It was once common to regard Britain as a society with class distinction. Each class had unique characteristics.

    In recent years, many writers have begun to speak of the 'decline of class ' and 'classless society ' in Britain. And in modern day consumer society everyone is considered to be middle class.

    But pronouncing the death of class is too early. A recent wide-ranging study of pubic opinion found 90 percent of people still placing themselves in a particular class; 73 percent agreeed that class was still a vital part of British society.; and 52 percent thought there were still sharp class differences. Thus, class may not be culturally and politically obvious, yet it remains an imprtant part of British society. Britain seems to have a love of stratification.

    One unchanging aspect of a British person's class position is accent. The words a person speaks tell her or his class. A study of British accents during the 1970s found that a voice sounding like a BBC newsreader was viewed as the most attractive voice. Most people said this accent sounds 'educated ' and 'soft '. The accents placed at the bottom in this study, on the other hand, were regional(地区的) city accents. These accents were seen as 'common ' and 'ugly '. However, a similar study of British accents in the US turned these results upside down and placed some regional accents as the most attractive and BBC English as the least. This suggests that British attitudes towards accent have deep roots and are based on class prejudice.

    In recent years, however, young upper midder-class people in London, have begun to adopt some regional accents, in order to hide their class origins. This is an indication of class becoming unnoticed. However, the 1995 pop song ' Common People ' puts forward the view that though a middle-class person may ' want to live like common people ' they can never appreciate the reality of a working class life.

    Hidden from the noise of Washington, D.C., Hillwood Museum is a special treasure. It contains (包含) one of the finest personal collections (收藏) of Russian and French art in the world.

    Hillwood Museum was once the home of Marjorie Merriweather Post. She was a rich businesswoman. She owned one of the largest food companies in the United States. She was also very interested in collecting beautiful French art and furniture.

    She moved to Russia in the 1930s as her third husband, Joseph Davies, became the American ambassador (大使) in Moscow. Marjorie Merriweather Post had a love for Russian art as well. She bought the house in Washington in 1955 and she wanted to make it into a museum after her death. Many art experts helped Mrs. Post create its fine collection.

    Hillwood has many rooms which are filled with her treasures. Visitors can see beautiful music boxes from the eighteenth century and colorful paintings of European princesses (公主). Experts say the ancient wood and gold furniture from France is some of the finest ever made. Visitors can even look at Mrs. Post's jewels and clothes.

    The museum also has several beautiful gardens. One is designed like the gardens in Japan. It has a bridge and visitors can watch flowers floating in the water. Flowers are also grown all the year in a special glass building or greenhouse. These flowers are placed in the house throughout the year.

After a walk, visitors can rest at a nearby eating place. They can also buy objects to remember this special museum.

    I now work 40 hours a week at a weather company and I love it Compared to when I became a mom, I don't feel bad about being away from my three kids. When I had my first child, I was a busy manager. My husband had a part-time job and cared for her the rest of the time. Once I became pregnant with my second kid, I quit my job to focus fully on writing.

    At first I felt like I was living the dream. I was a work-from-home mom who never had to be away from my children. But working from home can end up being more stressful than working full-time or being a stay-at-home mom.because you're frequently exhausted between work, keeping house and telling sweet faces you don't have time to play. Ever tried writing an article with a baby screaming? It was awful.

    I was so stressed that I eventually started taking my kids to 8 day care center a couple of days a week. The whole reason I worked so hard to be able to write for a living was to be at home with my kids and here I was taking them to a day care center.I thought I was a failure then.

    Over the past five years of being a freelancer(自由作家), I've realized a couple of things. As I wrote six months  ago, "I though I felt bad leaving my daughter for ten hours a day but now she is old enough to ask me to read her a story .Try telling your kid no, 20 times a day. It's cruel. You end up feeling worse for having to ignore them." I also realize not socializing with people weren't good for my mental well-being.

    Not only that, but I can now show my kids that Mom is important and has a job at a flashy office building, something they didn't realize when1 sat around in yoga pants typing on my computer all day long.

Dear Customers,

    I love slipping into a comfortable chair for a long read－as I relax into the chair; I also relax into the author's words, stories and ideas. The physical book is so elegant that it disappears into the background and what remains is the author's world.

    Today, we, at Amazon, are excited to announce Mindle, a wireless, portable reading device with instant access to more than 90, 000 books, magazines and newspapers.

