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题型:阅读理解 题类:常考题 难易度:普通

江苏省南通中学2019届高三上学期英语期中考试试卷

阅读理解

    As businesses and governments have struggled to understand the so-called millennials—born between roughly 1980 and 2000—one frequent conclusion has been that they have a unique love of cities. A deep-seated preference for night life and subways, the thinking goes, has driven the revitalization of urban cores across the U.S. over the last decade-plus.

    But there's mounting evidence that millennials' love of cities was a passing fling(放纵). Millennials don't love cities any more than previous generations.

    The latest argument comes from Dowell Myers, an urban planning professor at USC. As they age, says Myers, millennials' presence in cities, will "be evaporating(蒸发) through our fingers, if we don't make some plans now." That's because millennials' preference for cities will fade as they start families and become more established in their careers.

    It's about more than aging, though. Demographer William Frey has been arguing for years that millennials have become stuck in cities by the 2008 downturn and the following slow recovery, with poor job prospects and declining wages making it harder for them to afford to buy homes in suburbia.

    Myers, too, says observers have confused young people's presence in cities with a preference for cities. Survey data shows that more millennials would like to be living in the suburbs than actually are. But the normal career and family cycles moving young people from cities into suburban houses have become, in Myers' words, "a plugged up drain."

    But unemployment has finally returned to healthy lows (though participation rates and wages are still largely stagnant), which Myers says should finally increase mobility for millennials.

    Other trends among millennials, supposedly matters of lifestyle preference, have already turned out to have been driven mostly by economics. What was once deemed their broad preference for public transit may have always been a now-reversing inability to afford cars. Even decades-long trends towards marrying later have been accentuated as today's young people struggle for financial stability.

    Investors are already taking the idea that millennials will return to old behavior patterns seriously, putting more money into auto manufacturers and developers. But urban lifestyles, up to and including trendy bars, aren't just hip—they're a part of what powers a city's economic engines, bringing people together to explore new ideas, create companies, and build careers.

    From the 1960s to the 1990s, we saw that suburbanization(城市郊区化)also means an economic and social hollowing out for cities. Now that the economic shackles are coming off today's young city residents, cities that want to stay vibrant(充满生机的) have to figure out how to convince them—and their growing families—to stick around.

(1)、Over the last decade, what is thought to have ensured the prosperity of the city?
A、Fast economic development. B、Around-the-clock club services. C、Convenient public transport. D、Well-established careers.
(2)、Why are Millennials about to leave city?
A、It is too expensive for them to buy apartment in cities. B、They find it difficult for to seek a god job in cities. C、It is easier to get married moving to the suburban. D、They are more confident with their economic situation.
(3)、What does the author mean quoting Myer's "a plugged up drain"(para 5)?
A、Millennials are reluctant to leave attractive cities. B、Millennals are stopped from moving to the suburbs. C、Milennials are unwilling to be cut off from the suburban. D、Millennials are afraid of another economic decline.
(4)、How does the author feel about the suburbanization?
A、sign of stable finance. B、A growth of health issues C、A conflict of new ideas. D、A loss of modem life
举一反三
阅读理解

Top Music Festivals

    Summer festival season is just kicking off, and there is a lot to look forward to in the upcoming months.

Pitchfork Music Festival

    Anyone who likes indie(独立的)music and up-and-coming artists will have an amazing time at the Pitchfork Music Festival in Chicago's Union Park. This is an indie rock haven that explores more underground and lesser-known bands than the other big Chicago summer festival, Lollapalooza.

    Date: July 14—16, 2018

    Location: Chicago, Illinois, USA

    Music Type :Indie rock

    Price: $126- $2, 700

    Essence Music Festival

    No matter what time of the year it is, New Orleans is an incredible place if you love live music. The Essence Music Festival is a celebration of legendary(大名鼎鼎的)artists like Diana Ross, Chaka Khan and Mary J. Blige.

    Date: June 29—July 2, 2018

    Location: New Orleans, Louisiana, USA

    Music Type :R& B,soul, rock

    Price :$75- $365

    Sziget Festival

    Budapest knows how to hold a party, and Sziget is one of the biggest celebrations of music and culture in all of Europe. You can expect to find favorite artists like Bad Religion and Mac DeMarco taking the stages here during this three-day festival.

    Date :August 9-11,2018

    Location:Budapest, Hungary

    Music Type: Indie rock

    Price: $70- $296

    Flow Festival

    The Flow Festival is a great excuse to explore the city of Helsinki. Artists including Lana Del Rey and The XX will be playing, among many others. Come to this festival to enjoy a relaxing atmosphere with an earth-friendly belief.

    Date: August 11-13, 2018

    Location :I Helsinki, Finland

    Music Type :Rock, soul, jazz

    Price: $106- $199

阅读理解

    For most of her life, Suanne Laqueur's passion for storytelling was shown on the dance floor.

    Although Laqueur began writing at a young age, dancing always took center stage. She majored in dance and theater at Alfred University and taught at her mother's dance studio in Croton-on-Hudson, New York, for years. But when her mother was ready to retire and an opportunity opened for Laqueur to take over the studio, she realized she had no interest in taking on the business side of her art: "Owning a studio is a lot of work—financially, logistically. I love the teaching, the choreographing(编舞), the staging, but I didn't want to own it."

    Yet Laqueur's disinterest in running the studio changed when she became a self-published author. In the fall of 2013, she decided to pursue Self-publishing as a way of sharing her first completed novel with friends and family. During the process, she realized that following her true passion—telling stories through writing—made the business of the art worthwhile, and owning that business meant she could direct her writing career however she chose.

    Starting with her second self-published novel, she began investing more time in marketing and building her audience. Her investment paid off. Since 2014, Laqueur, now 49, has self-published six novels, which collectively have hundreds of ratings and reviews on Goodreads. Her 2016 novel An Exaltation of Larks stole the show at the 25th Annual Writer's Digest Self-Published Book Awards, topping more than 2,300 entries to win the grand prize.

    "You have to write the most truthful story to you, and I think self-publishing allows that freedom,' she says. "If you work with traditional publishing, it's more about what's marketable, There are trade-offs, which everyone will tell you, but by self-publishing I have control of the book, I have control of the story, and I'm cool with that."

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