The light from the campfire brightened the darkness, but it could not prevent the damp cold of Dennis's Swamp (沼泽地) creeping into their bones. It was a strange place. Martin and Tom wished that they had not accepted Jack'sdare. They liked camping, but not near this swamp.

"So," Martin asked as they sat watching the hot coals. "How did this place get its name?"

"Are you sure you want to hear it? It's a scary story," warned Jack.

"Of course!" cried out Tom. "If there were anything to be scared of, you wouldn't have chosen this place!"

"Ok, but don't say I didn't warn you," said Jack, and he began this tale.

"Way back in time, a man called Dennis tried to start a farm here. He built that cottage over there to live in. In those days, the area looked quite different — it was covered with tall trees and the swamp was a crystal-clear river. After three hard years, Dennis had cleared several fields and planted crops. He was so proud of his success that he refused to listen to advice.

"‘You are clearing too much land,' warned one old man. ‘The land is a living thing. It will hit back at you if you abuse it. '"

"‘Silly fool,' said Dennis to himself. ‘If I clear more land, I can grow more crops. I'll become wealthier. He's just jealous!'"

"Dennis continued to chop down trees. Small animals that relied on them for food and shelter were destroyed. He was so eager to expand his farm that he did not notice the river flowing slowly towards his door. He did not notice salt seeping to the surface of the land. He did not notice swamp plants choking all the native plants."

"What happened?" Martin asked. It was growing colder. He trembled, twisting his body closer to the fire.

"The land hit back — just as the old man warned," Jack shrugged. "Dennis disappeared. Old folks around here believe that swamp plants moved up from the river and dragged him underwater. His body was never found."

"What a stupid story," laughed Tom. "Plants can't …" Before he had finished speaking, he screamed and fainted (晕倒). The other two boys jumped up with fright, staring at Tom. Suddenly, they burst out laughing. Some green swamp ivy (常春藤) had covered Tom's face. It was a while before Tom could appreciate the joke.

Richard Browning has been attracted by flight ever since his father took him into the hills to fly gliders (滑翔机). He has certainly been an adventurer. Richard took it upon himself to develop his own jet suit and began to experiment with some of his friends. He made quick progress. In 2017, he felt confident enough to start a company called Gravity Industries that could make jet suits. It took 15 months to develop the very first one. 

Five very small jet engines are built into the jet suit. These are powered by kerosene (煤油). Two engines are located on the pilot's arms and one is placed on the back. Each engine weighs less than two kilos and can produce22 kilos of thrust(推力). 

The pilot is able to control the direction and speed of the flight. He does this by small movements of the arms which require hours of practice. One wrong move and you could end up falling to the ground. 

Richard is not only in charge of his company; he is also the chief test pilot. He has spent hours and hours perfecting the correct moves to create a perfect flight. He was able to enter the Guinness Book of World Records in 2017 when he became the fastest man in a jet suit and flew at 51 kilometres per hour. Since then, he has presented his jet suit at 60 events in 20 different countries around the world. More recently, he flew alongside Brighton Pier on the south coast of England at 136 kilometres per hour! 

The objective of Richard's company has been to build a suit which members of the public can buy. The first went on sale in a department store in 2018 for f 340, 000. If you want to jet around your own hometown, it's time to start saving—or to work for Richard Browning.

Mr. Brown had an umbrella shop in a small town. People sometimes {#blank#}1{#/blank#}(bring) him broken umbrellas, and then he took {#blank#}2{#/blank#}(they) to a big shop in London. They were mended there.

One day Mr. Brown went to London by train. He forgot {#blank#}3{#/blank#}(take) an umbrella with him that day. Sitting in front of him was a man with {#blank#}4{#/blank#} umbrella standing beside the seat. When the train arrived in London, Mr. Brown picked {#blank#}5{#/blank#} the umbrella as he often did during his journey by train. Just as he was getting off, he {#blank#}6{#/blank#}(stop) by the man. He said {#blank#}7{#/blank#}(angry), "That's mine!" Mr. Brown' s face turned red and he gave {#blank#}8{#/blank#} back to the man at once.

When Mr. Brown got to the big shop, the shopkeeper had got his six umbrellas ready. After a good look at each of them, he said, "You've mended them very well."

In the afternoon he got into the train again. The{#blank#}9{#/blank#}(similar)man was in the same seat. He looked at Mr. Brown and his six umbrellas, "You've had a {#blank#}10{#/blank#}(luck)day," he said.

Shi Jing, also called the Book of Songs, is the oldest existing {#blank#}1{#/blank#}(collect) of Chinese poetry. A few years ago, when Chinese musician Fang Jinlong read Shi Jing, he was interested in the stories in the poems. Because he couldn't {#blank#}2{#/blank#}(full) understand the ancient Chinese language {#blank#}3{#/blank#}(use) in the poems, he turned to experts to explore the poems. 

