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Five years ago, when I taught art at a school in Seattle, I used Tinkertoys as a test at the beginning of a term to find out something about my students. I put a small set of Tinkertoys in front of each student, and said:"Make something out of the Tinkertoys. You have 45 minutes today - and 45minutes each day for the rest of the week."

   A few students hesitated to start. They waited to see the rest of the class would do. Several others checked the instructions and made something according to one of the model plans provided. Another group built something out of their own imaginations.

   Once I had a boy who worked experimentally with Tinkertoys in his free time. His constructions filled a shelf in the art classroom and a good part of his bedroom at home. I was delighted at the presence of such a student. Here was an exceptionally creative mind at work. His presence meant that I had an unexpected teaching assistant in class whose creativity would infect(感染) other students.

Encouraging this kind of thinking has a downside. I ran the risk of losing those students who had a different style of thinking. Without fail one would declare, "But I'm just not creative."

"Do you dream at night when you're asleep?"

"Oh, sure."

"So tell me one of your most interesting dreams." The student would tell something wildly imaginative. Flying in the sky or in a time machine or growing three heads. "That's pretty creative. Who does that for you?"

"Nobody. I do it."

"Really-at night, when you're asleep?"

"Sure."

"Try doing it in the daytime, in class, okay?"

    Two men were sitting together in a plane. They were on a long journey. One of the men was a businessman. The other was a farmer. They sat without talking for a while, then the farmer said, “Let's do something to pass the time.”

     “What do you want to do?” the businessman asked. “We can ask each other riddles.” The farmer said, “You start.” “Let's make the rules first,” the businessman said. “That's not fair. You are a businessman with much knowledge. You know more things than I do. I am just a farmer.”

    “That's true.” The businessman said. “What do you want we should do?” “If you don't know the answer to a riddle, you pay me $100. And if I don't know the answer, I'll pay you $50.” The farmer said. The businessman thought about this, then he said, “OK. That's fair. Who will go first?”

    “I will,” The farmer said. “Here is my riddle. What has three legs when it walks, but only two legs when it flies?” The business man repeated the riddle, “What has three legs when it walks, but only two legs when it flies? Mm, that's a good one. I'm afraid I don't know the answer.” He gave the farmer $100, then said, “Tell me the answer. What has three legs when it walks, but only two legs when it flies?” “I don't know.” The farmer said and gave him $50.

    A young woman sits alone in a café sipping tea and reading a book. She pauses briefly to write in a nearby notepad before showing her words to a passing café waiter: "Where are the toilets please?" This is a familiar scene in Tokyo's so-called "silent cafés", where customers are not allowed to speak, and only communicate by writing in notepads.

    The concept rises by a desire to be alone among young Japanese, a situation brought by economic uncertainty, a shift in traditional family support structures and the growing social isolation. The phenomenon is not limited to coffee shops but covers everything from silent discos, where participants dance alone wearing wireless headphones connected to the DJ, to products such as small desk tents designed for conversation-free privacy in the office. One Kyoto company even offers single women the opportunity to have a "one woman wedding"—a full bridal affair, complete with white dress and ceremony, and the only thing missing is the groom. The trend has its own media expression-“botchi-zoku”, referring to individuals who consciously choose to do things completely on their own.

    One recent weekday afternoon, Chihiro Higashikokubaru, a 23-year-old nurse, travelled 90 minutes from her home, to Tokyo on her day off in order to enjoy some solo time. Speaking quietly at the entrance of the cafe, Miss Higashikokubaru said: “I heard about this place via Twitter and I like the idea of coming here. I work as a nurse and it's always very busy. There are very few quiet places in Tokyo, and it's a big busy city. I just want to come and sit somewhere quietly on my own. I'm going to drink a cup of tea and maybe do some drawings. I like the idea of a quiet, calm atmosphere.”

    The desire to be isolated is not a new concept in Japan, home to an estimated 3.6 million "hikikomori" - a more extreme example of social recluses(隐士) who withdraw completely from society.

    Cao Yuan, a PhD student from China, had two papers published on strange behaviour in atom-thick layers of carbon that have opened up a new field of physics.

    Pablo Jarillo-Herrero's group at MIT was already layering and rotating (旋转) sheets of carbon at different angles when Cao joined the lab in 2014. Cao's job was to find out what happened when one graphene (石墨烯) sheet was twisted only slightly wiht respect to the other, which one theory predicted would thoroughly change the material's behaviour.

