Regarded as one of the English language's most gifted poets, John Keats wrote poetry that concentrated on imagery, human nature, and philosophy. Although Keats didn't receive much formal literary education, his own studies and passion brought him much success. Additionally, his own life situation influenced his poetry greatly.

    Growing up as a young boy in London in a lower middle-class family, the young John didn't attend a private school, but went to a public one. His teachers and his family's friends regarded him as an optimistic boy who favored playing and fighting much more than minding his studies. After his father's death in the early 1800s, followed by his mother's passing due to tuberculosis (肺结核), he began viewing life differently. He wanted to escape the world and did so by reading anything he could get his hands on.

    At around the age of 16, the teenage John Keats began studying under a surgeon so that he too might become a doctor. However, his literary appetite had taken too much of his fancy, especially with his addiction to the poetry of Ehmund Spenser. He was able to have his first full poem published in the Examiner in 1816, entitledO Solitude!If I Must With Thee Dwell. Within two months in 1817, Keats had written an entire volume of poetry, but was sharply criticized by a magazine. However, the negative response didn't stop his pursuit of rhythm.

    John Keats' next work was Endymion, which was published in May 1818. The story involves a shepherd who falls in love with the moon goddess and leads him on an adventure of one boy's hope to overcome the limitations of being human. Following Engymion, however, he tried something more narrative-based and wrote Isabella. During this time, John Keats began seeing his limitations in poetry due to his own limit in life experiences. He would have to have the “knowledge” associated with his poems. His next work wasHyperionthat would attempt to combine all that he learned. However, a bout (发作) with tuberculosis while visiting Italy would keep him from his work and eventually take his life in 1821.

    That cold January night, I was growing sick of my life in San Francisco. There I was walking home at one in the morning after a tiring practice at the theatre. With opening night only a week ago, I was still learning my lines. I was having trouble dealing with my part-time job at the bank and my acting at night at the same time. As I walked, I thought seriously about giving up both acting and San Francisco. City life had become too much for me.

    As I walked down empty streets under tall buildings, I felt very small and cold. I began running, both to keep warm and to keep away from any possible robbers. Very few people were still out except a few sad-looking homeless people under blankets.

    About a block from my apartment, I heard a sound behind me. I turned quickly, half expecting to see someone with a knife or a gun. The street was empty. All I saw was a shining streetlight. Still, the noise had made me nervous, so I started to run faster. Not until I reached my apartment building and unlocked the door did I realize what the noise had been. It had been my wallet falling to the sidewalk.

    Suddenly I wasn't cold or tired anymore. I ran out of the door and back to where I'd heard the noise. Although I searched the sidewalk anxiously for fifteen minutes, my wallet was nowhere to be found. Just as I was about to give up the search, I heard the garbage truck(垃圾车) pull up to the sidewalk next to me. When a voice called from the inside, "Alisa Camacho?" I thought I was dreaming. How could this man know my name? The door opened, and out jumped a small red-haired man with an amused look in his eye. "Is this what you're looking for?" he asked, holding up a small square shape.

    It was nearly 3 a.m. by the time I got into bed. I wouldn't get much sleep that night, but I had gotten my wallet back. I also had gotten back some enjoyment of city life. I realized that the city couldn't be a bad place as long as people were willing to help each other.

    London's newest skyscraper (摩天大楼) is called the Shard and it cost about 430 million pounds to build. At a height of almost 310 metres, it is the tallest building in Europe. The Shard has completely changed the appearance of London. However, not everyone thinks that it is a change for the better.

    The Shard was designed by the famous Italian architect Renzo Piano. When he began designing the Shard for London, Piano wanted a very tall building that looked like a spire (尖顶). He wanted the glass surfaces to reflect the sky and the city. The sides of the building aren't regular. So the building has an unusual shape. It looks like a very thin, sharp piece of broken glass. And that is how the building got the name: the Shard. Piano says that the spire shape of the Shard is part of a great London tradition. The shape reminds him of the spires of the churches of London or the tall masts (桅杆) of the ships that were once on the river Thames.

    The Shard has 87 floors. At the top, there is an observatory. At the moment the building is empty, but eventually there will be a five­star hotel. There will also be top quality restaurants, apartments and offices.

    Before building work began, a lot of people didn't want the Shard though the plans were approved. Now they are still unhappy about the Shard. Some critics say that such a tall skyscraper might be good in a city like New York, but not in London. They say that the best thing about the Shard is its spire shape. But that is the only thing. There is no decoration, only flat surfaces. The Egyptians did that 4, 500 years ago. They also think the Shard is too big for London. It destroys the beauty of the city.

