Pakistan should be everyone's tourist destination for 2018, but what if you already live there?

    Then perhaps you should consider visiting these five must- visit places for the new year.

Lake Saiful Muluk

    At an altitude of 3, 224m, surrounded by now mountains, the lake rewards those that make the three-hour uphill walk from Naran. You will find the pathway just above the free market, but there is a superior option to get a jeep and split the costs with some other tourists; expect to pay about 700 rupees, worth it to view this natural beauty.

Deosai National Park

As another high point in Pakistan, it has an average altitude of 4,114m — the Deosai Plains are one of the highest plateaus(高原 )in the world. If you make it to the park, you expect to find rich plants and wild animals. The breathtaking scenery on show at the plains is enough to make 2018 a memorable year.

Naltar Valley

Accessible via a 2.5—hour drive from Gilgit, well worth visiting. Covered with pine trees and other plants, it has a dreamlike feel about it. Various colors all year around make you fall in love.

Shangrila Resort

    Right in the north of Pakistan in the Central valley of Gilgit-Baltistan. Locals call this a paradise(乐园）,and that's what it feels like. No visit is complete without checking out the restaurant which is built in the structure of an aircraft.

Rama Meadow

    Doesn't feel like Pakistan at all, more like somewhere in Minnesota. Watch the sheep and cows feeding while clear water flows in streams from high in the mountains. Against Chongra's ice-covered peak, this little meadow is a piece art.

    Being seen in a fancy sports car or enjoying a beach holiday in a five-star hotel were once signs of having ''made it”.

    But a new study suggested that having people think of you as constantly busy and overworked is now a far better way to show social status(地位).

    According to Harvard University in the US, people are increasingly leaning toward the phenomenon of “humble-bragging (谦虚自夸)”. This is when people make a seemingly modest statement that actually draws attention to something they want to brag (吹嘘) about.

    Phrases such as “I have no life” and “I desperately need a holiday” are now used to imply social standing, while ordering food and shopping online is the perfect way to prove to neighbors that you are simply too busy and important to go to the supermarket.

    “Movies, magazines, and popular TV shows often highlight the abundance (富足) of money and leisure time among the wealthy,” said Neeru Paharia, an assistant professor at Harvard University.

    “In recent years, featuring wealthy people relaxing by the pool or on a yacht (游艇), playing tennis or skiing and hunting are being replaced with advertisements featuring busy individuals who work long hours and have very limited leisure time,” he said. “Displaying (how busy you are at work) and a lack of leisure time operates as a visible signal of status in the eyes of others.”

    The researchers pointed out that the Wall Street Journal's 2016 advert campaign featured celebrities complaining about their busy lives, with the slogan (标语). “People who don't have time, make time to read the Wall Street Journal.”

    The report, which was published in the Journal of Consumer Research, also found that brands that marketed themselves as timesaving were becoming increasingly high-status, because of the people who used them.

    According to the authors, this trend of humble-bragging is due to people's shit of focus-they now value “the preciousness and scarcity (稀缺) of individuals" more than “the preciousness and scarcity of goods”.

    “Busy individuals possess desirable characteristics, leading them to be viewed as scarce and in demand,” the authors concluded.

    When it comes to the most famous 20^th century painters of the United States, Grandma Moses should be mentioned, although she did not start painting until she was in her late seventies. As she once said to herself:" I would never sit back in a rocking chair, waiting for someone to help me." No one could have had a more active old age.

    She was born on a farm in New York State, one of five boys and five girls. At 12 she left home and was in domestic service until at 27 she married Thomas Moses, the hired hand of one of her employers. They farmed most of their lives, first in Virginia and then in New York State, at Eagle Bridge. She had ten children, of whom five survived; her husband died in 1927.

    Grandma Moses painted a little as a child and made embroidery(刺绣) pictures as a hobby, but only changed to oils in old age because her hands became too stiff(僵硬的) to sew and she still wanted to keep busy and pass the time. Her pictures were first sold at the local drugstore and at a market and were soon noticed by a businessman who bought all that she painted. Three of the pictures were exhibited(展览) in the Museum of Modern Art, and in 1940 she had her first exhibition in New York. Between the 1930's and her death, she produced some 2,000 pictures: careful and lively portrayals of the country life she had known for so long, with a wonderful sense of color and form. "I think really hard till I think of something really pretty, and then I paint it" she said.

    At first, Michael Surrell didn't see the black smoke or flames shooting from the windows of his neighbors' home. He and his wife had just parked around the corner from their own house in Allentown, Pennsylvania, when they got a call from one of his daughters, "The house next door is on fire!" He went to investigate. That's when he saw two women and a girl hysterical (歇斯底里的)on their porch.

