Shower Radio — Warranty (保单) and Directions

Introduction

Before using the radio, please read all directions, and put warranty information in a safe place. You may need to refer to the warranty information later.

Warranty

The radio is warranted for one year. If it fails to work because of problems of materials, please return it to the address on the warranty card.

We will not pay shipping costs for returning the radio. We will either repair or replace the radio. At least four weeks is needed to examine the problem and repair the radio. If you have not heard from us within six weeks, call our customer service department at 1-800-123-4567.

Radios that are returned not for problems of materials will pay service fee and the cost of the repairs. Customers will be informed of the charge by postcard. Radios will not be returned until these fees are paid.

Directions

The radio is designed and built to operate well in a damp environment.

To Operate the Radio

1）. Put two AA batteries following the introduction.

2）. Turn the POWER dial in a clockwise direction until it clicks.

3）. Press the station selector button for your desired station. The station's call number will be visible on the digital screen.

4）. To switch between AM or FM stations, move the AM/FM switch.

To Operate the Timer

1）. Each time the Timer Set button is pressed, five minutes will be put on the timer. The amount of time on the timer will be visible for five seconds on the digital screen.

2）. When the timer doesn't work, a sound will be given off. The timer may be reset again after one minute.

Troubleshooting

Before returning the radio for service, please check the following items:

Problem: Radio cannot be heard.

1）. Check batteries.          

2）. Check Power/Volume Control.

Problem: Timer does not work.

1）. Check batteries               

2）. Follow directions for setting timer.

3）. Turn the power control on.      

4）. Adjust the volume control.

    Danielle Steel, America's sweetheart, is one of the hardest working women in the book business. Unlike other productive authors who write one book at a time, she can work on up to five. Her research before writing takes at least three years. Once she has fully studied her subjects, ready to dive into the book, she can spend twenty hours nonstop at her desk.

    Danielle Steel comes from New York and was sent to France for her education. After graduation, she worked in the public relations and advertising industries. Later she started a job as a writer which she was best fit for. Her achievements are unbelievable: 390 million copies of books in print, nearly fifty New York Times best-selling novels, and a series of “Max and Martha” picture books for children to help them deal with the real-life problems of death, new babies and new schools. Her 1998 book about the death of her work shot to the top of the New York Times best-selling list as soon as it came out. Twenty-eight of her books had been made into films. She is listed in the Guinness Book of World Records for one of her books being the Times best-seller for 381 weeks straight.

    Not satisfied with a big house, a loving family, and a view of the Golden GateBridge, Danielle Steel considers her readers to be the most important resource and has kept in touch with them by e-mail. While she is often compared to the heroines of her own invention, her life is undoubtedly much quieter. But, if she does have anything in common with them, it is her strength of will and her inimitable (独特的) style. There is only one Danielle Steel.

    Ownership used to be about as straightforward as writing a cheque. If you bought something, you owned it. If it broke, you fixed it. If you no longer wanted it, you sold it or threw it away. In the digital age, however, ownership has become more slippery. Since the coming of smartphones, consumers have been forced to accept that they do not control the software in their devices; they are only licensed to use it. As a digital chain is wrapped ever more tightly around more devices, such as cars and thermostats, who owns and who controls which objects is becoming a problem. Buyers should be aware that some of their most basic property rights are under threat.

    The trend is not always harmful. Manufacturers seeking to restrict what owners do with increasingly complex technology have good reasons to protect their copyright, ensure that their machines do not break down, support environmental standards and prevent hacking. Sometimes companies use their control over a product's software for the owners' benefit. When Hurricane Irma hit Florida this month, Tesla remotely updated the software controlling the batteries of some models to give owners more range to escape the storm.

    But the more digital strings are attached to goods, the more the balance of control leans towards producers and away from owners. That can be inconvenient. Picking a car is hard enough, but harder still if you have to dig up the instructions that tell you how use is limited and what data you must give. If the products are intentionally designed not to last long, it can also be expensive. Already, items from smartphones to washing machines have become extremely hard to fix, meaning that they are thrown away instead of being repaired.

    Privacy is also at risk. Users become terrified when iRobot, a robotic vacuum cleaner, not only cleans the floor but also creates a digital map of the inside of a home that can then be sold to advertisers (though the manufacturer says it has no intention of doing so). Cases like this should remind people how jealously they ought to protect their property rights and control who uses the data that is collected.