    Other critics don't like what the Shard seems to represent. They say that the Shard shows how London is becoming more unequal. Only very rich people can afford to buy the expensive private apartments and stay in the hotel. But the people who live near the Shard are among the poorest in London. So the Shard seems a symbol of the division in society between the very rich and the poor.

    The Shard now dominates the London skyline. It is not certain, however, that ordinary London citizens will ever accept it as a valuable addition to the city.

    A growing number of Chinese tourists are helping to save a dying town, after a like-known tourist attraction was featured on a number of Chinese travel blogs.

    The residents of Sea Lake, a town of just 600 people, barely see travelers stop at their gas station while driving by, but the sudden influx of Chinese tourists is helping keep the town's economy alive.

    The tourists come to see Lake Tyrrel—a shallow, salt crusted and often dry lake just out of town. According to a local teacher, Rachel Pearce, the extremely beautiful nightscape combined with the mysterious appearance of stars reflected on the salt lake gives people the impression of walking among the stars. Besides, the town is so far away that no light pollution ruins the particularly attractive views, and as it is situated in a barren(寸草不生的), dry part of the country, there are rarely any clouds to spoil the night sky.

    The attraction's growing sought-after status has resulted in the town's motel rooms being full almost every night, and while local farmers are suffering in a two-year drought, tourism is keeping the town's agricultural-based economy stable.

    Despite the popularity of the town and its attraction, locals are still confused as to why their little town deserves so much attention. Sea Lake's population has fallen from around 1, 200a decade ago to 600 today. "We're still unsure why Lake Tyrrel is such a big, big tourist attraction," one local says. "It's quite a shock."

The next time you attend a social function or go to a place where people meet and interact, take note of the number of people who have adopted the same gestures and posture—the way you sit or stand--of the person with whom they are talking. This "carbon copying" is a means by which one person tells the other that he is in agreement with his ideas and attitudes. By this method, one is non-verbally (非语言的) saying to the other, "As you can see, I think the same as you, so I will copy your posture and gesture."

    This unconscious (无意识地) mimicry is quite interesting to observe. Take, for example, the two men standing at the hotel bar. They have mirrored each other's gestures and it is reasonable to assume that they are discussing a topic upon which they have the same thoughts and feelings. If one man uncrosses his arms and legs or stands on the other foot, the other will follow. If one puts his hand in his pocket the other will copy and this mimicry will continue for as long as the two men are in agreement.

    This copying also occurs among good friends or people of the same social position and it is common to see married couples walk, stand, sit and move in very similar ways. People who are strangers, however, try hard to avoid holding mutual(相互的) positions. The significance of carbon copying can be one of the most important non-verbal lessons we can learn, for this is one way that others tell us that they agree with us or like us. It is also a way for us to tell others that we like them, by simply copying their gestures.

    If an employer wishes to develop immediate friendliness and create a relaxing atmosphere with an employee, he needs to copy the employee's posture to achieve the end. Similarly, an up-and-coming employee may be seen copying his boss's gestures in an attempt to show agreement. Using the knowledge, it is possible to influence a face-to-face encounter by copying the positive gestures and postures of the other person. This has the effect of putting the other person in a receptive and relaxed frame of mind and he can "see" that you understand his point of view.

Go Sledding （滑雪橇） around Baltimore

From steep slopes（陡坡） to gentle hills, there's no shortage of local sledding rides in the Baltimore area. Here are a few of the favorites.

Leakin Park

1901 EAGLE DRIVE

There's a sweet slide behind the Crimean Mansion off Eagle Drive—also known today as Friends of Orianda House—which is accessible and also one of the best-kept sledding secrets inside city lines. The Winans Meadow area is super scenic year-round, but especially so when it snows.

Baltimore Country Club

4712 CLUB ROAD

The golf course is a legendary sledding destination, but make sure to be aware that the steep slope here is nicknamed "Adventure Hill" for a reason. No small number of green hands have rolled down here. As one Reddit commenter said, "It left me hurt many a time as a kid"—words no doubt that frighten some but also attract more than a few.

Herring Run Park

3800 BELAIR ROAD

The 375-acre northeast area may be the top spot in the city for the variety of hills to choose from. Created by the Olmstead Brothers more than a century ago, the stream valley park is also home to fox and deer, which you might just spot wandering about in their winter coats. Visitors can enjoy the benefit of sufficient parking for private vehicles.

Federal Hill

300 WARREN AVE.

It's an obvious destination, given its picturesque view overlooking the Inner Harbor, for sledding and building snowmen and snowwomen. The hills here are very steep, however. Just be careful not to rush out onto Key Highway or into the back of the American Visionary Art Museum.