“Three Apples” changed the world. The first one seduced(诱惑)Eve. The second one awakened Newton. {#blank#}1{#/blank#} Here are some famous words from Steve Jobs to share.

    On the character

    I'm the only person I know that's lost a quarter of a billion dollars in one year. {#blank#}2{#/blank#} 

On good design

    That's been one of my mottos－focus and simplicity. Simple can be harder than complex；You have to work hard to get your thinking clean to make it simple. But it's worth it in the end because once you get there，you can move mountains.

    On his outlook

    {#blank#}3{#/blank#} Saying we've done something wonderful when going to bed at night. That's what matters to me.

On your working life

    Your work is going to fill a large part of your life，and the only way to be truly satisfied is to do what you believe is great work. {#blank#}4{#/blank#} If you haven't found it yet，keep looking. Don't settle.

On the importance of death

    No one wants to die. Even people who want to go to heaven don't want to die to get there. {#blank#}5{#/blank#} No one has ever escaped it. And that is as it should be，because Death is even likely the single best invention of life. It is life's change agent. It clears out the old to make way for the new. Right now the new is you，but some day not too long from now，you will gradually become the old and be cleared away.

A. It's very character-building.

B. The third one was in the hands of Steve Jobs.

C. This is not a one-man show.

D. And the only way to do great work is to love what you do.

E. And yet death is the destination we all share.

F. It's really hard to design products by focusing on groups.

G. Being the richest man in the cemetery doesn't matter to me.

Sea Life Melbourne Aquarium (水族馆)

    The all-new Sea Life Melbourne Aquarium, situated in the heart of Melbourne's CBD, is one of Victoria's leading visitor attractions and an unforgettable outing for the whole family. Having 12 amazing zones of discovery, Sea Life Melbourne Aquarium is the very place that you cannot miss when you visit the city.

* Opening Times

    Sea Life Melbourne Aquarium is open from 9:30 am until 6:00 pm every day of the year, including public holidays. Last admission is at 5:00 pm, one hour before closing.

* Location (位置)

    Sea Life Melbourne Aquarium is located on the corner of Flinders Street and King Street, Melbourne. It is situated on the Yarra River, opposite Crown Entertainment Complex.

* Getting to Sea Life Melbourne Aquarium

Train

    The Sea Life Melbourne Aquarium train stop is located on the free City Circle Tram route (公交线路) and also routes 70 and 75. City Circle trams run every 10 minutes in both directions.

Shuttle Bus

    The Sea Life Melbourne Aquarium is a free bus service, stopping at key tourist attractions in and around the City. Running daily, every 15 minutes from 10:00 am to 4:00 pm.

Car Parking

    While there is no public car parking at Sea Life Melbourne Aquarium, there are several public car parking lots available only a short walk away.

* Wheelchair Access

    Sea Life Melbourne Aquarium provides people in wheelchairs with full access to all 12 zones. Each floor also has wheelchair accessible toilets.

* Terms

    Tickets will be emailed to you immediately after purchase or you can download and print your ticket once payment has been accepted. Please print out all tickets purchased and present at the front entrance of Sea Life Melbourne Aquarium. No ticket, no entry!

    What's On?

    Happy Reunion

    July 17—27(not on Saturdays and Sundays), 7: 30 pm PG Theater

    Presented by theater director Li Tsung-hsi, “Across the Sea to See You” tells a story of a couple who have a touching reunion after years of separation on the two sides of the Taiwan Strait. Li says the idea of the drama comes from the story of his grandmother. She reunited with her sister when cross-strait relations became warmer. Following the performances in Shanghai, it will tour around China.

    Post-War Art in Rome

    August 7—27(closed on Mondays), 10 am-8 pm Prada Rong Zhai

    Over 30 paintings and sculptures by Italian artists including Carla Accardi and Afro Basaldella are on display in the “Roma 1950-1965” exhibition at Prada Rong Zhai. The exhibition explores the cultural and art scene that developed in Rome after World War II.

    Storage Memory

    July 8—18, 11 am-7 pm Power Station of Art

    The solo exhibition of works by French artist Christian Boltanski aims to inspire emotional connections through a series of videos, sounds and shadow theater. Boltanski has had a far-reaching influence on the development of contemporary art in Europe.

    Traditional Operas

    August 20, 7: 15 pm STA Experimental Theater

    Classic excerpts(节选) from “The Palace of Eternal Youth” and “The Orphan of Zhao” will be performed in memory of Peking and Kunqu Opera artist Yu Zhenfei. Performers include Peking Opera artist Shang Changrong and Kunqu Opera artist Cai Zhengren.

    I took down the violin I made in the past two months, and walked towards the farmland outside. The violin shined in the sunlight, and I admitted, unwillingly, that it looked good. But I knew it was a mockery (笑柄) of my failure to find beauty.

