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    One morning, I was waiting at the bus stop, worried about {#blank#}1{#/blank#} (be) late for school. There were many people waiting at the bus stop, {#blank#}2{#/blank#} some of them looked very anxious and {#blank#}3{#/blank#}(disappoint). When the bus finally came, we all hurried on board. I got a place next {#blank#}4{#/blank#} the window, so I had a good view of the sidewalk. A boy on a bike {#blank#}5{#/blank#} (catch) my attention. He was riding beside the bus and waving his arms. I heard a passenger behind me shouting to the driver, but he refused {#blank#}6{#/blank#}(stop) until we reached the next stop. Still, the boy kept {#blank#}7{#/blank#}(ride). He was carrying something over his shoulder and shouting. Finally, when we came to the next stop, the boy ran up the door of the bus. I heard an excited conversation. Then the driver stood up and asked,“{#blank#}8{#/blank#} anyone lose a suitcase at the last stop?” A woman on the bus shouted, “Oh, dear! It's {#blank#}9{#/blank#} (I)”. She pushed her way to the driver and took the suitcase thankfully. Five others on the bus began talking about what the boy had done and the crowd of strangers {#blank#}10{#/blank#}(sudden) became friendly to one another.

    Woodblock painting（木版画）are often hung at homes during the Chinese Lunar New Year.

    For many Chinese, the bright-colored paintings are quite time-limited. As soon as the festival comes to an end, these print works are at once thrown away. {#blank#}1{#/blank#}, these short-lives New Year paintings require a year of hard work by the artists, many of {#blank#}2{#/blank#} have devoted their entire life to this traditional folk art.

    Yang Luoshu, a 92-year-old man from Weifang City, Shandong Province, is {#blank#}3{#/blank#} those who have had a great love of the art. Yang has worked as {#blank#}4{#/blank#} craftsman for 77 years, and has kept improving his carving skills with every piece of work.

    Yangjiabu New Year woodblock paintings, which Yang has fallen in love with, {#blank#}5{#/blank#}(appear) in the Ming Dynasty. As a national cultural heritage, it is now one of China's three {#blank#}6{#/blank#}(representative) of traditional folk paintings for the New Year, together with Tianjin's Yangliuqing and Suzhou's Taohuawu.

    {#blank#}7{#/blank#}(run) a centuries-old folk art family workshop named Tongshunde, Yang has carved all kinds of images, including flowers, birds, mountains, rivers and traditional Chinese gods. But he realizes that something must be changed {#blank#}8{#/blank#}(make) sure handmade New Year paintings live on. “We are now thinking about development, allowing the paintings to be more {#blank#}9{#/blank#}(create).” he said. For him, the next thing to do is to find qualified successors to ensure that the skills {#blank#}10{#/blank#}(pass) to younger generations.