."

    She couldn't repay him at that time because she had no cash with her. "I have been stopping by his spot for the past few weeks. I repaid him for the gas and gave him some clothes."

    Kate decided to do more for him, so she started a crowdfunding(众筹) campaign on GoFundMe.com, and it quickly gained far beyond its initial $10,000 goal. When it reached $100,000, the fundraising page was shut down for a time at Johnny's request. Because he didn't want to seem like he was taking advantage of the situation. Finally, Kate said that she restarted it because the public interest had not decreased. She also added that Johnny planned to donate the rest to a good cause.

    According to the New York Post, Johnny wants to get a job at an Amazon warehouse and a department manager from the tech company has already reached out, saying he wants to help Jonny.

    A T-shirt a day has kept unemployment away for an American man who is making about $85,000 a year by selling advertising space on his shirt.

    Jason Sadler, 26, was once a former marketing expert from Florida. In 2008, he founded his own company, "I wear your shirt", with the idea to wear a T-shirt supplied by any company and then use social media tools to develop the company. Sadler charges the "face value" of the day for his human billboard (广告牌) service. So January 1 costs $1, while December 31 costs $365. He said this may not sound like a lot, but it adds up to $66,795 a year if he sells out every day, which he did this year. He also sells monthly sponsorships(赞助) for $1,500, adding another $18,000 to his income.

    "I walk around, take photos, wear the shirt all day … I blog about those photos, I put them up on Twitter, I change my Facebook introduction…and then I do a YouTube video. I made about $83,000 this year," he told Reuters Television. The average U.S income is about $615 a week or about $32,000 a year, according to the U.S government.

    Sadler has already begun to plan for his year 2010. He is making services larger by hiring another person to wear a shirt a day on the west coast of the United States.

    A young woman turns around and around quickly, and jumps high. In the background, a young girl reads a rejection (拒绝) letter from a ballet school. "You have the wrong body for ballet," it says, "and at thirteen, you are too old." This was one of the most popular advertisements (广告) of 2014 and it describes American ballet Theatre's principal (主要的) dancer Misty Copeland.

    This was not a real letter. But Copeland says it is very similar to letters from her childhood. While many dancers start at the age of three. Copeland only began to study ballet in 1995 as a thirteen-year-old.

    People often told her that she was too old, or that she didn't have the perfect body type (She is only 157 cm tall). Her family moved a lot, and it was sometimes difficult for her to attend ballet classes. But Copeland loved dancing and did not want to give up. She stayed with her ballet teacher during the week and spent time with her family only at the weekend. This was a difficult life, but she worked hard and won her first national competition when she was fourteen years old. Copeland joined the American Ballet Theatre in 2000 and performed in many ballets over the next few years. In 2007, she became a solo (单独的) performer, and in 2015 she became its principal dancer.

    Copeland is now a dancer, author and Broadway performer. She also stars in the 2015 film A Ballerina's Tale. So what's next? According to Copeland, anything is possible: "My career (职业) really is just now beginning."