    “What makes a violin beautiful?”

    I first asked this question as a three-year-old child and now again as a teenager. When I listened to a violin for the first time, I was so astonished by its beauty that I imagined a fairy living in the wooden frame. But fairies faded when I grew older. I wanted a reasonable answer to the question.

    I referred to Professor Ruan, my violin teacher, who introduced the violin to me 14 years ago. This 85-year-old man rhapsodized about (热烈赞美)the legend of Antonio Stradivari. “His violins are the most beautiful works human has ever crafted.” “Make a violin with your own hands," Professor Ruan suggested, "When you play it, you'll know.”

    However, when Professor Ruan introduced to me a violin workshop, what I saw was far from my expectation. In front of me was a fat worker, shirtless and sunburned, soon to become my master. What shocked me most was that the “master” knew nearly nothing about music. His rough hands had been tending crops, not instruments, for most of his life.

Two months later, standing outside the workshop, I was disappointed. Yes, I just finished or copied a Stradivarius violin. But I didn't find beauty in it. Then I remembered Professor Ruan's words, "When you play it, you'll know.” So I closed my eyes, and focused on where my fingers and strings touched. Music flowed suddenly so beautifully that for a moment I doubted my own ears. Slowly I opened my eyes, and with surprise found the fairy of my childhood fantasy dancing to my music — the two-year-old daughter of the master.

    Professor Ruan was right. I didn't find beauty until I played music with the violin, because beauty isn't in the instrument itself. It's just here, deep down, in ourselves.

    It was once common to regard Britain as a society with class distinction. Each class had unique characteristics.

    In recent years, many writers have begun to speak the 'decline of class' and 'classless society' in Britain. And in modern day consumer society everyone is considered to be middle class.

    But pronouncing the death of class is too early. A recent wide-ranging society of public opinion found 90 percent of people still placing themselves in particular class; 73 percent agreed that class was still a vital part of British society; and 52 percent thought there were still sharp class differences. Thus, class may not be culturally and politically obvious, yet it remains an important part of British society. Britain seems to have a love of stratification.

    One unchanging aspect of a British person's class position is accent. The words a person speaks tell her or his class. A study of British accents during 1970s found that a voice sounding like a BBC newsreader was viewed as the most attractive voice, Most people said this accent sounded 'educated' and 'soft'. The accents placed at the bottom in this study, on the other hand, were regional city accents. These accents were seen as 'common' and 'ugly'. However, a similar study of British accents in the US turned these results upside down and placed some regional accents as the most attractive and BBC English as the least. This suggests that British attitudes towards accent have deep roots and are based on class prejudice.

    In recent years, however, young upper middle-class people in London, have begun to adopt some regional accents, in order to hide their class origins. This is an indication of class becoming unnoticed. However, the 1995 pop song 'Common People' puts forward the view that though a middle-class person may 'want to live like common people' they can never appreciate the reality of a working-class life.

    "Dad," I say one day, "Let's take a trip. Why don't you fly and meet me?"

    As a manager from IBM, my father's job filled his day, his thought, his life. While he woke up and took a warm shower, I had fun under the Eiffel Tower. While he tied a tie and put on the same Swiss watch, I rowed a boat across Lake of the Ozarks.

    My father sees me travelling without a purpose, nothing to show for my 33 years but a passport full of funny stamps. He wants me to settle down (安定下来), but now I want him to explore the world.

    He agrees and we meet four weeks later in Rapid City.

    "What is our first stop?" asks my father.

    "What time is it?"

    "Still don't have a watch?"

    Less than an hour away is Mount Rushmore. As he looks up at sculptures of the four Presidents in granite(花岗岩), his mouth and eyes open slowly, like those of little boy.

    "Amazing," he says, "How was this done?"

    A film in the information center shows sculptor(雕塑家) Gutzon Borglum devoted 14 years to the sculptures.

    We look up and I ask myself, "Can I devote my life to anything?"

    No directions, no purpose. I always used to hear those words in my father's voice. Now I hear them in my own.

    The next day we're at Yellowstone National Park, where we have a picnic.

"Did you ever travel with your dad?" I ask.

    "Only once," he says. "I never spoke much with my father. We loved each other—but never said it. Whatever he could give me, he gave."

    The last sentence—it's probably the same thing I will say about my father. And what I want my child to say about me.

    In Glacier National Park, my father says, "I've never seen water so blue." I have, in several places of the world. I can keep traveling. I realize— and maybe a fixed job won't be as boring as I think.

    Weeks after our trip, I call my father. "The photos from the trip are wonderful," he says. "We have got to take another trip like that sometime." I tell him I've decided to settle down and find a fixed job, and I'm wearing a watch.