阅读理解
Reading a book and watching a film are two very different
experiences, but expectations can be high when a film of a favourite book is
made. There are very many times I have been disappointed by a film of a book I
love. So maybe highly regarded books do not always make good films. It is safe
to say that great movies may be made from not particularly good books.
The source material may be anything from classic novels,
short stones, comic books and stage plays, as well as nonfiction such as
biography and autobiography, even those written by ghostwriters. All can work
well, but why do many adaptations and indeed remakes fail with both cinema
audiences and critics?
A key question is obviously how close to the original the
film is. Since a typical film is only around two hours long, it becomes a
question of what to leave out, and how to script the dialogue. Sometimes there
may be changes to the plot, additions and even different endings to please
producers, directors and test audiences. I, like many people, have often left
the cinema feeling "the film is not like the book".
Another problem area is the cast. Whether suitable actors
are found or not can mean the difference between success and failure. Readers
of the book use their imaginations to visualize characters and have very
definite ideas about how characters look and sound. This is where I think many
film adaptations fall down.
Some books are just too difficult to film for technical
reasons, although movies like The Life of
Pi are changing this perception. The
impact of CGI technology has had a huge impact on the movie industry and
allowed the previously unfilmable to become a reality.
Sometimes authors are
very involved in the process and many may even be the screenwriters. This can
actually be a bad thing because they may be too close to the material and find
it difficult to adapt. At other times they are not the screenwriters, and there
are instances where writers have been very unhappy with the film versions of
their work. Roald Dahl and Stephen King are examples of this. Even more extreme
was novelist J. D. Salinger who made sure no film versions of his popular
novels could ever be made. In this situation, it is clear viewers will not be
disappointed.