    "The baby's in there!" one of the women cried. Though the fire department had been called, Surrell, then 64, instinctively ran inside. "The baby" was 8-year-old Tiara Roberts, the woman's granddaughter and a playmate of Surrell's three youngest kids, then 8, 10, and 12. The other two on the porch were Tiara's aunt and cousin.

Entering the burning house was like "running into a bucket of black paint," Surrell says. The thick smoke caused him to stumble blindly around, burned his eyes, and made it impossible to breathe. The conditions would have been hazardous for anyone, but for Surrell, who has chronic obstructive pulmonary disease (慢性阻塞性肺疾病), they were life-threatening. He was the last person who should have run into a burning building— he has lung disease. But that didn't stop him.

    After a few minutes in the smoke filled house, he retreated outside to catch his breath. "Where is Tiara?" he asked desperately." The second floor." her aunt shouted back.

    Surrell knew he couldn't hold his breath for long. So he uttered a little prayer, "Well, Lord, this is it. You gotta help me, because I'm not coming out without that little girl." Taking a deep breath, he went in a second time.

    The darkness was overwhelming. Yet because the house had a similar layout to his, he found the stairs and made it to the second floor. He turned to the right and was met by intense heat. He was already out of breath.

    "Baby girl, where are you?" His throat and lungs burned as if he'd inhaled fire instead of the smoke and soot in the air. Every blink stung his eyes. All he could hear was the crackling and popping of burning wood. ①.Still unable to see, Surrell fell to his knees on the hot wood floor. He crawled toward the sound, feeling around for any sign of the girl. An ominous thought crossed his mind: I'm probably gonna die up here.

    Finally he touched something. A shoe, then an ankle. He pulled Tiara toward him. ②Her body was limp and she wasn't breathing. He scooped her into his arms and stood. He felt the heat of the flames on his cheeks. Turning, he fought through the smoke and ran blindly into the blackness. The next thing he knew, he was at the front door, then outside. Surrell put Tiara down on the porch.

    ③. A voice told him, "You have to breathe for her." He started CPR -the first time he'd ever done so. The women stood behind him, praying silently. Soon a soot-filled cough came from Tiara's throat. Surrell gave five more breaths. She coughed again. Her eyes flickered. He gave one final breath. She opened her eyes and took a breath on her own.

    ④.Their eyes met. Surrell hugged her tight and said, "Uncle's got you.^" Soon after, his throat closed off.

    Surrell woke up in the hospital a couple of days later, having suffered severe burns to his windpipe and the upper portion of his lungs. He spent over a week in the hospital. Tiara was released from the hospital after a few days. The fire exacerbated Surrell's pulmonary condition, and he feels the effects even two years later. As a result, he takes extra medication that helps open his airways. "It's a small price to pay," he says. "I'd do it again in a heartbeat. Wouldn't give it a second thought."

A grocery store in Ann Arbor, Michigan opened on Tuesday to the public. This is an artist's uneatable creation. The Plastic Bag Store presents shelves filled with items such as meat, eggs, cakes and so on, all of which are made from single-use plastics taken from streets and garbage.

The store at times during the day will be transformed into a stage for a series of short films in which puppetry(木偶戏表演), shadow play, and handmade sets are used to tell a story of how the overabundance of plastic waste we leave behind might be misinterpreted by future generations—and how what we value least may become our most lasting "cultural legacy (遗产)".

Theater and film director Robin Frohardt is the creative driving force behind the Plastic Bag Store. "I got the idea many years ago after watching someone bag and double-bag and triple-bag my groceries," Frohardt said on Tuesday. "I just was sort of struck by how much packaging was involved in our everyday lives. And it just seemed so unreasonable. I just thought, maybe I could set up a project to change it." Combining a real-life supermarket with film experience, Frohardt planned to use art and humor to question our culture of consumption and convenience and to show one of the greatest problems of our planet.

Plastic bags are created by fossil (化石) fuels and often end up as waste in landfills and the ocean. Americans throw away 100 billion plastic grocery bags per year. She hopes that she can continue to tour with the project and bring it to different communities. "My dream would be that this project will become unnecessary one day," said Frohardt.

 "Frohardt's work reminds us, with humor, to think not just about the next two weeks, but also about the next two decades and the next two centuries. What will remain hundreds of years later? We hope that our legacy will be plays rather than piles of plastics," said Tim Tompkins, President of Times Square Alliance.