Whenever we see a button, we are eager to press it because we know something will happen. This is true in most cases, for example on a doorbell and on the “on/off” button on the TV. But some buttons are actually fake, like the “close” button on a lift.

    Many people are in the habit of pressing the “close” button because they don't have the patience to wait for the lift doors to shut. But lifts, “close” buttons are a complete scam, at least in the US—the doors will not close any faster no matter how hard you press.

    It started in the 1990s when the Americans with Disabilities Act was passed in the US, making sure that all lifts stayed open long enough so that people with disabilities could enter. Only US firefighters and repairmen can use the buttons to speed up the door-closing process if they have a code or special keys.

    But to normal lift riders, the buttons aren't completely useless. According to psychologists, fake buttons can actually make you feel better by offering you a sense of control.

    “Perceived (能够感知的) control is very important. It reduces stress and increases well-being,” Ellen J. Langer, a psychology professor, said, “Having a lack of control is associated with depression.”

    Experts have revealed that a lot of buttons that don't do anything exist in our lives for this same purpose. For example, many offices in the US have fake thermostats (温度调节器) because people tend to feel better when they think they can control the temperature in their workspace.

    But psychologists found it interesting that even when people are aware of these little “white lies”, they still continue to push fake buttons because as long as the doors eventually close, it is considered to be worth the effort.

    “That habit is here to stay,” John Kounios, a psychology professor, said, ''Even though I have real doubts about the traffic light buttons, I always press them. After all, I've got nothing else to do while waiting. So why not press the button in the hope that this one will work?”

The World's Unusual Libraries

    Log Libraries

    Alex Johnson writes in his new book—Improbable Libraries,“ The very idea of a library is developing: many of these libraries operate on principles that differ mainly from the traditional libraries. Some, for example, have no membership or identification requirements, and some do not even request that the books be returned.” The oversized bird box in a park in Lowa is part of the Little Free Library Movement, which was established in Wisconsin in 2009.

Phone Booths

    This design from the firm, Stereotank, offers browsing shelter for passers-by. In the UK, a phone company's programme, allowing communities to take over their phone booth for £ 1— means that many have been changed into tiny local libraries. Meanwhile, a solar light has been set in a phone booth so that late night visitors can still read.

    Branches of Knowledge

    Didier Muller's libraries operate as hanging libraries: visitors can look through pages, taking any book they choose and exchanging it with their own. The equipment of hanging wooden houses is one of several art projects serving as a booklover's place.

    Soundproofed Pods

    Around the world, architects are designing buildings that bend bricks-and-mortar libraries into new forms. The Seikei University Library in Japan—the vision of Pritzker Prize winner Shigeru Ban—contains space-age soundproofed (隔音的) pods to encourage discussions between students.

    Social media is one of the fastest-growing industries in today's world. Your friends' lives may look more exciting than yours on Facebook, Twitter, and Instagram, but a new research shows it is because they are faking (伪造) it.

    A recent survey has found around two-thirds of people on social media post images to their personal information to make their lives seem more adventurous. And more than three quarters of those asked said they judged their peers based on what they saw on their Instagrm, Snapehat or Facebook pages.

    The British survey, by smart phone maker HTC, found that, in order to make our own pages and lives appear more exciting, six percent also said they had borrowed items to include in the images in order to pass them off as their own. More than half of those surveyed said they posted images of items and places purely to show off, causing jealousy among friends and family.

    Behavioral psychologist Hemmings said the trend was unsurprising due to the rise of social media. "We're living in a world instant communication." she said. "Fashion and style used to live and die in magazines; now people are in search of authentic, peer-to-peer recommendations as well, making social media an equal power house to magazines and newspaper."

    "With images being shared in an instant, we desire to know what our friends are wearing, or what super stars are buying, as soon as they have got them." Such is the influence of social media sites like Instagram, 76 percent of those asked also said seeing items on social influences them to buy them, with men more likely to take style advice and buy what they see.

    A night at the movies is always a good idea. But when you leave the theater and realize you just dropped $45 on a ticket and some snacks, you'll wish you had been patient enough to wait until the movie came out on Netflix. The average movie ticket price in the United States in 2000 was $5.39; now, a ticket is over $9.

    The main reason that movie tickets have gotten so expensive is because of inflation(通货膨胀). It was actually more expensive to go to the movies in the 70s than it is now. A ticket in 1978 cost $2.34. If you plug that into an inflation calculator, the same ticket would cost you $9.46 today. According to the National Association of Theater Owners, the average cost for a ticket today is $9.11.

    Another reason you need to dip into your life savings to see a movie on the big screen is that theaters are competing with streaming services that produce their own films, such as Netflix, Hulu, and Amazon. And let's be honest, sitting at home on your couch or in your bed is more comfortable than sitting in a cold theater.

    Because of streaming technology, movie theaters have to do something to bring in customers. Attractions­including alcohol, reclining seats(躺椅), surround sound, and 3-D movies are all examples of that. And those upgrades come at a price, leading to more expensive tickets.

    "There's all that extra cost, and it's really important for theater owners and companies to make that experience as enjoyable as possible," Patrick Corcoran, vice president of the National Association of Theatre Owners told Marketplace. "Because you're offering a superb experience­audience expectations are for the latest and greatest technology. Audiences are willing to pay more for a particular experience."

