If you ever visit an English village, make sure to look out for morris dancing. Undoubtedly one of the strangest traditions of English culture, morris dancing is a form of folk dancing that dates back to the 15th century. If you ever get the opportunely, you really have to see it.

    Men and women wearing old-fashioned, shabby clothing dance in the streets of towns and villages across the country during the holiday periods. Women wear long, frilly(有褶皱边的) skirts and men wear short trousers with bells attached to them. They dance to traditional folk music which is often played on traditional musical instruments.

    Some groups carry heavy black sticks which they beat against each other while they dance. Other groups wave handkerchiefs in the air while they perform. The dances are usually performed near a pub so that when it's over, the dancers and audience can sing some traditional folk songs over a pint of beer. The celebrations will often continue long into the night, by which point most people are too drunk to think about performing again.

    Morris dancing is a great English tradition but it's facing a big crisis. As the years go by, fewer and fewer young people are joining morris dancing groups. The dancers are getting older and older and eventually, if nothing is done to change this trends, the tradition will die out within the next few decades.

    If you've ever had the fortune to see morris dancing, you may understand why teenagers aren't rushing to sign up. Putting it to the point, it's not exactly the coolest thing for an 18-year-old to be doing. Why dress up in bells and funny costumes when you could be going clubbing? Or playing sport? Or doing anything else?

    However, it would be a great shame to lose such a fun and lively part of England's history and culture. It's important to look after some traditions and customs especially when it's something as harmless and happy as morris dancing. So here's a toast to the next generation of would-be morris dancers! Let's hope they don't leave it too late.

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Dear Miss Hanff,

    You will be glad to know that the two boxes of eggs and the tins of tongue have all arrived safely and once again we all wish to thank you most sincerely for your extreme generosity. Mr. Martin, one of the older members of our staff, has been on the sick list for some time and we therefore let him have the lion's share of the eggs, one whole boxful in fact, and of course he was delighted to get them. The tins of tongue look very inviting and will be a welcome addition to our larders (食物橱) and in my case will be put on one side for a special occasion.

    I enquired at all the local music shops but was unable to get the Messiah or Bach's St. Matthew Passion in stiff covers in clean, secondhand copies, and then I found they were available from the publisher in new editions. Their prices seemed a bit high, but I thought I had better get them and they have been sent by Book Post a few days ago, so should arrive any day now. Our invoice, total $4.20, is enclosed with the books.

    We are sending you a little gift for Christmas. We do hope you will not have to pay any duty on it. We will mark it "Christmas Gift" and keep our fingers crossed. Anyway, we hope you will like it and accept it with our sincere best wishes for Christmas and the coming year.

    My name is certainly not of Welsh origin. As it is pronounced to rhyme with the French word "Noel", I think there may be a possibility that it originated in France.

Yours sincerely,

Frank Doel

    Shan Tianfang, died at 83 on Sept. 11, 2018 in Beijing because of multiple organ failure. His energetic oral interpretations of classical Chinese novels and historical events pushed the ancient pingshu tradition forward into the modern age for generations of Chinese.

    Mr. Shan tried for many years to avoid becoming a performer of pingshu, the Song dynasty-era storytelling tradition. Growing up in the1950s in a family of folk art performers, he had seen struggle firsthand. It was a life of constant financial troubles and low social status. So it was with great unwillingness when, out of financial necessity, he became an apprentice(徒弟) to a family friend who was a master of pingshu. He made his first public appearance in 1956.

    In the pingshu tradition, the performer wears a traditional gown and sits behind a desk equipped with a folding fan and a wooden block. The storyteller tells a legend — typically a classical Chinese epic — from memory, using different voices and exaggerated gestures as well as adding occasional background detail and commentary.

    Mr. Shan grew to love the storytelling form, which is popular across northern China. It is a demanding profession that combines acting, oration, writing, historical research and literary criticism and requires countless hours of memorization. In teahouses around the northeastern region, he became famous for his fresh takes on the classics.

    In 1976, many Chinese were hungry for some new forms of entertainment, and it was against this background that he grasped the opportunity to record a pingshu radio broadcast. He soon discovered that performing on radio was vastly different from doing so in teahouses. There were no props(道具), no reactions from the audience to guide him — just Mr. Shan and the microphone in a recording studio. So for his first radio performance, a shortened version of the historical novel. The Romance of Sui and Tang Dynasties, Mr. Shan used the studio's three recording technicians as his audience and adjusted his performance based on their reactions.

