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题型:阅读理解 题类:模拟题 难易度:普通

2018年普通高等学校招生全国统一考试英语模拟(四)(衡水金卷调研卷)

阅读理解

    It's just been three months after the first bike-sharing company arrived in Singapore, but reports of abuse and vandalism(故意破坏)of shared bikes in the city keep appearing on social media.

    The majority of these shared bikes are stationless, which means they don't need to be stopped at a designated(指定的)spot. They lock themselves after your ride is over, and you're meant to just leave the bike at the side of a road.

    But users have been chaining up bicycles outside their apartments, preventing others from using them. Some people bring them up to their apartment floors, so they can't be found easily by other users. Some people have removed the bikes' number plates or codes, and some even have painted over the bikes to claim the bikes for themselves. Most of the abused bikes belong to either Singapore-based oBike, or ofo, a bike-sharing giant based in China.

    ofo has encouraged Singaporean users to report issues. oBike said that the number of bicycles that were damaged made up less than one percent of its fleet. The company said in February that it planned to bring in “tens of thousands” of bikes by mid-2017. The company has yet to ban anyone from its service, but said that it would take appropriate action – including making reports to the police.

    oBike also introduced a shortcoming system, similar to that of its competitor, China-based Mobike. Users start with 100 points, which get taken away for errant(出格的)behaviour such as forgetting to lock the bike, or parking at non-designated areas. Users are banned from using oBike when their scores reach zero. oBike has an eight-man operation team that can remove bicycles parked casually.

    When approached for comment, Mobike said, “In China, just as in Singapore, there are always a tiny minority of people who abuse the bikes, so we designed our system to prevent this type of abuse.”

(1)、Who is the owner of most of the abused bikes?
A、Chinese government. B、Local government. C、A bike-sharing giant based in China. D、The users of the bikes.
(2)、What is the attitude of the oBike toward the abuse of bikes?
A、Tolerant. B、Indifferent. C、Supportive. D、Disapproving.
(3)、What is the meaning of the underlined word “that” in the fifth paragraph?
A、System. B、Bike. C、Company. D、Report.
(4)、What can we learn from the passage about shared bikes?
A、They will be introduced soon. B、The abuse of the bikes is on the increase. C、They are very expensive. D、They are well preserved by users.
举一反三
阅读理解

    My students entered the art room with their usual eagerness to see what they would be learning in today's class. Little did they know they were going to be students for a new teaching method that is spreading the nation.

    I often use videos as previews and supplements (补充) to our art lessons providing students with a variety of artists showing their skills in real-life situations outside the classroom. Finding a new painting technique called glue batik(胶水蜡染),  I thought of something new I hadn't tried before!  How awesome would it be to learn a new technique together with artists? The lesson was planned, presented to the students without any introduction or set objectives. I also asked the students to watch and pause the video as often as they needed to.

    They watched as the artist explained and showed her skills, taking notes on her steps and results. After the video, they shared what they felt the artist's objectives were, her end result using art vocabulary as well as the steps they would need to know to present their own examples. Then they began creating their works using the glue batik technique.

    Surfing the Internet a couple of weeks later, I found that the teaching method I used sounded very familiar to a new movement in education called flipped teaching, which was developed by Jonathan Bergmann. He asked his students to watch video lectures at home and do exercises (homework) in class under supervision (监督). He found that grades went up and he also found time for other types of activities, which Bergmann states are more important than the videos.

    Back to my art class, the students were learning to get ideas, make predictions, and explain reasoning to their classmates. Together they compared, asked questions and made discoveries as they presented the technique.

阅读理解

    In Shanghai's Grand Theater, a fashionable, mainly young audience applauds enthusiastically as Guo Yong takes center stage. He holds a large bushy tree branch with leaves. Blowing on one of the leaves, he produces a sound like the singing of birds as he plays a traditional Buyi folk song. Some other musicians are also playing the traditional instruments from various ethnic groups in China.

    It's the first time such music has ever been performed in the Grand Theater. But all this is the efforts of Zhu Zheqin, a Cantonese-born singer; who has made it her mission to help preserve China's traditional ethnic music.