Then he decided to portray the poems with musical language by inviting composer Ma Jiuyue {#blank#}4{#/blank#}(create) an album. Titled Music and the Book of Songs, the album was released on Jan. 18, {#blank#}5{#/blank#}(feature) 10 original songs composed by Ma. They {#blank#}6{#/blank#}(perform) by Fang and won great popularity. 

The 10 songs are based on 10 poems from Shi Jing, including Qiong Yao, which conveys gratitude to people who are eager to help others, and Swallows, which {#blank#}7{#/blank#}(send) farewell messages to friends. 

"Young people gave warm feedback about traditional Chinese music {#blank#}8{#/blank#}they had watched my performance. It has inspired me to create more works for them, which helps popularize traditional Chinese music," says Fang. 

"The 10 pieces sound {#blank#}9{#/blank#}(enjoy) and easy. For the listeners, it's a fresh way to comprehend poems from Shi Jing," says Ma. "We spent three years working on {#blank#}10{#/blank#}project. There are so many meanings in the poems and we want to display them as deep as possible with music," Ma says. "It's our mutual goal to have traditional Chinese music reach a wider audience."

Why We Should Record Travel Moments

On a rainy summer day, I took a train to Switzerland and trekked through the mud to a medieval fortress high atop a cliff. After twisting through its dimly lit corridors, I finally {#blank#}1{#/blank#} (arrive) at the main viewpoint of Cave of the Fairies: a plunging 77m waterfall that shoots from underground into a sparkling pool. As the waterfall wet my jacket, I closed my eyes and took out my phone {#blank#}2{#/blank#} (record) the rush of dreamy reality before me.

I had come in search of a sound, not a sight.

Throughout my travels, I've found myself {#blank#}3{#/blank#} (collect) sound recordings the way other people collect souvenirs. Just as some travellers take photos of landscapes or their food, I started doing this as an artistic way to help me remember some of the most interesting details of my trips.

Environmental scientist Lauren Kuehne said, "I think that once you start to listen, once you actually start to listen, you start to appreciate how much {#blank#}4{#/blank#} (big) the world is."

This attitude {#blank#}5{#/blank#} (echo) by Samara Kester, a retired emergency medicine physician who now serves on QPI's board. "A photograph is two dimensions. {#blank#}6{#/blank#} you are looking at something you're seeing, it's maybe 180 degrees, maybe 270 degrees. Sound is 360 degrees. You hear it all around you." Kester explained {#blank#}7{#/blank#} teaching herself to be a better listener has not only expanded her sense of travel, but helped her relive her travels once she's back home. "You immerse {#blank#}8{#/blank#} in that place again. You recreate those memories and therefore recreate the feelings you had, {#blank#}9{#/blank#} are very hard to express clearly. You can re-experience that and that will send you to where you were before."

Months later back in my L.A. home, I find myself popping on my headphones and listening back to the rush of falling water inside Cave of the Fairies. When I close my eyes, I {#blank#}10{#/blank#} feel the spray of water against my skin, the sense of letting my ears lead me on a faraway adventure. Mentally, I'm right back there — if only for a moment.

Edward Ndiritu joined Lewa Wildlife Reserve in central Kenya in 1996 as a rhino monitor. Back then, illegal hunting had greatly reduced the country's black rhino population. Worried that they might become extinct, he worked his way up to lead Lewa's anti-hunting team. In 2015, his team's community-focused conservation method won him the first Wildlife Ranger Award from conservation charity Tusk.

He grew up in a village between Mount Kenya and the Aberdare Forest, which was once a wildlife route for migrating elephants and black rhinos. He saw them disappear gradually. He realized that hunting and the disruptive actions of the community were the reasons. The demand for rhino horn(角), which is very valuable in Asia, drives hunters. They are part of a big and rich crime network. There are people who help them by giving them equipment. In 2011 and 2012, Lewa had many difficulties. They lost rhinos. It was found that those involved in hunting were also linked to human smuggling(走私) and other illegal activities.

The hunting challenge has changed. Hunters now have networks, get information from the local community, and use technology like phones and motorbikes. Edward's team has adapted by using cameras, sensors, trackers, and a system that tells them when and where hunting might happen. They also work closely with the community, which is now the first 

line of defense. Lewa gives agricultural training, medical help, and business support to rural women. This makes locals more likely to report hunting before it happens.

To be a good forest guard, one needs to be honest, tough, and motivated. Edward now knows that making sure the forest guards are happy and well is very important. He is hopeful about wildlife conservation in Lewa. Funding is a problem, but organizations like Tusk are helping. Conservation is about people. Looking after those outside the reserve is necessary for the future of wildlife. Only when communities can live in harmony with the animals they see every day will there be a good future for wildlife.