    The performance had its first appearance in 1980 on Chinese New Year, and more than 100 million Chinese were estimated to have tuned in during the 56 hours over which it was broadcast. It was the beginning of a dramatic second act both for Mr. Shan and for pingshu in the People's Republic of China. He was soon a household name across the country.

    Over six decades, Mr. Shan recorded more than 110 stories for radio and television totaling about 12,000 episodes and lasting 6,000 hours. His best-known works include his interpretations of Chinese classics like 'White-Eyebrow Hero' and 'Sanxia Wuyi' and his dramatizations of historical figures like Zhuge Liang and Lin Zexu.

    Even today, hop into a Beijing taxi and the driver may be listening to one of Mr. Shan's recordings. "For my generation, Shan Tianfang was a master," said Zhao Fuwei, 48, a Beijing taxi driver. If back then there was such thing as a viral star, then Shan Tianfang was definitely the hottest viral star.

    "Listening to his stories has made it easier to kill time in bad traffic," Mr. Zhao added. "He was so good at making complicated historical stories simple and interesting". You feel like you could empathize with the characters in his stories, even though they lived a long time ago.

    But in recent years many of the great pingshu performers have died, and the tradition is fading. By the time Mr. Shan retired in 2007, interest in pingshu among Chinese had all but been replaced by mobile phones and gaming. Nevertheless, even after retiring, Mr. Shan worked tirelessly to promote pingshu among young Chinese, instructing apprentices and starting a school dedicated to the folk arts.

    Ever willing to adapt to new technologies, he posted a message to his Sina Weibo microblog account on Sept. 6, five days before his death. It was an announcement about a new live-streamed(直播) lecture series about pingshu.

    There is a beautiful story I heard once about a child playing with a vase(花瓶) his mother had left on the table for a few moments. When the mother turned at the sound of her son crying, she saw that his hand was in the vase and was apparently stuck. She tried to help him and pulled and pulled until the child cried out in pain. But the hand was stuck fast. How would they get it out? The father suggested breaking the vase but it was quite valuable and the child's hand might be cut in the process. Yet he knew that if all else failed, there would be no other alternative. So he said to the boy, "Now, let's make one more try. Open your hand and stretch your fingers out straight, like I'm doing, and then pull!" "But Dad," said the boy, "if I do that, I'll lose my penny!"

    The boy had had a coin in his hand all the time and was holding it securely in his tight little fist. And he wasn't prepared to open his hand and lose the penny. But once he opened his hand, it came out of the vase easily.

    I used to hold on to things in my life that I thought were so important to me. Early in my marriage, all I cared about was becoming the best volleyball player in the state of Wisconsin. One year, when Kristi was working shifts at General Motors, I played in 1,400 games, competing four nights a week and 40 out of 52 weekends. My team won over 1,000 games. Success on the volleyball court, but a huge loss in my relationship with my Kristi.

    When I finally let go, I looked back at what I had done and was ashamed. Not only did I show my wife she wasn't the most important thing to me, but I missed out on a lot of relationship building time. My life is so much richer now that I am not a slave to that drive to be the best player I could be.

    My sister Alice and I have been trying to get people to stop dropping cigarette (香烟)butts(烟头)for seven years. One day, we were walking in our hometown and saw hundreds of cigarette butts on the ground. They made the town look so ugly that we decided to start a group to make people dropping butts. We called it "No Butts About It".

    At first, we drew pictures with "The Earth is not your ashtray(烟灰缸)"written on them. We put the pictures around our hometown—in parks, by beaches, and along roads. We wanted to make people understand that dropping butts hurts the environment. Most smokers don't think that dropping butts hurts the Earth. But it does, and all rubbish does!

    Later, we wrote to companies and asked them for money to help us. We used the money to buy ashtrays to give to smokers. We wanted smokers to carry the ashtrays with them so they didn't have to drop butts.

    At the moment, we are trying to get cigarette companies to put an ashtray in each pack of cigarettes. Some companies want to do it. Many people have started to join our group since it began. Today there are 45 other "No Butts About It" groups in America.

    Now there even groups in England, Australia, and India! Many newspapers have written about my sister and me over the last seven years. And we have won many prizes for what we do. But we are not interested in prizes. We just want to make the Earth a better and cleaner place for animals, plants and people.

    One day, it will be.