    Several years ago, after being appointed a United Nations Development Program ambassador, Zhu traveled through some of China's remotest regions in an attempt to document the traditional music of various minority groups. In the course other four- month trip, she recorded more than a thousand songs. But she noticed that many of the best musicians were old, and some of the music was at risk of dying out.

    "I was shocked the beauty of what I heard-it was so good," she says. "But it needed support. I hope to let people see the beauty of these things in the contemporary times."

    So Zhu decided to introduce some of the musicians to a wider audience. By doing this, she hopes to rekindle (再次点燃) the interest of the younger generation. "Young people don't like this music much; they prefer pop music and love songs. They think these songs are something their grandma sings. This kind of repackaging gives young people a new door into their heritage."

    Zhu believes China needs to look again at its own roots. "China today is basically all Western art; in our conservatories (音乐学院) Western classical music is the top," she says. "For China to really contribute to the world, we need to go on our own path. So what can represent China today?" The answer, she suggests, is to move from "made in China" to "created in China".

阅读理解

    You've probably visited the Tian'anmen Gatetower—the landmark building of Beijing, but you may not have heard of Kuai Xiang. Along with him, the following remarkable architects all took the center stage at their times.

    Kuai Xiang(1399—1481)

    Tian'anmen Gatetower is universally considered the brainchild of Kuai Xiang. By following in the footsteps of ancient homebuilders, he successfully presented the Emperor Judy with a grand wooden structure which has stood the test of time for almost 600 years. Visitors are also hooked on its delicate paintings.

    Ieob Ming Pei (1917-present)

    His motto is: Traditions should be sealed in glass boxes at museums. He is always struggling with innovation. Although under grilling from French conservative critics, he still planted a glass pyramid into the courtyard of the Louvre. His other works include John F. Kennedy Library, Beijing Fragrant Hill Hotel and Suzhou Museum.

    Zaha Hadid(1950-2016)

    In 2004, she became the first woman to win the Pritzker Architecture Prize, the Nobel Prize for architecture. She used tricks to maximize available space. Her fluid-style works pioneer the concept of micro-living. The curves(曲线) of Guangzhou Opera House perfectly match the rise and fall of its surrounding buildings, forming a unique view.

    Meng Fanchao (1959-present)

    Many people dismissed the building of a mega bridge as a pipe dream, but Meng Fanchao turned this into reality by building Hong Kong-Zhuhai-Macao Bridge. This longest cross-sea bridge, when viewed afar, looks like a dynamic dragon braving the rolling waves of Lingding Sea.

阅读理解

    Life in the summertime is often full of pests. Like most Long Island homeowners, I want to ensure my suburban life with pest-free living. So it was with wide-eyed wonder that I greeted the smiling exterminator (灭虫者) who rang my bell.

    “We'll be serving your neighbors, Mike and Sarah (I'm not familiar with either one by name),” he waved in the other direction. “Since we'll have a team here tomorrow, we're offering a discount.” He came out with numbers beginning from $299 then in seconds to $89.

    “You've probably been seeing the ant hills around.” he moved toward my front walkway and lawn. “And have you seen the bees that dig nests in the ground?” he continued with his head shaking up and down pushing me to do the same.

    “What we do is spray three feet out from your foundation and three feet up.” As he was talking, and without breaking eye contact, he opened his iPad cover and began operating at the screen to show me frightening images. “It also kills other pests, like spiders. It is the best pesticide (杀虫剂),” he said, pausing for effect.

    He then went into soft talk to close the deal, correctly foreseeing that I would be concerned about safety and the environmental impact on my vegetable garden, plants and our little patch of planet here on Long Island. “The products are environmentally responsible, safe with children and pets,” he said.

    I'm unkind when it comes to unwanted visitors entering on my out-of-doors moments. Any insect found in my house or on my deck is bound to be poisoned or pancaked.

    Unfortunately for the exterminator, just as I was considering making an appointment, Billy, my fearless husband, pulled into our driveway, which made me ask for a business card out of politeness instead.

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