    We've been working on Mindle for more than three years. Our top design goal was for Mindle to disappear in your hands―to get out of the way－so you can enjoy your reading, also wanted to go beyond the physical book. Mindle is wireless, so whether you're lying in bed or riding a train, you can think of a book and have it in less than 60 seconds. No computer is needed－you do your reading directly from the device.

    We chose the same wireless technology used in advanced mobile phones. But unlike phones there are no monthly wireless bills, no service or data plans, and no yearly contracts. There is no software to install. We want you to get lost in your reading and not in the technology.

    Mindle uses a new kind of display called electronic paper. Sharp and natural with no strong light reading on Mindle is nothing like reading from a computer screen. Mindle weighs only 10.3 ounces－less than a paperback, but can carry two hundred books.

    Enjoy learning about Mindle and many thanks!

    Jeff Bezos Founder CEO

    The ocean is filled with eight million tons of rubbish—enough to fill five carrier bags for every foot of coastline on the planet. But a new invention could deal with this problem, one port at a time.

    A pair of surfers from Perth, Australia, has invented a "floating bin" that automatically draws rubbish floating on the water into it like a vacuum (真空) cleaner. While the invention may do little to battle against five giant "garbage islands" that flow around the world's  major ocean gyres (环流), it could stop waste from leaving harbours and marinas, for example. Peter Ceglinski and Andrew Turton said their device could spell the end of polluted seas.

    The concept is simple: A bucket connects to a water pump, drawing in any floating trash inside a removable net bag. There is also an optional oil-water separator system inside the pump. It can remove oil from the seawater before spitting it back into the ocean — pollution-free — through the other side of the pump.

    The water filtration (过滤) system is much like what you'd find in a fish tank, but it has the potential to clean up an entire ocean. The seabin can run 24/7, according to its website. And, amazingly, Peter and Andrew say they have never caught a fish or sea animal in their pumps in four years of testing.

    The Seabin Project aims to improve on the traditional and sometimes expensive — harbor cleaning methods of having a person physically remove trash from the water or sending boats equipped with nets to collect it. While it's not as extensive as 21-year-old Boyan Slat's plan to clean the entire Pacific Ocean in 10 years, starting in 2020, the seabin's creators said their device is something that harbors can start using to clean our oceans now.

    They're starting "close to the source of the problem in a controlled environment," Seabin's website states. "It's a big mission, but it can be done. In fact, we're doing it right now."

No matter where I direct my gaze, the landscape is dotted with the skeletal frames of new structures taking shape. The familiar neighborhoods of my youth, once adorned with the charm of time-honored edifices, have largely vanished, replaced by the sleek silhouettes of contemporary high-rises. There is a rationale for this transformation: residents are in pursuit of the amenities that modern living promises.

However, the question that lingers is, how can the younger generation grasp and uphold their cultural heritage if the tangible remnants of it are continually erased? The advocacy for the conservation of historical buildings transcends mere sentimental yearning for the past. Economic considerations also lend strong support to the cause of preservation.

The restoration and safeguarding of historical districts can serve as a catalyst for economic growth, enticing tourists and small enterprises to the locality. A case in point is the historic Al Bastikiya neighborhood in Dubai, which annually attracts a multitude of visitors from across the globe. It also draws the interest of local inhabitants who are keen on exploring the history of their city.

Critics often contend that preserving historical monuments is an expensive endeavor, but numerous recent initiatives have shown this belief to be unfounded. In fact, the process of refurbishing an existing structure for alternative use can be approximately £40 per square meter less costly than even the most elementary new construction, all the while retaining the architectural elegance of the original structure. Moreover, despite the common assertion that older buildings are less energy efficient and thus have a larger environmental footprint, architects and environmental specialists assert that the most eco-friendly building is the one that already exists. New construction typically has a more detrimental environmental impact, as it necessitates the procurement and transportation of brand-new materials over potentially lengthy distances, rather than utilizing recycled materials that are readily available on site.

In essence, we recycle many other items in our daily lives, and the same principle should be applied to buildings. The act of preserving historical structures presents a multitude of opportunities; in stark contrast, demolition is an irreversible act. Once these architectural gems are lost, they are gone forever, severing an integral thread in our cultural tapestry that can never be regenerated. The decision to preserve or demolish is thus not merely one of aesthetics or economy, but also one of heritage and legacy.