    Many physicists doubted the idea. But when Cao set out to create the subtly twisted stacks, he spotted something strange. Exposed to a small electric field and cooled to 1.7 degrees above absolute zero, the graphene—which ordinarily conducts electricity—became an insulator. That by itself was surprising. But the best was yet to come: with a slight change to the field, the twisted sheets became a superconductor, in which electricity flowed without resistance.

    The ability to get atom-thick carbon into a complex electronic state through a simple rotation now has physics demanding to engineer exciting behavior in other twisted 2D materials. Some even hope that graphene could shed light on how more-complex materials superconduct at much higher temperatures. "There are so many things we can do," says Cory Dean, a physicist at Columbia University. "The opportunities at hand now are almost irresistible."

    Hitting graphene's “magic angle”—a rotation between parallel sheets of around 1.1°—involved some trial and error, but Cao was soon able to do it reliably. His experimental skill was extremely important, says his supervisor Jarillo-Herrero. Cao pioneered a method of tearing a single sheet of graphene so that he could create a stack of two layers, from which he could then fine-tune alignment (微调校准).

    Cao loves to take things apart and rebuild them. A heart, he is “a tinkerer”, his supervisor says. On his own time, this means photographing the night sky using homemade cameras and telescopes—pieces of which usually lie across Cao's office. "Every ime I go in, it's a huge mess, with computers taken apart and pieces of telescope all over his desk," says Jarillo-Herrero.

    For those who may not be familiar, there is no such thing as a bicycle grants(补助金). As a matter of fact, there are a number of organizations and programs offering bicycle grants to bicyclers all over the world. Now of course, you can't simply receive money, because you want to buy a new mountain bike. Usually, those awarded grants are working on improving the quality of life. People are excited about the bicycle grants. This type of influence and achievement is gaining the attention of various companies that want to help by providing the necessary funding.

Eastman Kodak Company

    Kodak has developed a fund called the “Kodak American Greenways Awards". They are cooperating with the National geographic Society and the Conservation fund. Each year, they present grants as high as $2,500. The “seed” grant award is awarded to organizations that focus on improving blue ways, greenways, natural areas, and trails.

    US Government

    The government has developed their only program for bicycle riders, called" The US Department of transportation's Recreational Trails Program". The government's program is primarily focused on funding trail projects. The benefits of the fund is recreation, which includes bicycling, hiking, in-line skating, snowmobiling, all-terrain(地面)vehicle riding, and so forth. The great addition to the fund is that they distribute the funding to all the states. This means that everybody has the opportunity of receiving bicycle grants.

    Bikes Belong Coalition

    The Bikes Belong Coalition makes putting more people on bicycles their priority. They advocate for a better environment, recreation, sports, and better health, by way of bicycling. At the same time, they provide funding for supporting projects and bicycle facilities. Some of the projects they accept are paved lanes and bike paths. Applications for their grants can be submitted by either a facility class or a supporting class. Also, Bikes Belong Coalition are not quick to award bicycle grants to those who have been awarded in the past 3 years. This is partially due to their limited amount of funding

    Now in 2019, jazz music is an important part of Indianapolis' art culture. Jazz clubs around the city still host concerts with local jazz musicians like Rob Dixon and Joel Tucker. One of these clubs, the Chatterbox Jazz Club, still has live jazz seven nights a week.

    But the real history of jazz in Indy is much less simple. Along with the Avenue's culture, jazz music was gone from the streets for many years.

    Indiana Avenue was the heart of a neighborhood along the White River. It was a center for black music and live street music. The wealthy avoided this area. So it became a place that poorer families, including many African-American and immigrant (移民) families, moved to.

    Jazz prospered in the mix of American cultures around the Avenue in the 1930s and 1940s. But in the 1950s, things changed. After the war, there were projects to make the city beautiful and build a university nearby. Both of these seemed like good changes. However, the new university and buildings caused poorer families to have to leave the area. This destroyed the Indiana Avenue community - and with it, its jazz culture.

    After many years, Indianapolis remembered the value of its arts and music culture. It began to bring back lost cultures such as live music on the Avenue. To do so, it began to make new changes. The changes included repairing historic areas like the Avenue. Once again, the high living costs in these historic arts areas pushed low-income families out.

    Today there are several old-style jazz clubs where friends can meet up to remember the past or just enjoy a summer evening. It might seem at first that jazz is alive again, but there is a sad reality behind these jazz clubs: Modern Indy jazz is only a shadow (影子) of the lively culture that was once on Indiana Avenue.