    Ownership is not about to go away, but its meaning is changing. This requires careful inspection. Devices, by and large, are sold on the basis that they enable people to do what they want. To the extent they are controlled by somebody else, that freedom is compromised.

    When I was trying to find a place where to spend my December holidays, I met by chance some cheap flights to Iceland. After checking just a few winter pictures of Iceland, I realized that the country, known as the land of fire and ice, during the cold months of the year could offer me experiences I had never had before.

    For sure you can't miss the chance to go to Iceland in winter if your traveling wish list includes at least one of the crazy experiences Iceland can offer. Iceland in the North

    Atlantic Ocean is a paradise ( 乐 园 ) for all those who want to see the northern lights, experience cold weather conditions and put themselves in geothermal ( 地 热 的 ) baths while the snow is falling on their head.

    The best way to move around Iceland is with a rental car. Distances are huge and public transport in winter is not really common out of the major towns. As we wanted to be even more convenient we decided to rent a small camper ( 野 营 车 ). Sleeping and cooking in a camper saved us a lot of driving, money and gave us the chance to be always in the right place at the right time.

    There were also no locals and in many cases no tourist facilities (设备). For us, as we slept in a camper, it was easier. But for tourists traveling by normal cars it is necessary to check the opening times of hotels and restaurants as many of them run just from June to September.

    It is amazing to experience how the weather is changing in Iceland. However, Icelanders prefer to stay inside their houses. They have even no time to complain about the weather in December. All they care about is Christmas. They love to decorate their houses, sing Christmas songs and eat typical Christmas food.

    On November 24, 1868, Scott Joplin was born in Texas. He became famous as a ragtime (拉格泰姆音乐) composer and piano player. Ragtime music was an early form of jazz. This music has a lively beat and was developed from the music of African Americans.

    Ragtime became popular in the early 1890s, and the music was played on the piano. The piano player usually made up a melody, then changed it a little bit every time he played. Scott Joplin was very good at composing, or making up music and playing the piano. When he was growing up, Joplin's home was filled with music. Still, Joplin's father did not want him to be a musician. When he was about 14 years old, Joplin left home to travel and start a life of his own. He traveled all over the Midwest playing the piano and composing music. Sometimes he played with music groups. Other times he sang by himself in noisy saloons and bars. In 1899, Joplin wrote Maple Leaf Rag, a ragtime song that became a big hit and earned Joplin the title of The King of Ragtime. In all, he wrote more than 500 songs. Joplin's biggest dream was to compose a ragtime opera. Finally, after 10 years, Joplin completed a ragtime opera which he called Treemonisha. This opera was about a young black woman who became a leader of her people. She tried to help her people gain their freedom and their rights.

    1916, Joplin became very sick. He had a disease that made him forget things and become easily afraid of things. In 1917, he was put in the hospital. He finally died there on April 1, 1917. Scott Joplin's music became popular again in the early 1970s when it was used in a movie called The Sting.

Juleus Ghunta is a published children's author and award-winning poet. But growing up, he could barely read. Ghunta's family lived in a rural part of Western Jamaica. His mother often had to make tough choices about how to use their limited resources, including a decision to send his oldest sister to school, and to keep Ghunta at home.

When Ghunta finally went to school, he couldn't catch up on his reading skills. Not only had he been kept home from school as a child, but he had not been exposed to books. By the time he entered the sixth grade, he could spell his name, but he still couldn't make out words, spell, or read with understanding.

When Ghunta was about 12, a young teacher decided to start a special reading program for struggling students. Ghunta was the first student to sign up. The teacher was incredibly kind to him. She did not ask anything of Ghunta, except that he worked hard and believed in himself.

Under her guidance, Ghunta's reading skills finally started to improve. He started to feel more confident. "She had left me with the gift of literacy," he said, "and with the value as a human being." His life took a new direction. He graduated from elementary school with a number of academic awards, including one for "most improved in reading". He went on to college. Today, he is the author of two children's books, about overcoming difficult experiences in childhood. He's now working on his first full-length collection of poetry.

"I would love her to see the significant impact that she has made on my life, and the ways in which I have carried this memory of her—the hope and the light—with me and how it continues to be a source of joy."