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    A group of cultural calendars, with creative designs, informative content and delicate printing, were hot sellers last year and now posting photos of the calendars has become a new fad on social networks. Many people posted photos of their cultural calendars with their comments to arouse memories of traditional knowledge. Though the cultural calendars are a return to traditions, designers are racking their brains to make the calendars appear more attractive.

    Jack Ma, the founder and executive chairman of e-commerce giant Alibaba Group, and US president-elect Donald Trump met at Trump Tower in New York City on Jan,9th 2017, with Trump calling it a "great meeting" and Ma saying the meeting was "very productive"

    "We had a great meeting, and a great, great entrepreneur（企业家）, one of the best in the world, and he loves this country, and he loves China," Trump said. "Jack and I are going to do some great things."

    The two met with reporters briefly after the meeting, and said they discussed plans to create 1 million US jobs by allowing US small and medium-sized businesses to sell to China through Alibaba's platforms.

"We're focused on small business," Ma told reporters. And he had complimentary words for Trump: "I think the president-elect is very smart, he's very open-minded to listen. I told him my ideas about how to improve trade, especially to improve small business, cross-border trade."

    "We also think that the China and USA relationship should be strengthened — should be friendlier," Ma said. "The door is open for discussing the relationship and trade issues."

    The meeting comes in tensions between China and the incoming Trump administration(政府). Trump has repeatedly criticized China for its economic policies and accused the country of "stealing jobs away" from the US.

Trump also has said he may raise tariffs(关税) on Chinese goods sold in the US.

    Japan has long been known for both its strong traditions and being on the cutting edge of technology, and this new inn combining the classic Japanese surroundings with high-tech slippers and furniture is a perfect reflection of this.

    Nissan Motor Co. developed a system in which slippers park themselves at the entrance of the traditional inn, called “ProPilot Park Ryokan,” waiting for guests to use them upon arrival. When guests have finished using them, the slippers will drive themselves back to their original position. Each slipper features two tiny wheels, a motor, and sensors to drive it across the wooden floor.

    The same technology features in Nissan's all-battery electric Leaf car. High-tech sensors and cameras allow the vehicle to safely back into parking spaces without any input from the driver. Four cameras and 12 sensors assess the vehicle's surroundings. ProPilot Park handles the accelerator, braking and steering (转向) input when the car is parking. Drivers operate the system with the press of a button, which they must hold down the entire time. Lifting a finger off the button will result in the car stopping immediately.

    The inn, located in the resort town of Hakone, about 75 kilometers southwest of Tokyo, is currently most famous for its view of Mount Fuji. However, the new self-driving slippers, released by Nissan in March, is the unique feature of the high-tech inn.

    “The self-parking slippers are meant to raise awareness of automated driving technologies, and their potential, non-driving applications,” Nissan spokesman Nick Maxfield said in a statement.

    In addition to the slippers, office chairs, floor cushions and traditional low tables in the inn also wheel themselves back into place after use.

    The values of artistic works, according to cultural relativism(相对主义), are simply reflections of local social and economic conditions. Such a view, however, fails to explain the ability of some works of art to excite the human mind across cultures and through centuries.

    History has witnessed the endless productions of Shakespearean plays in every major language of the world. It is never rare to find that Mozart packs Japanese concert halls, as Japanese painter Hiroshige does Paris galleries, Unique works of this kind are different from today's popular art, even if they began as works of popular art. They have set themselves apart in their timeless appeal and will probably be enjoyed for centuries into the future.

    In a 1757 essay, the philosopher David Hume argued that because" the general principles of taste are uniform(不变的) in human nature," the value of some works of art might be essentially permanent. He observed that Homer was still admired after two thousand years. Works of this type, he believed, spoke to deep and unvarying features of human nature and could continue to exist over centuries.

    Now researchers are applying scientific methods to the study of the universality of art. For example, evolutionary psychology is being used by literary scholars to explain the long-lasting themes and plot devices in fiction. The structures of musical pieces are now open to experimental analysis as never before. Research findings seem to indicate that the creation by a great artist is as permanent an achievement as the discovery by a great scientist.

    Imagine a small group of people with a shared passion for the same craft. They all have different skills and approaches, but they come together to share skills, share stories, and share in the joy of making something.

    Modern maker culture is filling headlines and lab spaces all over the world. The way makers communicate with each other has changed over time. In the past, skills mainly came from personal sit-downs with members of the group. But sometimes a teacher wasn't available, or the one available didn't know how to do the skill others wanted to learn.

    Today a teacher doesn't even have to be in the same country or occupy the same decade as the students. Thanks to the work of people who take the time to break down and share the details of their craft, an interested individual can learn anything. Guides may range from videos to diagrams and text. Regardless of the media, maker resources are meant to be shared.

    One of the features of the maker movement is the crossover between different interests. Perhaps a passion for cars and for leather craft can result in a truly custom interior (定制的内饰). Perhaps a love of knitting (编织)and robotics will result in a tiny ——but very mobile ——robotic furry cat.

    And once you have started your creation, finding a community to share with is no longer limited to the people nearby. Modern makers have been sharing videos of their progress online for years, contributing greatly to the rapid spread of the maker movement. As different as the participants might be, they share enthusiasm, support, and a willingness to try.

    Imagine making a ping-pong table together with your makers' team. One group builds the basic frame. Another group takes on the responsibility of painting. You knit the net. There is joy in just giving it a try. It will remind you of childhood creations. Whether you are an experienced programmer or just picking up a hammer for the first time, it is never a bad time to come up with an idea, try something, and share the results.

 German artist HA Schult is an unusual artist who uses trash(废物) to make sculptures. "We are living in the time of garbage," says Schult. "I created a thousand sculptures of garbage. They are a mirror of ourselves." Here, Schult was talking about his 1,000 trash sculptures in the form of humans. He first exhibited them in 1996 in the western German state of North Rhine-Westphalia.

"They are social sculptures," he explains. "They are not only sculptures for the eyes. They are sculptures to spread the idea that we live in the time of garbage." So far, Schult's social sculptures have been on show in Paris, in Moscow's Red Square, on the Great Wall of China, and in the desert next to the Pyramids of Giza near Cairo.

 HA Schult's work is unforgettable. Although his work has had a big influence on the art world, Schult remains modest about his creations. "Artists have to learn every time. We are not important. All that counts is the time in which we are living."

 Trash art has been around for years. But it seems that only the popular artists are regarded as true artists when working with trash. Why can't common people be considered artists when they use the same things and change them into some form of personal art? Maybe it's because we all have our own preset ideas of what art is and isn't, or whom artists are or should be.

 You can be an artist like Schult if you try. Look at used metal cans. What might be done with them? Imagine them in any number of new uses, or imagine them simply as an art form. What about boxes or clothing? Boxes can usually serve as new storage containers and houses for pets. And clothing? Imagine taking old clothes and turning them into hats or hanging organisers.