    The sun was shining and Clare felt like doing something active. She'd had enough of the moment of living in the past. What she really wanted was some skiing if she could get herself organized. She walked into the ski school office and within ten minutes had arranged a private class for the whole afternoon. One of the ski teacher would meet her at the ski lift station at the end of the village at midday. The ski hire shop next door rented her some skis and boots and she carried them back to the hotel. There she changed into some more or less suitable clothes and took the hotel's electric taxi down to the lift station. She was a bit early and had time to look around, and get nervous. She hadn't skied for about ten years, though she'd been quite good at that time. Everyone said it was liking riding a bike-you didn't forget how to do it. She stood there looking up at the mountains, trying to remember what to do.

    Madam Newton?" Yes," she said. And there was her ski teacher, looking exactly like all the other ski teachers she remembered sun-tanned, handsome and totally self-confident. Half an hour later all thoughts of the unhappy days had disappeared as she skied behind Bruno and concentrated on staying on her feet.

    "Upper body still, make your legs do the work, Madame", shouted Bruno over his shoulder. "Call me Clare, please" she said. "OK. Lean forward a bit more, Clare. That's it. Good. You are remembering now, en?" "Yeah, I am ... slowly. It's great. I'd forgotten what an amazing buzz skiing gives you".

    They skied down some different runs with Bruno being wonderfully encouraging, and she really did begin to feel confident on the skis. Going up in the lifts, Clare and Bruno chatted — just the usual "where are you from, what do you do" sort of chat, but it was pleasantly relaxing. In the middle of the afternoon, they stopped at an old farmhouse for coffee and apple cake. There were lots of other skiers doing the same. Clare felt as if she belonged - something about being part of a group, all with a shared interest, she supposed. It was a feeling she'd not had for a long time.

    Bruno said hello to a few people, and went over to talk to one of the waiters. Clare took the opportunity to study him a bit. Up until now, she'd just been skiing behind a man in a red ski suit, so it was interesting to see that he was quite tall, with curly brown hair and eyes to match. From the colour of his face he looked as if he'd spent his whole life in the open air. She guessed he was about forty.

    "Are you in Zermatt for long, Clare?" asked Bruno, after he'd been sitting with her a few minutes, "No, only a few days probably. Just a short break to get away from everything at home", replied Clare. She didn't feel like explaining the real reason. People looked at her differently when they knew. "But I'd like to do some more skiing. Would you be able to do anything tomorrow?"

    "I think so. But you'll have to book it through the ski school office. I can't arrange anything with you directly", said Bruno, putting on his gloves and standing up. "Come on. Let's do a bit more now." "Great," replied Clare. After another hour, Clare said, "Time to stop, I think," Bruno agreed. "You should have a sauna tonight. It'll help your body relax. Not so stiff (僵硬的）tomorrow, you know." Clare didn't care about stiff she was going to be tomorrow. She hadn't felt quite as good as this for months — full of fresh air, physically tired but in her mind — alive. Happy! Yes, that was how she felt.

First published on October 15, 1952, "Charlotte's Web" is a popular children's book written by well-known American author E. B. White and {#blank#}1{#/blank#}（illustrate）by Garth Williams that deals with themes of the nature of friendship, loss, fate, acceptance, and renewal. The story centers on a pig named Wilbur and the unlikely but deep friendship {#blank#}2{#/blank#} shares with an uncommonly talented spider named Charlotte.

While it's normal in the course of events on a farm for pigs {#blank#}3{#/blank#}（kill）when they reach a certain size and age, clever Charlotte works out a scheme to keep Wilbur from his fate by weaving words into her web to create what amounts to a one-pig publicity campaign. By promoting Wilbur to celebrity status, Charlotte ultimately saves him {#blank#}4{#/blank#} his date with the butcher's knife.

The ending of the "Charlotte's Web" is bittersweet, however, {#blank#}5{#/blank#} while Wilbur survives, Charlotte does not. But even Charlotte's passing is a lesson-for Wilbur and those reading his story-about the nature of death and renewal.

Death and destiny are both themes that the book explores. While Charlotte is willing to help Wilbur avoid a destiny that's being imposed on him by outside forces beyond his control, she also understands that some fates are inevitable: All living creatures are born, {#blank#}6{#/blank#}（have）a life cycle, and die. Charlotte accepts her role in this natural circle without regret.

Charlotte helps Wilbur realize that immortality is not about living forever, but rather, {#blank#}7{#/blank#}（ensure）that new generations will follow. She also helps him understand that love and friendship are not fixed in quantity. While we may lose a friend, new friendships can come along, not as replacements for {#blank#}8{#/blank#} we've lost, but as blessings to build on what we've learned.

"Charlotte's Web" got its inspiration from true experiences that author E. B. White had on his farm in Maine, {#blank#}9{#/blank#} he penned the book and lived until his death in 1985．While the author claims that the book {#blank#}10{#/blank#} never be considered a moral tale, certain messages related to moral principles, or rights and wrongs, are obviously established in "Charlotte's Web".